Too Sinful To Deny

Too Sinful To Deny

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by Erica Ridley

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One look at the towering ocean-side manor that is to be her new home, and exiled socialite Susan Stanton knows: This is a place haunted by secrets, and riddled with menace.

For Susan, there is no escaping it. At best she can stay clear of the most dangerous element of all--dark-haired smuggler Evan Bothwick, a man whose shaded countenance cannot hide his wicked


One look at the towering ocean-side manor that is to be her new home, and exiled socialite Susan Stanton knows: This is a place haunted by secrets, and riddled with menace.

For Susan, there is no escaping it. At best she can stay clear of the most dangerous element of all--dark-haired smuggler Evan Bothwick, a man whose shaded countenance cannot hide his wicked intent.

But Susan has a secret of her own--a special gift that renders her privy to the darkest mysteries lurking within the walls of the manor and in the labyrinthine cellars beneath. And the only man who can help her make sense of it all is Evan, the very scoundrel and rogue she would do anything to be able to resist. . .

Praise for Erica Ridley's Too Wicked to Kiss

"A unique gothic romance complete with murder, madness, and mayhem!" --Virginia Henley, New York Times bestselling author

"Darkly sensual. . .a skillful blend of gothic mystery and steamy romance." --Karen Rose, New York Times bestselling author

Editorial Reviews

Publishers Weekly
Ridley's second Regency gothic historical (after Too Wicked to Kiss) lures readers with a unique combination of the paranormal, romance, and suspense. Susan Stanton is banished from London by her titled parents after a series of embarrassing escapades. Her new home of Moonseed Manor in coastal Bournemouth is fraught with danger, and her father's cousin, owner of the estate, is missing and likely dead. Susan, an affable and quick-witted woman, finds friendship and romance with local smuggler Evan Bothwick, and her ability to communicate with ghosts quickly immerses her in a smuggling mystery. A host of eccentric characters includes a tyrannical giant, a dishonest magistrate, and unhappy ghosts. The romantic element lacks sensuality, but the overall appeal of the well-crafted story helps make up for the lack of sizzle. (Apr.)

Product Details

Publication date:
Product dimensions:
4.10(w) x 6.70(h) x 1.10(d)

Read an Excerpt

Too Sinful to Deny

By Erica Ridley


Copyright © 2011 Erica Ridley
All right reserved.

ISBN: 978-1-4201-0994-8

Chapter One

March. The last of the plumed lords and ladies swooped into Town like crows feasting upon carrion. Susan had escaped both her splints and her bedchamber for the first time in six long, dark weeks—only to be bundled in the back of a black carriage and jettisoned into the vast void of nothingness beyond London borders.

To Bournemouth. Bournemouth. An infinitesimal "town" on a desolate stretch of coastline a million miles from home. Less than a hundred souls, the carriage driver had said. Spectacular. Thrice as many bodies had graced Susan's London come-out party four years ago, not counting the servants. Being banished from Town was the worst possible punishment Mother could've devised. Nothing could deaden the soul quite like the prospect of—

Moonseed Manor.

Susan's breath caught in her throat. Her mind emptied of its litany of complaints as her eyes struggled to equate the stark, colorless vista before her with "town of Bournemouth."

Dead, brown nothingness. Miles of it. A steep cliff jutted over black ocean. There, backlit with a smattering of fuzzy stars, a bone-white architectural monstrosity teetered impossibly close to the edge.

Moonseed Manor did not look like a place to live. Moonseed Manor looked like a place to die.

Not a single candle flickered in the windows. The carriage drew her ever closer, its wheels bouncing and slipping on sand and rocks. Susan's skin erupted in gooseflesh. She hugged herself, struck by an invasive chill much colder than the ocean breeze should cause.

The carriage stopped. The driver handed her out, then disappeared back into his perch, leaving her to make her presence known by herself. Very well. He could stay and mind the luggage while she summoned the help. Miss Susan Stanton was no shrinking violet. Although she wished for the hundredth time that her lady's maid (and frequent collaborator in the very schemes that had gotten Susan in trouble in the first place) hadn't been forbidden from accompanying her. She was well and truly exiled.

The back of her neck prickling with trepidation, Susan found herself curling trembling fingers around a thick brass knocker, the handle formed from the coil of a serpent about to strike. The resulting sound echoed in the eerie stillness, as if both the pale wood and the house itself were hollow and lifeless.

The door silently opened.

A scarecrow stood before her, all spindly limbs and jaundiced skin with a shock of straw-colored hair protruding at all angles above dark, cavernous eyes. The sharpness of his bones stretched his yellowed skin. His attire hung oddly on his frame, as though these clothes were not his own, but rather the castoffs of the true (and presumably human) butler.

"I ... I ..." Susan managed, before choking on an explanation she did not have.

She what? She was the twenty-year-old sole offspring of a loveless titled couple who had banished their ostracized disappointment of a daughter to the remotest corner of England rather than bear the sight of her? She nudged her spectacles up the bridge of her nose with the back of a gloved hand and forced what she hoped was a smile.

"My name is Miss Susan Stanton," she tried again, deciding to leave the explanation at that. Mother had written in advance, so what more need be said? "I'm afraid I was expected hours ago. Is Lady Beaune at home?"

"Always," the scarecrow rasped, after a brief pause. His sudden jagged-tooth smile unsettled Susan as surely as it must frighten the crows. "Come."

Susan slid a dozen hesitant steps into a long, narrow passage devoid of both portraiture and decoration before the oddity of his answer reverberated in her ears. Always. What did he mean by that, and why the secret smile? Once one entered Moonseed Manor, was one to be stuck there, entombed forevermore in a beachside crypt?

"P-perhaps I should alert my driver that your mistress is at home." She hastened forward to catch up to the scarecrow's long-limbed strides. "I have a shocking number of valises, and—"

"Don't worry," came the scarecrow's smoky rasp, once again accompanied by a grotesque slash of a smile. "He's being taken care of."

Normally, Susan would've bristled with outrage at the unprecedented effrontery of being interrupted by a servant. In this case, however, she was more concerned with the rented driver's continued well-being. She was not sure she wanted him "being taken care of." Shouldn't the butler have said her trunks would be taken care of? She glanced over her shoulder at the corridor now stretching endlessly behind them, and wondered whether she were safer inside these skeletal walls or out.

Susan didn't notice a narrow passageway intersecting the stark hall until the scarecrow disappeared within. She stood at the crossroads, hesitant to follow but even more nervous not to. After the briefest of pauses, she hurried to regain the scarecrow's side before losing him forever in the labyrinthine walls.

If he noticed her moment of indecision, he gave no sign. He made several quick turns, passing tall closed door after tall closed door, before finally making an abrupt stop at the dead end of an ill-lit corridor.

This door was open. Somewhat.

A candle flickered inside, but only succeeded in filling the room's interior with teeming shadows.

"Sir," the scarecrow rasped into the opening. "It's Miss Stanton. Your guest."

"Guest?" came a warm, smartly accented voice from somewhere within. The master of the house? No. "You were expecting guests at this hour, Ollie?"

Ollie? Susan echoed silently in her head. Lady Beaune's husband was named Jean-Louis. Perhaps she was about to meet a distant relation. A cousin would make a lovely ally.

"All guests arrive at this hour," a deep voice countered. "It's midnight."

Before Susan had a chance to parse that inexplicable response, the door swung fully open and a fairy-tale giant filled the entirety of the frame.

Her shoulders reached his hips. His shoulders reached the sides of the door frame and very nearly the top as well. His broad back hunched to allow his dark head to pass beneath the edge. Small black eyes glittered in an overlarge square face, his mouth hidden behind a beard the color of fresh tar. Arms that could crush tree trunks flexed at his sides. He did not offer his hand.

"Miss Stanton."

Although her name was more a statement than a question, Susan's well-trained spine dipped in an automatic curtsy as her mouth managed to stammer a simple "yes."

He did not bow in kind. Nor was it remotely possible he was a child of Lady Beaune. He was easily five-and-thirty. Had Papa's cousin remarried in the unknown years since Mother had last spoken to this distant limb of the Stanton family tree? Did Mother comprehend where exactly she'd condemned her daughter? Or care?

"Move out of the way, oaf," came the cultured voice from before. "I must see this creature that travels alone and in dark of night to visit the likes of you."

Rather than move aside, the giant stepped forward, crowding Susan backward. Her shoulders scraped the wall opposite. Her hands clenched at her sides.

A new figure filled the door frame. Tall, but not impossibly so. Well-muscled, but not frighteningly so. As smartly tailored as any London dandy, but with an air of barely contained danger more suitable to the meanest streets where even footpads feared to tread. Alarmingly attractive despite the too-long chestnut hair and day's growth of dark stubble shadowing the line of his jaw.

"Mmm, I see." An amused grin toyed with his lips. "My pleasure."

He performed as perfect a bow as any Susan had ever encountered in a Town ballroom. Before her trembling legs could force an answering curtsy, the giant moved back into place, blocking the ... gentleman? ... from her view.

The giant's thick arms crossed over his barrel chest. "Carriage?"

"Gone," rasped the scarecrow.

Susan jumped. She'd forgotten his silent presence.


The scarecrow's terrifying smile returned. "Taken care of."

Satisfaction glinted in the giant's eyes. Susan was positive panic was the only thing glinting in hers. Would she be "taken care of" next?

"Take her to the bone chamber."

Susan's heart stuttered to a stop until she realized the giant had said Beaune chamber, not bone chamber. Beaune, like Lady Beaune, her father's fourth cousin thrice removed, with whom her family clearly should have kept a much more detailed correspondence. Yet even with this correction firmly in mind, Susan couldn't help but doubt the Beaune chamber would remotely resemble the sumptuous Buckingham-quality guest quarters she'd hoped to find.

The scarecrow turned and headed down the hall without bothering to verify that Susan followed. He was wise not to worry. She had no intention of standing around under the giant's calculating gaze any longer than necessary.

Susan scrambled after the scarecrow without a single word of parting for her host—not that the giant seemed particularly concerned about adhering to social niceties—and rounded a corner just in time to see the scarecrow ascend a pale marble staircase she swore hadn't existed when they'd traveled this exact sequence of corridors moments before.

She hurried to his side before she got lost for good. "That ... wasn't Lord Beaune."

A dry laugh crackled from his throat, accompanied by a sly glance from his dark, glittering eyes. "He seem dead? That's the new master of Moonseed Manor. It's to him you owe the roof over yer head tonight."

Dead. Her ears buzzed at the news. The news that Lady Beaune had been widowed and remarried was surprising enough. But the idea that Susan owed anything to anyone— much less her cousin's new husband—was intolerable. She had once been Society's princess! And would be again. Just as soon as she got back to London.

The wiry manservant led her through another complicated series of interconnected passageways. A lit sconce protruded from the middle of an otherwise unadorned passageway, as bleached and unremarkable as all the rest. Orange candlelight spilled from an open doorway, chasing their shadows behind them. Susan wished she could flee as easily.

"Your room," came the scarecrow's scratchy voice.

Susan nodded and stepped across the threshold. When she turned to ask him directions to the dining areas and drawing rooms (and when she might hope to see the lady of the house), he was already gone.

She faced the cavernous chamber once more, doing her best to ignore the uneasy sensation of walking into a crypt. Although the room was as cold as any catacomb would be, a large canopied bed, not a casket, stood in the center. The shadowy figure next to the unlit fireplace had to be a maid provided to ensure Susan's comfort. Thank God. At least there was some hint of London sensibilities.

Susan stepped forward just as the cloaked figure swiveled without seeming to move her feet. Long white braids flanked a narrow face hollowed with hunger and despair. Age spots mottled her clawed hands and pale neck. An ornate crucifix hung from a long gold chain. Trembling fingers clutched the intricate charm to her thin chest. She did not appear to be starting a fire in the grate. She did not appear to be a maid at all.

"M-may I help you?" Susan asked.

The old woman did not answer.

Were there more sundry guests in this pharaoh's tomb of a manor? Was this one lost, confused, afraid? So was Susan, on all counts, but the least she could do was help this poor woman find her correct bedchamber.

Before she could so much as offer her hand, however, a sharp breeze rippled through the chamber. She shivered before she realized she could no longer feel the phantom breeze—although it continued to flutter the old woman's dark red cloak and unravel the braids from her hair.

In fact ... the breeze began to unravel the old woman herself, ripping thread by red thread from her cloak like drops of blood disappearing in a pool of water. The wind tore long curling strands of white hair from her bowed head, then strips of flesh from her bones, until the only thing standing before Susan was the empty fire pit. The glittering crucifix fell onto the hardwood floor and disappeared from sight.

The chamber door slammed shut behind her with foundation-shaking force. Susan didn't have to try the handle to know she was trapped inside.

She wondered what else was locked inside with her.

Evan Bothwick swirled his untouched brandy, then tossed the liquid into the fire. He didn't jump backward as steam and sparks shot from the flames, giving the smoke a slightly sweeter air. For a moment, something akin to rancid fruit overpowered the more pungent peat. Neither odor, however, was what soured his stomach.

Empty glass dangling from his fingers, he faced his companion.

"I must know the truth."

Ollie's oversized frame hulked before the bar. "I don't know a damn thing. She's some London deb, here to repent the wickedness of her ways."

"Not about your houseguest, brute." Evan hurled his empty tumbler into the fire. The glass shattered on impact, but the smell of the smoke did not change. "I'm scarce interested in the blasted woman slamming doors abovestairs."

"Humph. You're always interested in women." Ollie poured a fresh glass of brandy and proffered it in one large paw.

Evan made a shooing motion to decline the offer, then watched in silent horror as his host downed the entirety in one swallow, like a shot of cheap whiskey. "I'm interested in wenches, not women, Ollie. Wenches are ... perfect. Much easier to deal with."

Ollie swiped the back of his hand across his beard. "How could what's-her-name be any easier? She's upstairs. And no lock ever kept you out of somewhere you wished to be."

"Exactly. She's upstairs. Whereas if you pick the right wench, you never have to clap eyes on her again." Evan glanced at the fob in his waistcoat pocket. "Like I said ... perfect."

Ollie's too-loud laughter filled the smoky room. "From what they're saying in town, you clapped more than your eyes on that scrumptious little Miss—"

"Let's just talk about Timothy, shall we? He and Red were meant to dock this time last week."

"Red ain't here, either."

"That's my point." Evan leaned back, his shoulder thudding against the mantel. "Timothy was the lead on that mission, and he's responsible enough to—"

Ollie shrugged. "Smugglers aren't responsible."

Evan's fingers twitched at his side. "Ollie, could you please be serious for a moment? If I had a pistol handy, I'd shoot you just for prevaricating."

"There you go. Now you're acting yourself again. Except for the 'please.'" Ollie turned back to the sideboard. "Sure you don't fancy another brandy?"

Evan glared at him. "Red's a useless corkbrain and always has been, but Timothy would've sent word if something went wrong."

"Then nothing went wrong. Just because you're a few years older doesn't mean you've got to mother the poor bastard. Perhaps the two of you are cut from the same cloth. Could be he's shacked up with a few bits o' fluff and is far too busy being naked to bother sending his brother love notes. He'll be home when he's had his fill."

Evan shook his head. "That doesn't sound like Timothy at all. He's irritatingly punctual, and you know it. Time's running out. Ship has to be seaworthy again by Friday, or heads will roll. Timothy does not need trouble with the captain."

"They'll be back." Ollie downed another shot of brandy. "Like you said—your brother's a responsible sort."

Evan's eyes narrowed. For a fellow water rat, Ollie was far too cavalier about the disappearance of their ship and fellow crew. "If you know something, tell me. Now."

Ollie slammed his empty tumbler onto the sideboard. "I know you're becoming well annoying, that's what I know."

Their eyes locked for a long moment before Evan growled and turned toward the fire. He wished he'd taken that second brandy after all, just to have something to destroy. "We should've all gone together."

"It was a two-person job."

"Then I should've gone instead of that shit-for-brains Red."

"I believe Timothy asked you to do just that, but you were occupied with the bit o' muslin you met on the last job."


Excerpted from Too Sinful to Deny by Erica Ridley Copyright © 2011 by Erica Ridley. Excerpted by permission of ZEBRA BOOKS. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Too Sinful to Deny 4.3 out of 5 based on 0 ratings. 19 reviews.
Joanna_Terrero More than 1 year ago
Susan is banished by her aristocratical parents, who are tired of her misbehaving. She goes from being the darling of London to the unwanted newcomer in the gloomy coastal town of Bournemouth. The place is inhabited by pirates, smugglers, ghosts, villains, and a few unfortunate victims. There are also the town's dressmakers, who are an interesting pair. According to Susan, the Witch and the Porcelain Doll own the Dress Shop of Iniquity. Susan is a different kind of heroine if compared to the ones we usually encounter in historical romances. She unwillingly interacts with ghosts, besides, her witty and irreverent narrative keeps one entertained all the way to the end. Her thoughts run rampant most of the time, and since we are what we think...well, she gets into a lot of trouble. Evan is a pleasantly mischievous hero. Yes, he is a smuggler and he is not a gentleman, but he is so charming that we don't mind about his past. And in spite of all, he would protect Susan, even from her tendency to stumble into insurmountable danger. Regardless of its title and the suggestive cover, the romance is more sweet than erotic in Too Sinful To Deny. There is ample sexual tension between Evan and Susan, but most love scenes are rather sensual than explicit. This, in addition to the great storyline going on, is perfectly all right with me. It would have been awkward having them engaging into extreme sex in the middle of so many uncertainties. Being gothic suspense romance, the heroine instead of feeling protected by the hero, distrusts him. Indeed, they both take turns doubting one another. Somehow, they find a way to fall in love during this nail-biting page-turner. This book will enthrall you from the first page until the very end, I highly recommend it.
harstan More than 1 year ago
Embarrassed by their daughter's inane behavior, Lady Susan Stanton's aristocratic parents agree to exile their offspring to rusticate in the countryside. Thus Lady Susan is sent from London by her ashamed family to live with her father's cousin at Moonseed Manor in Bournemouth on the coast. Susan arrives at Monseed but her paternal cousin is missing. She and smuggler Evan Bothwick meet and are attracted to one another, but his quest is to find out who murdered his brother Timothy. Meanwhile she assumes her cousin is dead while her ability to talk to ghosts ever since an icy dunk in the Thames leads her to believe the spirits are all disgruntled. After consulting with Timothy the ghost, Susan investigates his death, the smuggling activity and what happened to her cousin while the crooked magistrate wants her to leave for London immediately. The latest Eric Ridley Regency tale (see Too Wicked to Kiss) is a super historical paranormal romance that grips the audience once the heroine reaches her exile destination. The story line is fast-paced as intrepid Susan talks to ghosts, which leads to her inquiry. Although the romantic subplot remains rightfully for the most part in the background, readers will enjoy touring the smuggler's coast with whimsical Susan as our guide. Harriet Klausner
LindaTownsend More than 1 year ago
A Fun Gothic Paranormal Romance with Sexy Smugglers and a Spooky Manor! "I have to find a missing person." "A missing person?" Susan leaned forward. How romantic! This explained his mercurial moods. And why he was equally averse to being sighted along with Susan. "Who is she? Where do you think she went? Why do you think she left?" "Not a she." He drained his brandy. "And I doubt he had much choice in the matter. He's dead." "You lost a dead person?" she echoed, fingers gripping her knees in horror. His face hardened and his eyes sparked with simmering fury. "To be honest, I rather suspect somebody stole him from me." "You..." Whatever she was going to say died on her tongue. Susan leapt to her feet. What the bloody hell had she been thinking, whiling away the morning with this madman as if he'd invited her over for biscuits and tea? He carried a pistol. And misplaced dead people. TOO SINFUL TO DENY by Erica Ridley is a combination of a Gothic cozy mystery and romantic suspense. It is the second book in Erica's Wicked Sinful series, but it can be fully enjoyed as a standalone. It took me a while to get into the story, but once I had, I didn't want to put it down. It's well-written with numerous steamy scenes. I discovered Erica's books when I listened to her THE VISCOUNT'S CHRISTMAS TEMPTATION - which I loved - and now I'm slowly but surely picking up books from her backlist every time I get a chance. TOO SINFUL TO DENY is the story of spoiled London debutante Susan Stanton and handsome smuggler Evan Bothwick. I liked them both, though, if I had any complaint about this tale, it's that I would have enjoyed learning a bit more about Evan's background. His past remains an enigma. As the story opens, Susan, who seems to have trouble as a middle name, has a brush with death in London and, since then, has been able to see dead people. Because her parents believed that she acted impulsively and improperly in that incident, they have evicted her to the country to stay with cousins she has never met at secluded Moonseed Manor in seaside Bournemouth. Susan had previously been used to getting whatever she wanted just by mentioning her Stanton name. But, as she plots to escape, she quickly finds out that her family name doesn't work the same in Bournemouth. Instead she finds her life in danger at every turn. Evan Bothwick has escaped from London's revelry to his coastal home in Bournemouth where he can live the intriguing, albeit clandestine pirate's life. After meeting the alluring but capricious Miss Stanton, Ethan finds that their paths keep unfathomably crossing over and over which distracts him from concentrating on finding out who murdered his brother and misplaced his body. This tale sports an interesting, diverse array of supporting characters including three relentless ghosts, a "scarecrow" butler, a "porcelain doll" and a "witch" gainfully employed at the town's only fashion boutique. Needless to say, Susan's interactions with these colorful characters make for some hilarious and often hair-raising scenes. TOO SINFUL TO DENY was rich with surprising twists and turns and chilling thrills. I was completely bowled over by the ending - I can honestly say that I never saw that coming! My full review is posted at Reading Between The Wines Book Club! Please check it out there! 3 1/2 Wine Glasses!
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Good book
JulianneD More than 1 year ago
Too Sinful to Deny brings Susan Stanton to center stage. Susan, London socialite and gossipmonger, has a problem. She's angered her mother and father one too many times, and they've sent her to live with her cousin in the small seaside town of Bournemouth to "think about her actions". The only thing Susan wants to think of, though, are ways to get home. The small town is just simply too small for her, and there's something incredibly creepy going on in her cousin's home. In fact, she hasn't actually seen her cousin since she arrived. She has, however, run across and made instant enemies of the town seamstress, several pirates, and found herself ferrying messages for a ghosts or two--one, the brother of the handsome Evan Bothwick--the town's rogue. All Evan wants to know is who killed his brother, and what secret was he hid on his last pirating jaunt. Too Sinful to Deny is a playful romp peppered with ghosts in peril, and scary butlers with mischief on their minds. If you looking for a modern spin on the gothic, with a heroine who's anything but a shrinking violet, this is your book.
jcas More than 1 year ago
Very good book - characters were interesting and storyline was good.
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Sherry Poplin More than 1 year ago
This has everything, gothic, romance, mystery! Couldnt put book down! Hope u enjoy it to
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