Tramps Like Us: A Novel
Abused by his father and stifled by closeted life as a teenager in Kansas City, Joe, the wide-eyed narrator of Tramps Like Us, graduates from high school in 1974 and hits the road hitchhiking. But it isn't until he reunites with Ali, his hometown's other queer outcast, that Joe finds a partner in crime. When the two of them finally wash up in New Orleans, they discover a hedonistic paradise of sex, drugs, and music, a world that only expands when they move to San Francisco in 1979.



Told with openhearted frankness, Joe Westmoreland's Tramps Like Us is an exuberantly soulful adventure of self-discovery and belonging, set across a consequential American decade. In New Orleans and San Francisco, and on the roads in between, Joe and Ali find communities of misfits to call their own. The days and nights blur, a blend of LSD and heroin, new wave and disco, orgies and friends, and the thrilling spontaneity of youth-all of which is threatened the moment Joe, Ali, and seemingly everyone around them are diagnosed with HIV. But miraculously, the stories survive. As Eileen Myles writes, "I love this book most of all because it is so mortal."



Tramps Like Us is an ode to a nearly lost generation, an autofictional chronicle of America between gay liberation and the AIDS crisis, and an evergreen testament to the force of friendship.
1004397950
Tramps Like Us: A Novel
Abused by his father and stifled by closeted life as a teenager in Kansas City, Joe, the wide-eyed narrator of Tramps Like Us, graduates from high school in 1974 and hits the road hitchhiking. But it isn't until he reunites with Ali, his hometown's other queer outcast, that Joe finds a partner in crime. When the two of them finally wash up in New Orleans, they discover a hedonistic paradise of sex, drugs, and music, a world that only expands when they move to San Francisco in 1979.



Told with openhearted frankness, Joe Westmoreland's Tramps Like Us is an exuberantly soulful adventure of self-discovery and belonging, set across a consequential American decade. In New Orleans and San Francisco, and on the roads in between, Joe and Ali find communities of misfits to call their own. The days and nights blur, a blend of LSD and heroin, new wave and disco, orgies and friends, and the thrilling spontaneity of youth-all of which is threatened the moment Joe, Ali, and seemingly everyone around them are diagnosed with HIV. But miraculously, the stories survive. As Eileen Myles writes, "I love this book most of all because it is so mortal."



Tramps Like Us is an ode to a nearly lost generation, an autofictional chronicle of America between gay liberation and the AIDS crisis, and an evergreen testament to the force of friendship.
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Tramps Like Us: A Novel

Tramps Like Us: A Novel

by Joe Westmoreland, Eileen Myles

Narrated by Nick Monteleone

Unabridged — 10 hours, 55 minutes

Tramps Like Us: A Novel

Tramps Like Us: A Novel

by Joe Westmoreland, Eileen Myles

Narrated by Nick Monteleone

Unabridged — 10 hours, 55 minutes

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Overview

Notes From Your Bookseller

Joy, pain and resilience radiate through this vivid journey of self-discovery, painting a sweeping exploration of the queer experience across the vast landscape that is America.

Abused by his father and stifled by closeted life as a teenager in Kansas City, Joe, the wide-eyed narrator of Tramps Like Us, graduates from high school in 1974 and hits the road hitchhiking. But it isn't until he reunites with Ali, his hometown's other queer outcast, that Joe finds a partner in crime. When the two of them finally wash up in New Orleans, they discover a hedonistic paradise of sex, drugs, and music, a world that only expands when they move to San Francisco in 1979.



Told with openhearted frankness, Joe Westmoreland's Tramps Like Us is an exuberantly soulful adventure of self-discovery and belonging, set across a consequential American decade. In New Orleans and San Francisco, and on the roads in between, Joe and Ali find communities of misfits to call their own. The days and nights blur, a blend of LSD and heroin, new wave and disco, orgies and friends, and the thrilling spontaneity of youth-all of which is threatened the moment Joe, Ali, and seemingly everyone around them are diagnosed with HIV. But miraculously, the stories survive. As Eileen Myles writes, "I love this book most of all because it is so mortal."



Tramps Like Us is an ode to a nearly lost generation, an autofictional chronicle of America between gay liberation and the AIDS crisis, and an evergreen testament to the force of friendship.

Editorial Reviews

Joe Westmoreland is an endearing, quirky, honest writer. You can't help but fall in love with his eye on life. There is a purity -- deceptively simple at first, but cumulatively shattering, gorgeous. This novel can change the way you feel.

- Sarah Schulman

Joe Westmoreland writes better than we deserve, and his simple sentences are each one a little marvel of sophistication and purity. Tramps Like Us has that American manifest destiny magic, crisscrossing highways, California sunsets, the endless search for spiritual truth in a benighted era. And its two heroes, one who's seen everything, the other a perfect beginner, will have readers thinking not only of Jack Kerouac and Route 66 but of Huckleberry Finn itself. In the annals of travel writing, Westmoreland's picture of a bygone, enchanted, troubling San Francisco and indeed the whole USA will live forever.

- Kevin Killian

What a writer! The voice is so original, so controlled that it cannot be quoted from. Running away is always more interesting to read about when one is running toward something. And what I felt the main chracter was running towards is discovering himself, which the author has written about so

beautifully here. I think it is an achievement, in the major category.

- Hilton Als

Taking its title from a Bruce Springsteen song, Joe Westmoreland's Tramps Like Us is a bittersweet portrayal of a gay man's coming of age in the '70s and early '80s. After escaping his abusive father in Kansas City, protagonist Joe drifts from city to city in search of love and an identity he can live with. Hustling, drugs and music abound, as do myriad odd friends, lovers and tricks. Blurbedenthusiastically by Hilton Als and Sarah Schulman, it's endearing enough, but too ungainly to be the queer version of On the Road it aims to be.

From Publishers Weekly, Copyright 2001 Cahners Business Information, Inc.

From the Publisher

"An epic, moving and ebullient gay road-trip novel, set in the 1970s and early ’80s, that doesn’t have a pretentious bone in its body. It reads like an avid, feverishly detailed letter that the author wrote and mailed directly to readers . . . one of this summer’s earliest literary tent poles. A book this perceptive but amiably unpolished, that pops as if in Kodachrome colors, that deals out tablespoons of American simplicity and horniness and delight, might seem like a small thing to look for, but it’s a big thing to find. It made me feel I had my left hand on the wheel of a car, and the right on the radio dial." —Dwight Garner, The New York Times

"A gem from the queer underground canon." —Emma Alpern, New York

"An overheated cross between John Rechy and Gregg Araki that follows two young sexpots on a funny, often poignant road trip of hedonism and self-discovery. It's a journey that allows our hero to move past a painful adolescence and come of age without losing his innocence. "

—Erik Maza, The Cut

"[Joe's] coming-of-age story . . . suggests how impermanent queer self-discovery is, a constant jaws-of-life procedure attended by losses, reversals, cliff-hangers, and narrow escapes . . . His story is a valentine to queer friendship, which saves his life and breaks his heart, the way love always does in the end." —Jeremy Lybarger, 4Columns

"Searing and breathless . . . redolent of its era without ever being a relic of it . . . Westmoreland’s blend of noise and sights, romance and friendship, render a portrait of queer joy as a hard-earned victory of survival." —Joel Danilewitz, The Brooklyn Rail

"Tramps Like Us is, at its heart, the archetypal queer chronicle of self-discovery and becoming . . . it's more importantly a tale, almost a love letter, in praise of community . . . If you're in search of home, Tramps Like Us is a good place to start." —Joseph Akel, The Whitney Review

"Joe Westmoreland’s Tramps Like Us is irresistible: a spare, unflinching, generous & lusty masterpiece of adventure writing, that great adventuring queer quest for sex & friendship & love & home." —Andrea Lawlor, author of Paul Takes the Form of a Mortal Girl

"An achievement, in the major category." ―Hilton Als, author of My Pinup

"Tramps Like Us is charming and sweet, even when it's about sex and drugs - even in the face of the inevitable loss of health, life and innocence. A necessary reminder of the beauty of being young and queer and free. This book is a gift. Thanks, Joe." ―Imogen Binnie, author of Nevada

"The journey queer people must take to understand the odd hand that fate has dealt them is one of the great dramas of our time and Joe Westmoreland's trip is one of the best I've ever come across. For younger gay people it's a first hand look at our culture being formed. For older queers it's a heart-breaker. I was crying by the end but strangely proud of my own life and struggle. This is a very important book." —Robert Plunket, author of Love Junkie

"Joe Westmoreland has created a story that’s epic and intimate, raunchy and reflective, a love letter to exploration, sex, and the glorious messiness of trying to survive while the ground keeps shifting under your feet. Most of all, it’s a story about the meaning-making power of friendship and the families we create as we stumble through the world. Clear eyed, funny, and deeply moving, Tramps Like Us is a marvel." —Thomas Grattan, author of In Tongues

"Wow, once you get on the Tramps Like Us train, you’ll never want to get off. What a gorgeous, drug-fueled, scrappy, raunchy, hilarious, and heartbreaking adventure. In the most wonderful way, Joe Westmoreland disrupts the traditional coming of age story―imagine if Tom and Huck were queer and loved getting high and sleeping with each other! It was by the skin of his teeth that Westmoreland escaped his abusive father and hitched a ride to freedom, where he found his best friend, his true family, and his true self in the hedonistic, pre-AIDS era of New Orleans and San Francisco. Though, of course, things fall apart―freedom’s just another word for nothing left to lose―and AIDS does rear its head, and so this is also a story of unimaginable loss. Most of all, it should be required reading." —Alexandra Auder, author of Don't Call Me Home

Product Details

BN ID: 2940195520533
Publisher: HighBridge Company
Publication date: 06/03/2025
Edition description: Unabridged

Read an Excerpt

Chapter One


The Spanking


I ran away from home the first time when I was four years old. My family lived in a small town in the middle of Missouri, the Heart of America. It was 1960. My older sister Lucy got to go to school during the day. Dad went to work. I wanted to be able to go somewhere, too, but I didn't know where. One warm September day I took off for the school to see what my sister was doing. It was just a few blocks away but it seemed like miles to me. When I got there someone found me wandering around the halls and took me to Lucy. She told me to turn around and get home before I got a spanking. Instead of going home I walked about five more blocks to the small downtown square. I went into the drugstore and looked at their children's books. I asked the man behind the counter if I could have the Pinnochio book. He said No, I'd have to buy it. Instead he gave me a little notepad. I left the store and was standing outside on the sidewalk when my father's secretary came driving up. She jumped out of the car and ran up to me. There you are! Do you realize the whole town is looking for you?

    She drove me home and my mother called my father to tell him I was okay. When he came home from work that night he pulled down my pants, pulled off his belt, and whipped me with it on my butt. He spanked me in front of Lucy, our little brother Jerry, and little sister Nina so we would all know not to ever run away again. I didn't even realize I'd run away. As far as I was concerned, I'd gone out for a walk.

    My family moved around a lot.When I was in grade school we never stayed in the same house for longer than two years. No matter where we lived, I always managed to find a place to get away from my parents, sisters, and brother. I loved to walk along the railroad tracks or in nearby woods. I took my little black half-dachshund Sneezy on hikes as my constant companion. I found places where no one could see me, where I could be alone to explore and daydream.

    The next time I ran away from home was ten years later. I was fourteen and a freshman in high school. My dad had been promoted to the district manager of the public utilities company. We moved from a small Missouri college town into a modern ranch-style home in the last subdivision of the farthest suburb east of Kansas City. We were half an hour's drive to the middle of the city and ten minutes from rolling farm land covered with wheat, corn, and grazing cattle. Dad became very active with the Chamber of Commerce and the Kiwanis Club. He did a lot of work towards bettering our community, and soon became well respected. His picture was in the weekly newspaper a lot. Adults were always telling me how lucky I was to have him for a father.

    In the summer I went barefoot as much as possible. I prided myself in having tough leathery skin on the bottoms of my feet. When Dad was around he wouldn't let me go barefoot. He said as hard as he worked, he didn't want people to think he couldn't afford shoes for his kids.

    I was mad at my parents because they made me go to bed at 9:30 p.m. when my friend Steve Holley could stay out all night if he wanted to. Most of my friends got to stay up until at least 11:00. Summertime was the hardest because Jerry, Nina, and I had to be in bed before the sun had gone completely down. It was still light out and we could hear the other neighborhood kids playing. If we weren't in bed on time we were in big trouble.

    My little brother Jerry and I shared a bedroom. Even though we slept next to each other in identical Early American-style twin beds, we hardly spoke. Our beds were like islands, miles apart. Late at night I would tune my transistor radio to a Little Rock station that only came in at night. There was a show called "Bleecker Street" that played underground music like David Bowie, Dan Hicks and the Hot Licks, and Joni Mitchell. I heard "Take A Walk On The Wild Side" by Lou Reed for the first time on that station and was sure he was singing to me. I also had a lamp above my bed and would read until Mom or Dad came by our closed door and yelled for me to turn the light off.

    I hated my Dad most of the time. I hated him with more than just an adolescent's hatred of his parents. He treated his kids like we were slaves, using all of us as work horses. He used my sisters for sex as well. We had to constantly be working around the house or out in our enormous back yard. When he wasn't home Mom would lighten up on the workload, but we all knew there were certain jobs that had to be done by the time Dad got back, or else.

    Dad used to search through my room when I wasn't around. I had a pen-pal that I met on a weekend church retreat. She lived in St. Louis. I kept her letters in a shoebox next to my bed. One afternoon I noticed that the box had been moved and the letters were out of order. I realized that Dad had gone through and read them. He knew my personal secrets with my pen-pal. That scared me.

    I used to sneak into Mom and Dad's room and steal Playboy and Penthouse magazines from a stack on the top shelf of Dad's closet. I'd hide them under my mattress and late at night would scour every page looking for dirty stories and, hopefully if I was lucky, pictures of naked men. The magazines would obviously be missing but no one ever said anything to me about it. After I'd jacked-off enough and was tired of them I would creep into my parents' room when the coast was clear and put them back.

    Sometimes, when Dad was taking a nap, I'd sneak up to his bedroom door just to look at him. He always kept the door open about six inches unless he'd called one of my sisters in there. Then he was sure to keep the door shut. I had to be sure the rest of the family was either preoccupied or out of the house when I did this. As soon as I heard him snoring and was certain he was sound asleep, I would tip-toe down the hardwood floor hallway. I knew which boards squeaked and was careful not to step on them. The bathroom was right next to my parents' room, so if anyone did come by I could act like I was going in there. I lurked near the bedroom door and leaned forward just barely enough to peek in. My heart beat fast. I was ready to run like a deer at the drop of a hat but I stood there frozen, looking at his body for as long as I could. In his wedding picture I always thought Dad looked like a cross between Elvis and Rock Hudson. Mom looked like Lauren Bacall. Now he looked like fat Elvis minus the sideburns. I stared, mesmerized at his body. He slept in his underwear and was big and hairy. I was terrified of him catching me, but deep down inside part of me hoped that he would. I wanted Dad to call me into his room and have me shut the door the way he did with my sisters. I wanted him to do to me what he did with them. I don't think I would have minded it as much as they did.

    Many nights after dinner Dad made Lucy or my little sister Nina sit on his lap while the family watched TV. He would do this right in front of me like I wasn't even there. He'd whisper in their ears and rub their thighs and was always trying to feel them up. They'd push his hand away and say "Daddy!" and try to be cheery because if they were mad about it he'd turn mean. We had to walk on egg shells around him. We always had to be in a good mood.

    Dad was in love with my older sister Lucy. I don't even know what all that was about. So much of it happened for years behind closed doors. Once I heard him tell her, "If I could marry you, I would." I don't know how far he got with her. I can only assume all the way. He rarely let Lucy go out with her friends. But then he would take her everywhere. To movies, for drives, out to eat in restaurants. I think Mom started to get jealous. Lucy was mad at Mom. I could never figure out how Lucy could be mad at her. Dad was the maniac. Now, I think she was angry because Mom wouldn't stop Dad. At the time I didn't think Mom was doing anything wrong. I thought she had it worse than anyone because all this shit was happening to her and her kids and she had no way to stop it.

    For fun I used to shoplift things that I knew my parents would never buy me: dirty books, candy, and especially cans of Pam, the non-stick vegetable coating spray. You could get high from inhaling Pam and I did. I hid the cans in a box in my bedroom closet. Late at night when Jerry was asleep I'd get it out and spray it in a paper bag and inhale it over and over until I was completely stoned out of my mind. It had a warm metallic smell. All around my mouth would get covered with a humid slime of vegetable coating. I could "hear" a flashing brown dot up to the right of my head, just behind me a little and out of sight. I had tried sniffing model car glue before, but it didn't work as well. Sometimes I thought I'd hear someone outside my bedroom door, or maybe see shadows of feet. I could never tell if I was being paranoid or if there really was someone out there. I'm surprised my parents didn't hear the paper bag rattling as I inhaled in and out, in and out. In his searches through my room Dad must have found the cans. But no one ever came in to see what I was doing. At least when I was sniffing Pam I didn't have to hear the bed springs squeaking through my sisters' bedroom wall from one of Dad's visits.

    When Lucy was a senior, one evening a month or so before graduating from high school, she went to a shopping mall with some friends. Dad came home early from work and was extremely pissed at Mom for letting her go. Lucy was seventeen years old. He stomped back and forth, cursing, swearing, looking at his watch. He was accusing Mom of letting Lucy go shopping like it was such a big crime. Lucy got home around 8:30 or 9:00. Dad was so angry that he took her into his room and pulled down her pants, put her over his lap, and started spanking her.

    I flipped out. It was so fucking humiliating. I was in my bedroom. I think I'd been told to go there. But I heard everything. When I heard the slaps against her butt and her squeal I lost it completely. I started screaming, "STOP IT! STOP IT! YOU'RE CRAZY!! STOP IT!!" Dad rushed in to my room to see what was going on with me. I was sitting up on my bed screaming at him, out of my mind. I was fourteen. He was a two-hundred-twenty-pound forty-five-year-old ex-army sergeant. He came at me from around my brother's bed and slapped me across the side of the face so hard that my head went up in the air and then down on my bed. I blacked out for a moment. Lucy yelped at the impact. I saw her standing in the doorway wide-eyed with a hand over her mouth. Her hair that usually flipped perfectly at her shoulders was all messed-up. I got back up and started at him. I hit him in the chest which made him laugh. I swung again. He grabbed me by the wrists and held onto me while I was struggling to get at him. He was too strong. I kept screaming "YOU'RE CRAZY! YOU'RE CRAZY!" and he said for me to "Shut up, you barefoot boy." He kept calling me "Barefoot Boy" over and over and laughing at me. He smelled like cigars and Old Spice after shave lotion. Finally he left and went out in the hall or the living room or his bedroom. I just lay on my bed sobbing. Jerry started to cry, too. He usually didn't seem to notice anything, but this time he couldn't help it.

    Mom came in a little while later and stood by my bed. She rubbed my back as I shook all over and said, "Now, Joey, your father is NOT crazy. He is not crazy." Like she was trying to convince herself. I muttered angrily, "He is too!" She couldn't console me.

    The next morning I didn't have to go to school because there was a big red hand print on the side of my face. When Dad came home from work for lunch he was in a perky mood and tried to cheer me up. The following day I went back to school and Karen Porter was shocked when she asked me what happened to my face and I told her Dad slapped me. She couldn't believe anyone's father would slap them that hard.

    I had seen made-for-TV movies about runaways so I knew there were crash pads in cities where teenagers could go if they left home. Two movies, Maybe I'll Come Home In The Spring starring Sally Field, and Go Ask Alice were my inspiration. Sally Field ran away from her upper middle class suburban home and fell in love with a hippy guy. She realized her mistake and returned home but her boyfriend followed her. She was torn between her life on the street and her parents' love for her. She sadly decided to stay home and sent him away. Go Ask Alice was about a fifteen-year-old girl who ran away to San Francisco and got a job in a clothing boutique. She got mixed up with drugs and turned into a strung-out mess. These movies were supposed to scare kids from leaving home but to me they were signs that if I left I would be okay. The movies told me there was a better life out there somewhere. I wasn't alone.

    After Lucy's spanking I decided it was time for me to go. It was the middle of May. School was almost out. I was finishing 9th grade. After dinner, I went to the pool hall in our small downtown to look for Steve Holley. He would know where I could stay. He wasn't there. I walked all the away across town, through strange subdivisions filled with split-level homes and over dirt fields that were soon to be more subdivisions, to Pappy's Pizza Parlour. He wasn't there either. I only had a jean jacket on to keep me warm and it was getting chilly out. I shivered, half from the cold and half from nerves. My friend Jerry McDaniels drove me back to the pool hall to see if Steve had shown up. He hadn't and I didn't know what to do next. I was sitting in the back watching some guys shoot a game of pool when I saw my Dad drive by in the family station wagon. Lucy was with him. They slowed down as Dad searched the pool hall for me with angry eyes. He spotted me. We had eye contact. In the time it took them to find a parking place I ran out the back door and down a couple of side streets into an old residential neighborhood. I hid in some bushes until I was sure it was safe. My friend Sherry lived nearby so I went to her house. She said I couldn't stay there but maybe I could stay with her friend Jacquie Smithson. Jacquie lived three blocks from my parents. We went over there and she said I couldn't stay with her either but she'd ask her next door neighbor David who was a grade ahead of us. We used to play kickball together in the bowling alley parking lot. He asked his Mom if it was okay and she said yes.

    I was scared. I wanted to walk up the street to 50-Highway and stick out my thumb and catch a ride into Kansas City to get as far away as I could. But I had no idea where I would go once I got there. Plus, I was afraid my Dad would drive by again. I decided to wait until the morning before going into the city. I slept in David's room in his family's refinished basement lined with light brown wood paneling. That night I had a dream where a voice, loud and clear, told me to go back home. It was my mother. When I woke up I felt sick to my stomach and didn't want to get out of bed. The song "Me and You and a Dog Named Boo" was playing on the radio in the kitchen. It was about hitch-hiking. It was about being free. It was my call. Only there was no "you" or no "Boo." Just me. I thought about Sally Fields and drugged-out Alice. I went back home. I was grounded for a month which meant I couldn't go anywhere, not even leave our yard, unless I was with my parents. I wasn't allowed to see my friends. I was under house arrest.


Excerpted from Tramps Like Us by JOE WESTMORELAND. Copyright © 2001 by Joe Westmoreland. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Mr. Bluebird

By Gerry Gomez Pearlberg

Painted Leaf Press

Copyright © 2001 Gerry Gomez Pearlberg. All rights reserved.
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