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Todo Tiene Su Hora
     

Todo Tiene Su Hora

by Juan Luis Guerra y 440
 
For more than 30 years, Juan Luis Guerra has worked diligently and stubbornly as a singer, songwriter, and performer to carve out new terrain for bachata and merengue in the Latin pop landscape. He is not a purist, but he loves Latin traditions and his work grows from their roots. As such, he has remained musuically ambitious, exploring many Caribbean and Latin forms,

Overview

For more than 30 years, Juan Luis Guerra has worked diligently and stubbornly as a singer, songwriter, and performer to carve out new terrain for bachata and merengue in the Latin pop landscape. He is not a purist, but he loves Latin traditions and his work grows from their roots. As such, he has remained musuically ambitious, exploring many Caribbean and Latin forms, from salsa and son to cumbia. The evidence is abundant on Todos Tiene Su Hora. Over ten songs, he and his killer 440 outfit, range through these styles and integrate even more. With its colorful horn chart, opener "Cookies and Cream" gently touches on the vintage R&B-inflected sounds of Louis Jordan, Creed Taylor's expansively arranged jazz color palette on CTI, and vintage Dominican mini jazz with fantastically syncopated rhythms. The set's chart-topping single "Tus Besos" is rooted in late-'50s/early-'60s doo wop siphoned through pop bachata. Its layered vocal harmonies and falsettos reveal just how deeply Latin and Anglo sounds are influenced by one another. Its melody is irresistible, caressed by claves, congas, sparkling electric guitars, and a strolling bassline. The interplay of voices in five-part harmony, from baritone to glorious falsetto, is as sophisticated as it is catchy. There is real soul in this tender, infectious love song. The seamless integration with cumbia on "Canto a Colombia" actually recalls the literary pop jazz of early Michael Franks in some of its vocal and musical strategies, as well as Dominican sounds -- it works effortlessly. "Dime Nora Mía" is a lithe, amorous, New York-style salsa, a real album highlight. "Para Que Sepas" is a deeply moving son illustrated--uncharacteristically --by a clarinet adding a second "voice." The American string quartet Attacca adds swirling strings to highlight the drama in the passionate narrative. One of the loveliest bachatas here is "Muchachita Linda," written for Guerra's daughter. Its horn arrangement contains a lovely inspirational (yet almost imperceptible) nod to the Beatles' "Penny Lane." "El Capitán" is a popping merengue, with bubbling basslines and sparking keyboards under Guerra's voice entwined with a backing chorus. "De Moca a Paris" is a burning merengue delivered in duet with the legendary Johnny Ventura. It's the story of a sizzling romance between lovers separated by the distance of continents: He in the DR; she in France. The great Dominican composer Luis Dias is brought up as a way of addressing a longing that is "beyond Debussy." Nothing expresses desire like a cooking dance tune, and this one oozes with it. Todos Tiene Su Hora is as consistent as it is adventurous; it ranks easily among Guerra's finest recordings, and reveals that even after 30 years, he is able to break new ground while remaining readily accessible to longtime fans.

Product Details

Release Date:
11/10/2014
Label:
EMI INTERNATIONAL
UPC:
0602547037565
catalogNumber:
002204402
Rank:
29461

Tracks

Album Credits

Performance Credits

Juan Luis Guerra y 440   Primary Artist
Juan Luis Guerra   Vocals,Arreglos,Coros
Rafael Martínez   Guira
Juan Rizek   Coros
Janina Rosado   Piano,Coros
Adalgisa Pantaleon   Coros
Roger Zayas   Coros
Patricia Bonilla   Trombone
Jose Flete   Trombone
Alberto Iznaga   Viola
Juan De La Cruz   Bongos
Milena Zivkovic   Cello
Juan Pablo Polanco   Cello
Joel Rosario   Saxophone
Paulina Guerra   Coros
Daniel Peña   Saxophone
Mayreni Morel   Viola
Willy De La Cruz   French Horn
Priscila Maltés   Coros
Ivana De La Cruz   Coros
Esar Simó   Contrabass (Vocal)
Allan Leschorn   Mezcla

Technical Credits

Juan Luis Guerra   Composer

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