The Train of Small Mercies

The Train of Small Mercies

3.0 5
by David Rowell
     
 

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In haunting and crystalline prose, The Train of Small Mercies follows six characters' intrepid search for hope among the debris of an American tragedy.

In New York, a young black porter struggles through his first day on the job-a staggering assignment aboard Robert F. Kennedy's funeral train. In Pennsylvania, a woman creates a tangle of lies to

Overview

In haunting and crystalline prose, The Train of Small Mercies follows six characters' intrepid search for hope among the debris of an American tragedy.

In New York, a young black porter struggles through his first day on the job-a staggering assignment aboard Robert F. Kennedy's funeral train. In Pennsylvania, a woman creates a tangle of lies to sneak away from her disapproving husband and pay her respects to the slain senator, dragging her child with her. In Maryland, a wounded young soldier awaits a newspaper interview that his parents hope will restore his damaged self-esteem. And in Washington, an Irish nanny in town to interview with the Kennedy family must reconcile the lost opportunity and the chance to start her life anew.

In this stunning debut, David Rowell depicts disparate lives united by an extraordinary commemoration, irrevocably changed as Kennedy's funeral train makes its solemn journey from New York to Washington.

Editorial Reviews

Publishers Weekly
Set in June 1968, Rowell’s first novel revolves around the solemn train journey that brought the body of slain Sen. Robert Kennedy from Penn Station to Washington, D.C., for burial. Of the many people who gathered along the way to watch the train pass (famously captured by photographer Paul Fusco), Rowell focuses on a handful of stories. Following long tradition and in his father’s footsteps, Lionel Chase reports for his first day’s work as a Pullman porter on the funeral train itself; Irish nanny Maeve McDerdon has come to D.C. to interview for a position with Ethel Kennedy, and with the loss of that opportunity finds herself adrift; Delores King is determined to see the train pass, but to do so she must deceive Arch, her disapproving husband; fifth-grader Michael Colvert is coping with a private trauma of his own; while veteran Jamie West, who recently returned from Vietnam minus a leg, waits for a newspaper reporter who will write a story that may help Jamie heal, or add insult to injury. Though Rowell is a respected journalist, he has a novelist’s eye for the crucial, telling detail. In clean, elegant prose he recreates the lives of individuals mired in one of the most turbulent years of the century. (Oct.)
Booklist
[T]his closely observed novel...[is] an evocative debut...
Library Journal
Rowell's debut novel presents alternating scenes from the lives of several people along the route of the train carrying Robert F. Kennedy's body from New York to Washington, DC, in June 1968. Jamie is a Vietnam vet adjusting to his radically altered life as an amputee; Lionel is a black college student beginning a summer job as a porter on the train; Irish-born Maeve intended to seek a nanny position with the Kennedy family. They and other characters are all affected by the national tragedy. Lionel witnesses the assassination's impact on the older railroad workers; after Martin Luther King's assassination, many had viewed Kennedy as the black community's last hope. Her plans upended, Maeve goes to Union Station to witness the funeral train's arrival and is caught in a mob scene. Jamie, interviewed by a reporter who attended his high school, addresses his past and attempts to verbalize his feelings about his injury and his future. VERDICT Some of the stories in this multifaceted work are better than others, but overall the author succeeds admirably in involving the reader in his characters' lives. He also fills in fascinating details about a critical event in American history. [See Prepub Alert, 4/11/11.]—Jim Coan, SUNY Coll. at Oneonta
Kirkus Reviews

Washington Post editor Rowell locates his journalistic first novel at the intersection between private lives and national events, in this case Robert Kennedy's death.

As the train carries Kennedy's body from New York to D.C., Rowell cuts in and out among a cross section of Americans who live along the route, or in one case are visiting the area. The weakest stories are those about the black characters: a porter assigned to the Kennedy train his first day on the job and a concierge at a quality D.C. hotel who walks the generational line between dignity and servility. Both threads strive for complexity but bear too heavy a stamp of white liberal sympathy. Similarly, the story of an Irish born young woman up for a job as the Kennedys' new nanny is a little too full of charm and blarney to feel realistic. On the other hand, fully believable is the disabled Vietnam vet being interviewed as a hero by a former high-school classmate (never a friend) for the local paper. As tensions and disappointments roil together along with miscommunications, the vet's increasing isolation from his supportive but clueless family is gut-wrenching without being sentimental. So are the ill-fated adventures of a well-meaning middle-class woman sneaking off with her little girl to see the funeral train despite her husband's rabid conservatism. Tension rises as she makes one poor choice after another until tragedy strikes, when readers are sucker-punched by her husband's surprising emotional sensitivity. A more quietly painful plotline concerns a young boy recently "kidnapped" by his divorced father. Forcibly returned to his mother, whom he also loves, the boy plays out his emotional confusion while horsing around with his friends on the train tracks. In contrast, Rowell takes a detached, minimalist approach to depict pot-smoking, angst-ridden suburbanites celebrating their new swimming pool.

The Kennedy train is a weak link here between plot segments that are stylistically disjointed and lack any deeper thematic connection.

Valerie Sayers
…Rowell is as interested in depicting the unraveling culture as he is in reclaiming the history of Kennedy's assassination, but real events are crisply and memorably delivered…Rowell writes narrative with the clarity of good reporting…and if these multiple story lines don't get resolved—as with grief, there's no such thing as closure—they ultimately add up to a sweeping view of a roiling country. This is a novel with its own panoramic vision of the optimism and hope engendered by Kennedy's run for the presidency, and of the deep, confused grief unloosed by his slaying.
—The Washington Post
From the Publisher
Review by Julia Glass, author of Three Junes and The Widower’s Tale

Among several impressive debut novels I’ve read in recent years, David Rowell’s is a hands-down standout; in fact, it’s hard to believe this book is his first. Like Colum McCann’s Let the Great World Spin—equally masterful in its plotting, equally moving in its kaleidoscopic ensemble of perspectives—The Train of Small Mercies takes us to the heart of a quiet but resonant moment in American history and, through that moment, deep into the hearts of numerous characters whose ordinary lives are touched and changed by the events of a single day.

According to an author’s note at the end of the novel, Rowell was inspired by the Paul Fusco photographs collected in the book RFK Funeral Train. In 1968, Look magazine assigned Fusco to document Robert Kennedy’s funeral in Arlington Cemetery—and to ride the train carrying the senator’s body from New York’s Penn Station to Union Station in Washington, D.C. En route, Fusco shot more than a thousand photographs of the mourners along the train tracks.

Through the eyes of imagined witnesses to the passage of that train (some intent on paying homage, others there by happenstance or obligation), Rowell creates an intricately linked chain of stories—each one utterly captivating—that coalesce into a vision of America in a year of turbulent change. Yet there is nothing “studied” or stiff about Rowell’s authentic portrait of this legendary moment in our history, and his ability to give us a window on that era through a wide range of particular viewpoints is simply stunning, whether he’s writing about a black Pullman porter whose first day on the job happens to be on the funeral train, a Vietnam vet struggling to find a new normal after losing a leg, a young Irish nanny who’d been hoping to land a job with the senator’s family, or a sixth-grade boy making the best of life after his parents’ divorce. All told, Rowell holds the reader in a state of wonder and suspense through half a dozen tales that come together gorgeously as one. The Train of Small Mercies shows us how the tiniest private moments are often inextricable from the most monumental public events, how collectively they define nothing less than history itself. What a generous and versatile imagination Rowell has; I can’t wait to see what he does next.

“[Rowell] has created nothing less than a portrait of America itself.”—Ann Patchett, author of Bel Canto

“A novel of transcendent literary vision.”—Wells Tower, author of Everything Ravaged, Everything Burned

“What a tapestry, so evocative!”—Elizabeth Strout, author of Olive Kitteridge

“[A] rich and vivid novel.” —Ron Carlson, author of The Signal

Product Details

ISBN-13:
9780399157288
Publisher:
Penguin Group (USA) Incorporated
Publication date:
10/13/2011
Pages:
272
Product dimensions:
6.00(w) x 9.10(h) x 1.20(d)
Age Range:
18 Years

What People are saying about this

From the Publisher
Review by Julia Glass, author of Three Junes and The Widower’s Tale

Among several impressive debut novels I’ve read in recent years, David Rowell’s is a hands-down standout; in fact, it’s hard to believe this book is his first. Like Colum McCann’s Let the Great World Spin—equally masterful in its plotting, equally moving in its kaleidoscopic ensemble of perspectives—The Train of Small Mercies takes us to the heart of a quiet but resonant moment in American history and, through that moment, deep into the hearts of numerous characters whose ordinary lives are touched and changed by the events of a single day.

According to an author’s note at the end of the novel, Rowell was inspired by the Paul Fusco photographs collected in the book RFK Funeral Train. In 1968, Look magazine assigned Fusco to document Robert Kennedy’s funeral in Arlington Cemetery—and to ride the train carrying the senator’s body from New York’s Penn Station to Union Station in Washington, D.C. En route, Fusco shot more than a thousand photographs of the mourners along the train tracks.

Through the eyes of imagined witnesses to the passage of that train (some intent on paying homage, others there by happenstance or obligation), Rowell creates an intricately linked chain of stories—each one utterly captivating—that coalesce into a vision of America in a year of turbulent change. Yet there is nothing “studied” or stiff about Rowell’s authentic portrait of this legendary moment in our history, and his ability to give us a window on that era through a wide range of particular viewpoints is simply stunning, whether he’s writing about a black Pullman porter whose first day on the job happens to be on the funeral train, a Vietnam vet struggling to find a new normal after losing a leg, a young Irish nanny who’d been hoping to land a job with the senator’s family, or a sixth-grade boy making the best of life after his parents’ divorce. All told, Rowell holds the reader in a state of wonder and suspense through half a dozen tales that come together gorgeously as one. The Train of Small Mercies shows us how the tiniest private moments are often inextricable from the most monumental public events, how collectively they define nothing less than history itself. What a generous and versatile imagination Rowell has; I can’t wait to see what he does next.

“[Rowell] has created nothing less than a portrait of America itself.”—Ann Patchett, author of Bel Canto

“A novel of transcendent literary vision.”—Wells Tower, author of Everything Ravaged, Everything Burned

“What a tapestry, so evocative!”—Elizabeth Strout, author of Olive Kitteridge

“[A] rich and vivid novel.” —Ron Carlson, author of The Signal

Meet the Author

David Rowell is an editor at The Washington Post Magazine and has taught literary journalism at American University in Washington, D.C. He lives in Silver Spring, Maryland. This is his first novel.

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The Train of Small Mercies 3 out of 5 based on 0 ratings. 5 reviews.
TiBookChatter More than 1 year ago
I don't think I've ever read a book quite like this one. As the train moves through each state, you feel as if you are one of the mourners, waiting for the train to come through town. There is so much going on with these people. They all have their own challenges and somehow, they come together for this one purpose. What I enjoyed most is that the story flows effortlessly. The story's pace never falters and although the story's point of view alternates between characters, the momentum is never lost. I think in part, this is due to how well-developed each storyline is. The chapters are brief, but include just the right amount of detail. I eagerly turned the pages and enjoyed this one quite a bit. The Train of Small Mercies will appeal to all types of readers.
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