Traditional Japanese Arts and Culture: An Illustrated Sourcebook / Edition 1

by Stephen Addiss, Gerald Groemer, J. Thomas Rimer

Overview

"This admirable and necessary volume allows the original writers to speak to us directly. Though all this is carefully documented, we are at the same time spared any layers of scholarly interpretation. Rather, the richness of the original reaches us complete." —Donald Richie, Japan Times, May 14, 2006

Japanese artists, musicians, actors, and authors have written much over the centuries about the creation, meaning, and appreciation of various arts. Most of these works, however, are scattered among countless hard-to-find sources or make only a fleeting appearance in books devoted to other subjects. Compiled in this volume is a wealth of original material on Japanese arts and culture from the prehistoric era to the Meiji Restoration (1867). These carefully selected sources, including many translated here for the first time, are placed in their historical context and outfitted with brief commentaries, allowing the reader to make connections to larger concepts and values found in Japanese culture.

The book is a treasure trove of material on the visual and literary arts, but it contains as well primary texts on topics not easily classified in Western categories, such as the martial and culinary arts, the art of tea, and flower arranging. More than 60 color and black and white illustrations enrich the collection and provide further insights into Japanese artistic and cultural values.

Product Details

ISBN-13:	9780824820183
Publisher:	University of Hawaii Press, The
Publication date:	01/31/2006
Edition description:	New Edition
Pages:	272
Product dimensions:	6.13(w) x 9.25(h) x 0.75(d)

About the Author

Stephen Addiss (Editor)
Stephen Addiss is professor of Japanese art at the University of Richmond.

Gerald Groemer (Editor)
Gerald Groemer is professor of Japanese and Western music history at University of Yamanashi in Kōfu, Japan.

Editorial Reviews

By gathering together previously untranslated material, as well as hard to find translated material, the editors have produced a book that would make an excellent compendium to accompany any premodern Japanese history, art, theater, or culture course, as well as any comparative studies course.

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