Tough All Over

Tough All Over

4.6 6
by Gary Allan
     
 

Stand back, because on Tough All Over, Gary Allan sounds a wee bit ticked off, mostly over some unfortunate mishaps in love that have left him ready to settle scores. That much is evident from the first notes of the title track, which snarl (guitar), scream (fiddle), and wail (harmonica) as Allan bites off a sarcastic lyric aimed at an old lover trying to patchSee more details below

Overview

Stand back, because on Tough All Over, Gary Allan sounds a wee bit ticked off, mostly over some unfortunate mishaps in love that have left him ready to settle scores. That much is evident from the first notes of the title track, which snarl (guitar), scream (fiddle), and wail (harmonica) as Allan bites off a sarcastic lyric aimed at an old lover trying to patch things up. Easing into a heart-tugging, lost-love ballad, "Best I Ever Had," his plaintive emoting starts at a croon and builds to an anguished cry, augmented by a plush, Beatles-like string quartet arrangement and backup vocals. As that song glides to a close, Allan barely takes a breath before crying out, "I just got back from Hell" -- on a track of the same name -- spitting out a report from heartbreak's far shore, whence he's returning "mad at God and you," atop an eerie, echo-laden arrangement that sounds like Ennio Morricone gone Baroque. Kostas' bright, pop-tinged "Ring" is all twangy guitar, peppy pedal steel flights, and buoyant spirits, until Allan croons a clever lyric describing the utter meaninglessness of the gold band in his life now. "Promise Broken," "Puttin' Memories Away," "Putting My Misery on Display" -- these titles and the accompanying hard-edged music and sentiments indicate that surfer dude Allan is riding a pipeline of revenge and retribution, unmercifully torching feckless lovers and luxuriating in his survival instincts. The silver lining is the beautiful piano-fiddle showcase "Life Ain't Always Beautiful," in which he admits to believing good things will come to pass in time. We'll take him at his word.

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Editorial Reviews

All Music Guide - Thom Jurek
Gary Allan has been all over the country map since he began recording in 1996. He's made slick Nash Vegas records, hard honky tonk records, and ballad records. With Tough All Over, he's made enough of a mark that he gets to release the album he's wanted to make all along. Evidence is in the title cut, which opens the set. Written by Odie Blackmon and Jim Lauderdale, it's a hard roots rocker in the vein of the Blasters' more adventurous moments, with edgy electric guitars, hard, clipped snare drums, a harmonica, and even a Hammond B-3. Yeah, there's a fiddle here, but it's hardly of consequence. This is rock & roll complete with shaking tambourines. "Just Got Back from Hell," driven simply by a National Steel before the guitars start to roar and the pedal steel and B-3 start to whine and whinny, is a gorgeous country song that keeps its focus on tradition while looking toward the future. The shape-shifting early-'60s rock at the heart of "Ring" (written by Kostas) wouldn't be out of place on an Everly Brothers or Del Shannon record had they used a pedal steel to carry the backdrop of the tune. The Fender Telecaster is trebly and raw and stands in sharp contrast to the slick on-the-spot vocals. But that's not to say that Allan has abandoned the ballads that have made his name; far from it. "Promises Broken," "Life Ain't Always Beautiful," and "What Kind of Fool," with its finger-plucked single banjo line, are tight, full of emotion and romantic pathos. But it's the rockers, which also include the 21st century rockabilly of "Nick Jack Caver" and the roiling, guitar-wailing, Southern rock-driven "He Can't Quit Her," that hold the most attention. The album's closer, "Putting My Misery on Display," begins simply as a ballad and becomes a rock power ballad. Whether the public will receive Allan's offering is another question, but musically and artistically, it's the most consistent -- yet slick -- record he's ever done.

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Product Details

Release Date:
10/11/2005
Label:
Mca Nashville
UPC:
0602498645826
catalogNumber:
000371102
Rank:
88114

Tracks

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Album Credits

Performance Credits

Gary Allan   Primary Artist,Vocals
Eric Darken   Percussion
John Wesley Ryles   Background Vocals
Chad Cromwell   Drums
Kenny Greenberg   Acoustic Guitar,Electric Guitar
Nashville String Machine   Strings
Steve Nathan   Synthesizer,Piano,Hammond Organ,Hammond B3
Michael Rhodes   Bass
Brent Rowan   Electric Guitar
Hank Singer   Fiddle
Robby Turner   Pedal Steel Guitar
John Willis   Acoustic Guitar
Reese Wynans   Hammond Organ
Russell Terrell   Background Vocals
Kirk "Jelly Roll" Johnson   Harmonica
Wes Hightower   Background Vocals
Perry Coleman   Background Vocals
Jake Kelly   Acoustic Guitar

Technical Credits

Jim Lauderdale   Composer
Craig Allen   Art Direction
Harley Allen   Composer
Steve Beers   Engineer
David Campbell   String Arrangements
Greg Droman   Engineer
Jamie O'Hara   Composer
Mark Wright   Producer,Audio Production
Tommy Lee James   Composer
Gary Allan   Composer,Producer,Audio Production
Matthew Scannell   Composer
Matt Warren   Composer
Cyndy Goodman   Composer
Deric Ruttan   Composer
Casey Beathard   Composer
Odie Blackmon   Composer
Todd Gunnerson   Engineer
Ed Hill   Composer
Margaret Findley   Composer
Hank Williams   Mastering

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