Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France
Drawing on early modern French thought to free nature and aesthetics from metaphysical humanism 

What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.
 
This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.

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Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France
Drawing on early modern French thought to free nature and aesthetics from metaphysical humanism 

What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.
 
This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.

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Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France

Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France

Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France

Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France

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Overview

Drawing on early modern French thought to free nature and aesthetics from metaphysical humanism 

What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.
 
This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today’s plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever.


Product Details

ISBN-13: 9780810148277
Publisher: Northwestern University Press
Publication date: 04/15/2025
Series: Rethinking the Early Modern
Pages: 320
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)

About the Author

CHAD CÓRDOVA is an assistant professor of French at Cornell University. 

Table of Contents

Acknowledgments
Preface: Aesthetics and Ecological Ethics 
Introduction: Toward a Posthumanist Aesthetics  
Chapter 1. Drawing Beyond Disegno: Of Montaigne and Leonardo 
Chapter 2. Anarchic Phusis: The Spontaneous Generation of Political Bodies 
Chapter 3. Grace and Beauty: The Mystical-Erotic Genesis of Aesthetics
Chapter 4. The Natural-Historical Sublime: Diderot and the Ends of Landscape
Chapter 5. Being Per Accidens: Rousseau, Before-Beyond “Human Ends”   
Coda: Mycorrhizal-Thinking: Post-Metaphysics and the Lessons of Vegetal Beings
Notes
Bibliography
Index

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