Tokyo Sketches

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1993 Hard cover New in new dust jacket. Square and tight-Pages bright without marks or plates-Fast shipping Sewn binding. Paper over boards. 160 p. Audience: General/trade.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
Last year Michael Crichton's Rising Sun depicted Japan as the U.S.'s economic enemy and set off a xenophobic frenzy. Hamill's ( The Invisible City ) modest collection of 13 short stories has the opposite effect, making that distant culture seem eerily close to ours. His simple themes of love, loss, longing and deception are joined to powerful emotions, and reveal a psychological bond between the two countries. The central characters--both Japanese and American--are at the crossroads of the two cultures: a Tokyo reporter at her first English-language interview encounters a blind blues singer; a visiting WW II vet runs head on into an old heartbreak; a Japanese boy turns desolate without the friends he had before his father died, when they all lived in Louisiana; an aging baseball star, the designated gaijin on a Japanese team, learns an unexpected lesson from the native coach. Hamill has reached into seemingly disparate subcultures within each country--blues, samurai, baseball, yakuza--to craft moments of striking self-recognition. His spare, simple prose seems, in this context, to owe as much to such Japanese influences as flower arranging and haiku as it does to his muscular journalism and masculine fiction. But his fine accomplishment in this volume is to make the two influences appear to spring from the same source. While the stylistic simplicity can occasionally seem reductive (from time to time, he waves the emotional semaphores of sports stories), the pieces more often are gently, consciously restrained, and the overall effect is very strong. (Mar.)
Library Journal
History has brought Japan and the United States together in a complex, often uneasy relationship. In these 13 subtle, well-told tales, Hamill finds the Japanese-American relationship rife with ironies both gentle and tragic. A few stories probe painful wartime memories, including ``The Past Is Another Country,'' in which an aging U.S. industrialist detects long-held resentment beneath a Japanese offer to invest in his company. Others examine fresher wounds. ``A Blues for Yukido'' alternates humor and poignancy as it chronicles a young Japanese journalist's fumbling attempt to interview a legendary U.S. musician. ``Running for Home'' depicts a African American player's head-on confrontation with Japanese baseball. At their best, these stories may help bridge the cultural divide they so ably document. Recommended for most collections.-- Law rence Rungren, Bedford Free P.L., Mass.
Lindsay Throm
These stories all portray people seeking understanding, whether they're Big Boy Carter, an American blues star enjoying an unexpected comeback, or the young Japanese reporter assigned him for her first interview; or an American pop star on tour; or the failing American baseball player picked up by a Japanese team; or the wealthy widowed Japanese businessman who is lonely; or one of the Americans returning to Japan after their service there during both World War II and Vietnam to rediscover the Japanese people. All these characters struggle with cultural differences and reflexive misunderstandings. These compelling stories about their painful need to be understood illustrate both American and Japanese points of view. They allow the reader to see how much people are alike, how unnecessary and harmful the cultural conflicts that separate them are, and how both Americans and Japanese pay for them.
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Product Details

  • ISBN-13: 9784770016973
  • Publisher: Kodansha International
  • Publication date: 2/1/1993
  • Edition description: 1st Edition
  • Edition number: 1
  • Pages: 224
  • Product dimensions: 6.28 (w) x 9.17 (h) x 0.73 (d)

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