Tono Monogatari

by Shigeru Mizuki, Zack Davisson (Translator)

Overview

The beloved mangaka adapts one of his country—and teh world's—great works of supernatural literature Shigeru Mizuki—Japan’s grand master of yokai comics—adapts one of the most important works of supernatural literature into comic book form. The cultural equivalent of Brothers Grimm’s fairy tales, Tono Monogatari is a defining text of Japanese folklore and one of the country’s most important works of literature. This graphic novel was created during the later stage of Mizuki’s career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art. Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan’s rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki’s path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and the two sit down to discuss their works. Translated with additional essays by Mizuki scholar and English-language translator Zack Davisson, Tono Monogatari displays Mizuki at his finest, exploring the world he most cherished. Tono Monogatari was translated by Zack Davisson, an award-winning translator, writer, and folklorist. He is the author of Yurei: the Japanese Ghost, Yokai Stories, Narrow Road, and Kaibyo: The Supernatural Cats of Japan and translator of Shigeru Mizuki's multiple Eisner Award-winning Showa: a History of Japan and famous folklore comic Kitaro. He also translated globally renowned entertainment properties such as Go Nagai's Devilman and Cutie Honey, Leiji Matsumoto's Space Battleship Yamato and Captain Harlock, and Satoshi Kon's Opus. In addition, he lectured on manga, folklore, and translation at colleges such as Duke University, UCLA, and the University of Washington and contributed to exhibitions at the Henry Art Gallery, The Museum of International Folkart, Wereldmuseum Rotterdan, and the Art Gallery of New South Wales.

Product Details

ISBN-13:	9781770464872
Publisher:	Drawn & Quarterly
Publication date:	03/17/2021
Sold by:	Barnes & Noble
Format:	eBook
Pages:	258
File size:	110 MB
Note:	This product may take a few minutes to download.
Age Range:	16 - 18 Years

About the Author

Shigeru Mizuki (1922–2015) was one of Japan’s most respected artists. A creative prodigy, he lost an arm in World War II. After the war, Mizuki became one of the founders of Japan’s latest craze—manga. He invented the yokai genre with GeGeGe no Kitaro, his most famous character, who has been adapted for the screen several times, as anime, live action, and video games. In fact, a new anime series has been made every decade since 1968, capturing the imaginations of generations of Japanese children. A researcher of yokai and a real-life ghost hunter, Mizuki traveled to over sixty countries to engage in fieldwork based on spirit folklore. In his hometown of Sakaiminato, one can find Shigeru Mizuki Road, a street decorated with bronze statues of his Kitaro characters.

Editorial Reviews

Shigeru Mizuki resurrected Japan’s folk creatures as pop culture for the masses.” —Matt Alt, The New Yorker

“Shigeru Mizuki's excellent little spooky comics [are] humorous, satirical and folkloric, populated with countless Japanese ghosts and fairies.” —Satoshi Kitamura, The Guardian

“Mizuki (NoNonBa) adapts Kunio Yanagita’s 1910 folklore history of yokai, or spirits, into an energetic series of manga vignettes that are often silly and sometimes genuinely terrifying... The acrobatic visuals lend these fables a giddy charm, and the inviting collection opens up Japanese history for a broader readership.” —Publishers Weekly

“Sublime, hair-raising, occasionally laugh-out-loud ludicrous, Mizuki continues to charm—and haunt.” —Shelf Awareness

“Tono Monogatari opens the door to a new way of experiencing Japan’s history and culture. Pick up a copy of this collection, read it, and share with others like the book itself requests: 'May the legends continue to be told.” —The Arkansas International

“[Mizuki's] re-imagining provides an enjoyable gateway into the world of Japanese folklore, proving there’s still some life in these old spirits yet.” —International Examiner

“In the face of a shifting culture, Yanagita memorialized the stories passed down through generations within the pages of Tono Monogatari. These yokai stories continue to live on in spite of active efforts to undermine their power, and with Mizuki’s adaptation of this enduring text, the stories have gained new life.” —Pop Matters

From the Publisher