Tolkien and the Great War: The Threshold of Middle-earth

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"Very much the best book about J.R.R. Tolkien that has yet been written." -- A.N. Wilson

"A highly intelligent book ... Garth displays impressive skills both as researcher and writer." -- Max Hastings

"It is a strange story that Garth tells, but he tells it clearly and compellingly." -- Tom Shippey

"Somewhere, I think, Tolkien is nodding in appreciation." -- Charles Matthews, San Jose Mercury News

"Gripping from start to finish and offers important new insights." - Library Journal

"A labor of love in which ...

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Overview


"Very much the best book about J.R.R. Tolkien that has yet been written." -- A.N. Wilson

"A highly intelligent book ... Garth displays impressive skills both as researcher and writer." -- Max Hastings

"It is a strange story that Garth tells, but he tells it clearly and compellingly." -- Tom Shippey

"Somewhere, I think, Tolkien is nodding in appreciation." -- Charles Matthews, San Jose Mercury News

"Gripping from start to finish and offers important new insights." - Library Journal

"A labor of love in which journalist Garth combines a newsman's nose for a good story with a scholar's scrupulous attention to detail... Brilliantly argued." -- Daily Mail

"Insight into how a writer turned academia into art, how deeply friendship supports and wounds us, and how the death and disillusionment that characterized World War I inspired Tolkien's lush saga." - Detroit Free Press

“To be caught in youth by 1914 was no less hideous an experience than in 1939 . . . by 1918 all but one of my close friends were dead.”

So J.R.R. Tolkien responded to critics who saw The Lord of the Rings as a reaction to the Second World War. Tolkien and the Great War tells for the first time the full story of how he embarked on the creation of Middle-earth in his youth as the world around him was plunged into catastrophe. This biography reveals the horror and heroism that he experienced as a signals officer in the Battle of the Somme and introduces the circle of friends who spurred his mythology into life. It shows how, after two of these brilliant young men were killed, Tolkien pursued the dream they had all shared by launching his epic of good and evil.
This is the first substantially new biography of Tolkien since 1977, meticulously researched and distilled from his personal wartime papers and a multitude of other sources.
John Garth argues that the foundation of tragic experience in the First World War is the key to Middle-earth's enduring power. Tolkien used his mythic imagination not to escape from reality but to reflect and transform the cataclysm of his generation. While his contemporaries surrendered to disillusionment, he kept enchantment alive, reshaping an entire literary tradition into a form that resonates to this day.

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Editorial Reviews

Publishers Weekly
This dense but informative study addresses the long-standing controversy over how J.R.R. Tolkien's WWI experience influenced his literary creations. A London journalist, Garth is a student of both Tolkien and the Great War. He writes that when war broke out, Tolkien was active in an Oxford literary society known as the Tea Club and Barrovian Society (TCBS), along with three of his closest friends. Finishing his degree before joining up, Tolkien served as a signal officer in the nightmarish Battle of the Somme in 1916, where two of those friends were killed. The ordeal on the Somme led to trench fever, which sent him home for the rest of the war and probably saved his life. It also influenced a body of Northern European-flavored mythology he had been inventing and exploring in both prose and verse before the war, toward its evolution into The Book of Lost Tales and in due course Lord of the Rings and The Silmarillion. This book could not pretend to be aimed at other than the serious student of Tolkien, and readers will benefit from a broad knowledge of his work (as well as a more than casual knowledge of WWI). But it also argues persuasively that Tolkien did not create his mythos to escape from or romanticize the war. Rather, the war gave dimensions to a mythos he was already industriously exploring. Garth's fine study should have a major audience among serious students of Tolkien, modern fantasy and the influence of war on literary creation. (Nov. 12) Copyright 2003 Reed Business Information.
Library Journal
Interest in J.R.R. Tolkien has soared since the release of Peter Jackson's film adaptation of The Lord of the Rings. With the upcoming release of the third installment, these two titles are sure to generate interest among academic and public library patrons alike. Duriez's book celebrates the friendship of two great fantasists, Tolkien and C.S. Lewis, whose companionship bore much fruit, as seen in Lewis's many Christian and children's books (e.g., The Chronicles of Narnia) and in Tolkien's great stories of Middle-earth. Duriez, who has written extensively on both authors, here chronicles their friendship from the time they first met at Oxford University in 1926 until Lewis's death in 1963. As Duriez observes, their influence on each other was immense, and their common interest in mythology grew stronger over time. Tolkien, a devout Christian, led Lewis to Christianity in 1932, convincing him that Christianity was a myth that really happened. In later years, Lewis would in turn encourage Tolkien to finish The Lord of the Rings. Although their friendship eventually cooled, they never lost touch. Tolkien helped get Lewis into Cambridge in 1954 and was greatly saddened when he died a decade later. Duriez handles both men's lives with great care, tackling their strengths and shortcomings equally. Garth's book explores a chapter of Tolkien's life that is not as well known-his involvement in World War I-and places his early poetry and prose within the context of the war. We learn that Tolkien served in the Battle of the Somme and lost two of his best friends during the war. We also learn of the enormous impact those friendships had on the writer. But as Garth shows, Tolkien didn't become disillusioned, as did most men of his generation. Instead, he transformed his grief into a mythology of good vs. evil that culminated in his famed masterpiece, The Lord of the Rings. During his research, Garth, a London-based journalist, had the complete cooperation of the Tolkien estate, which allowed him access to Tolkien's wartime papers. His narrative is gripping from start to finish and offers important new insights. Both books are highly recommended for all collections.-Ron Ratliff, Kansas State Univ. Lib., Manhattan Copyright 2003 Reed Business Information.
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Product Details

  • ISBN-13: 9780618331291
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 11/12/2003
  • Pages: 416
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.06 (d)

Meet the Author


John Garth, winner of the 2004 Mythopoeic Society Scholarship Award, studied English at Oxford University and has since worked as a newspaper journalist in London. A long-standing taste for the works of Tolkien, combined with an interest in the First World War, fueled the five years of research that have gone into Tolkien and the Great War and he has drawn extensively on previously unpublished personal papers as well as Tolkien's service record and other unique military documents.
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Preface

This biographical study arose from a single observation: how strange it is that J. R. R. Tolkien should have embarked upon his monumental mythology in the midst of the First World War, the crisis of disenchantment that shaped the modern era.
It recounts his life and creative endeavours during the years 1914– 18, from his initial excursions into his first invented ‘Elvish’ language as a final-year undergraduate at Oxford, through the opening up of his horizons by arduous army training and then the horror of work as a battalion signal officer on the Somme, to his two years as a chronic invalid standing guard at Britain’s seawall and writing the first tales of his legendarium.
Travelling far beyond the military aspects of the war, I have tried to indicate the breadth and depth of Tolkien’s interests and inspirations. The growth of his mythology is examined from its first linguistic and poetic seeds to its early bloom in ‘The Book of Lost Tales’, the forerunner of The Silmarillion, envisaged in its beginnings as a compendium of long-forgotten stories of the ancient world as seen through elvish eyes. As well as a critical examination of this first foray into what Tolkien later came to call Middle- earth, I have provided commentaries on many of his early poems, one of which (‘The Lonely Isle’) appears here in full for the first time since its publication in the 1920s, in a small-press book now long out of print. I hope I have given Tolkien’s early poetry and prose the serious consideration they deserve, not as mere juvenilia, but as the vision of a unique writer in the springtime of his powers; a vision already sweeping in its scope and weighty in its themes, yet characteristically rich in detail, insight and life.
One of my aims has been to place Tolkien’s creative activities in the context of the international conflict, and the cultural upheavals which accompanied it. I have been greatly assisted, firstly, by the release of the previously restricted service records of the British Army officers of the Great War; secondly, by the kindness of the Tolkien Estate in allowing me to study the wartime papers that Tolkien himself preserved, as well as the extraordinary and moving letters of the TCBS, the circle of former school friends who hoped to achieve greatness but found bitter hardship and grief in the tragedy of their times; thirdly, by the generosity of the family of Tolkien’s great friend Rob Gilson in giving me unrestricted access to all of his papers. The intertwined stories of Gilson, Geoffrey Bache Smith, Christopher Wiseman, and Tolkien – their shared or overlapping vision and even their sometimes incendiary disagreements – add greatly, I believe, to an understanding of the latter’s motivations as a writer.
Although Tolkien wrote often about his own wartime experiences to his sons Michael and Christopher, when they in their turn served in the Second World War, he left neither autobiography nor memoir. Among his military papers, a brief diary provides little more than an itinerary of his movements during active service in France. However, such is the wealth of published and archival information about the Battle of the Somme that I have been able to provide a detailed picture of Tolkien’s months there, down to scenes and events on the very routes he and his battalion followed through the trenches on particular days.
It may be noted here that, although full and detailed surveys of the source material have been published for Smith’s and Gilson’s battalions (by Michael Stedman and Alfred Peacock, respectively), no similar synthesis has been attempted for Tolkien’s for more than fifty years; and none, I believe, that has made use of a similar range of eyewitness reports. This book therefore stands as a unique latter-day account of the experiences of the 11th Lancashire Fusiliers on the Somme. Since my narrative is not primarily concerned with matters of military record, however, I have been at pains not to overburden it with the names of trenches and other lost landmarks (which often have variants in French, official British, and colloquial British), map references, or the details of divisional and brigade dispositions.
If nothing else, the phenomenal worldwide interest in Tolkien is sufficient justification for such a study; but I hope it will prove useful to those who are interested in his depiction of mythological wars from old Beleriand to Rhun and Harad; and to those who believe, as I do, that the Great War played an essential role in shaping Middle-earth.
In the course of my research, the emergence of this imagined version of our own ancient world from the midst of the First World War has come to seem far from strange, although no less unnique for all that. To sum up, I believe that in creating his mythology, Tolkien salvaged from the wreck of history much that it isssss good still to have; but that he did more than merely preserve the traditions of Faërie: he transformed them and reinvigorated them for the modern age.
So much has the biographical aspect of this book grown, however, that it seemed best, in the end, to restrict my comments on the possible relationship between the life and the writings to a few observations, and to set out my overall case in a ‘Postscript’. Having read the story of Tolkien’s experiences during the Great War, those who also know The Hobbit and The Lord of the Rings, or The Silmarillion and its antecedents, will be able to draw their own more detailed conclusions, if they wish, about how these stories were shaped by the war.
Perhaps this is the way Tolkien would have wanted it, if indeed he had countenanced any biographical inquiry into his life and work. A few years after the publication of The Lord of the Rings, he wrote to an enquirer:

I object to the contemporary trend in criticism, with its excessive interest in the details of the lives of authors and artists. They only distract attention from an author’s works . . . and end, as one now often sees, in becoming the main interest. But only one’s Guardian Angel, or indeed God Himself, could unravel the real relationship between personal facts and an author’s works. Not the author himself (though he knows more than any investigator), and certainly not so-called ‘psychologists’ [Letters, 288].

I do not claim any divine insight into Tolkien’s mind, and I do not pretend to put him on the psychiatrist’s couch. I have not gone hunting for shock and scandal, but have focused at all times on matters that seem to me to have played a part in the growth of his legendarium. I hope that this story of the passage of an imaginative genius through the world crisis of his times will cast a little light on the mysteries of its creation.
At all points, matters of opinion, interpretation, and exegesis are my own, and not those of the Tolkien family or the Tolkien Estate. I thank them, however, for permission to reproduce material from private papers and the published writings of J. R. R. Tolkien.
Copyright © 2003 by John Garth. Reprinted by permission of Houghton Mifflin Company.

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Table of Contents


Contents List of Illustrations ix Maps x Preface xiii part one The immortal four 1 Prologue 3 1 Before 11 2 A young man with too much imagination 38 3 The Council of London 54 4 The shores of Fae¨rie 71 5 Benighted wanderers 89 6 Too long in slumber 114 part two Tears unnumbered 139 7 Larkspur and Canterbury-bells 141 8 A bitter winnowing 152 9 ‘Something has gone crack’ 169 10 In a hole in the ground 186 part three The Lonely Isle 203 11 Castles in the air 205 12 Tol Withernon and Fladweth Amrod 224 Epilogue. ‘A new light’ 253 Postscript. ‘One who dreams alone’ 287 Notes 315 Bibliography 369 Index 381
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Customer Reviews

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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted December 29, 2004

    Amazing

    Mr. Garth is a beautiful man with a beautiful mind and an absolutely breath taking book that displays his hard work and dedication. This book is truly appreciated by a toklkien fan

    1 out of 2 people found this review helpful.

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  • Anonymous

    Posted February 23, 2013

    A great book that refuses to over-simplify

    Tolkein himself was notoriouly closed mouthed about his personal influences and how they impacted his literature. The author does a fine job of dissecting and noting how the young John Ronald's pre-war and wartime experiences and relationships influenced his mythology at a critical point in its genesis. Along the way, we are reminded of the cost of life and potential creativity caused by the Great War of 1914-1918.

    Was this review helpful? Yes  No   Report this review
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