From the Publisher
“Inspired…. [a] highly original novel…. Impossible to put down.”–USA Today
“Trans-Sister Radio…bears Bohjalian’s hallmark: ordinary people in heartbreaking circumstances behaving with grace and dignity…. Speaks directly to the heart.”–San Francisco Chronicle
“Bohjalian has…written an interesting [and] ultimately, a quite daring novel, and a worthy successor to Midwives. Like that novel, Trans-Sister Radio challenges readers’ most dearly held notions of biological reality.”–Philadelphia Inquirer
“An insightful look at love and sexuality…with great compassion and insight.”–Los Angeles Times
“A though-provoking tale with a rich, varied texture…. [An] addictive read.”–The Denver Post
San Francisco Chronicle
In the convolutions of human frailties and the confounding enigma
of love, [Bohjalian's] tale brings to bear issues that transcend the bounds
of gender: image, loneliness, yearning, and, most of all, the human capacity
for change. . .It bears his hallmark: ordinary people in heartbreaking
circumstances behaving with grace and dignity. He accomplishes this in
plaintive prose that speaks directly to the heart.
Trans-Sister Radio is a controversial, highly original novel about a lot more than gender issues and sexual orientation. It is about the precarious dance on the checkerboard of sex. It is about life choices, lifestyle, tolerance and intolerance, and, above all, a commitment to love. Some might consider the resolution an equivocation, but this book is impossible to put down.
Nancy E. Young
Set your dial to Trans-Sister Radio for a thoughtful and provocative read, and when you want more after you finish, tune into Bohjalian's earlier books, which are as wel written.
A compelling and often disturbing novel, Trans-sister Radio challenges all of our assumptions about gender, relationships, and sexuality. A powerful secret literally transforms four lives: Allison Banks, a sixth grade teacher; Will, her ex-husband and president of a local Vermont Public Radio station; their teenage daughter Carly; and Dana Stevens, a college instructor who falls in love with Allison. The structure of the book is essential for understanding the (r)evolution of emotions that occur with the complex issues Bohjalian explores through private lives made very public. The four voices, performed by Kymberli Colbourne, alternate to reveal their own separate struggles and to create a metamorphosis that is central to the story. A demanding work that is often graphic, always gentle, and full of wisdom and surprising humor. Recommended for adult audiences. Joyce Kessel, Villa Maria Coll., Buffalo, NY Copyright 2001 Cahners Business Information.
Read an Excerpt
I was eight when my parents separated, and nine when they actually divorced. That means that for a little more than a decade, I've watched my mom get ready for dates. Sometimes, until I started ninth grade, I'd even keep her company on Saturday afternoons, while she'd take these long, luxurious bubble baths. I'd put the lid down on the toilet and sit there, and we'd talk about school or boys or the guy she was dating.
I stopped joining her in the bathroom in ninth grade for a lot of reasons, but mostly because it had started to seem a little weird to me to be hanging out with her when I was fourteen and she was naked.
But she has always been pretty cool about bodies and sex, and for all I know, she wouldn't mind my joining her in the bathroom even now when I'm home from college. For better or worseand usually for bettermy mom has always been very comfortable with subjects that give most parents the shivers. A couple of days before my fifteenth birthday, she took me to the gynecologist to get me fitted for a diaphragm, and told me where in her bedroom she kept the spermicidally lubricated condoms. (Of course, I already knew: God, by then I even knew where she'd hidden a vibrator.)
I hadn't had sex yet, and my mom made it clear that she didn't want me to in the foreseeable future. But she had a pretty good memory of the hormonal chaos that hits a person in high school, and she wanted to do all that she could for my sake to ensure that she wouldn't become a grandmother any sooner than necessary.
When I think back on it, my parents' divorce was very civilized. At least it has always seemed that way to me, though it's clear there are things I don't know.
The way my mom tells it, I was in second or third grade when they realized they just didn't love each other anymore the way they had when they were first married. They'd worked together at the radio station then, and they'd shared everything. My mom insists they both came to the realization at about the same time that they should separate: My mom was thirty-two and my dad was thirty-three, and they figured they were still young enough to hook up with someone who, in the long years ahead, could keep their motors humming the way they were meant to.
Sometimes my dad hints that it wasn't quite so mutual. Most of the time he toes their party line, but every so often I'll get the impression that when he moved out, he was figuring they'd both change their minds and reconcile in a couple of weeks. I think he might have thought he was just being cool.
Once when he was visiting my mom, I overheard him telling her that he knew her heart had never been into the counseling they went through when I was eight.
Still, he was the one who got remarried.
Sometimes, when I was little, I'd help my mom pick out her jewelry or clothing for a date.
"Wear the pearls," I might suggest.
"It's a clambake," she'd remind me.
"And they might scare the oysters."
One time she especially indulged me. I was eleven years old and convinced there was no fashion statement more powerful than a kilt. And so she wore a red-and-green Christmas kilt to a backyard cookout, even though it was the middle of August and the air was just plain sticky. That night my baby-sitter spent most of the time standing in front of a fan, with her T-shirt rolled up like a halter.
If I were to count, I'd guess my mom probably had five serious boyfriends in the decade between my parents' divorce and the day she met Dana. Dana had been in pre-surgical therapy for two years by then and had probably endured close to fifty hours of electrolysis. He'd been on hormone therapy for a good four or five months.
Unlike a lot of pre-op M2Fs, he wasn't trying to pass as a woman yet, he hadn't begun his transition.
Of course, he didn't tell my mom any of thisnot that he should have. When they met, he was simply the professor for a film course at the university that she was taking that summer as a lark, and she was one of his students.
What was he supposed to do, say to the class, "Hi, I'm Dana, and I've spent a good part of the last year with my upper lip deadened by Novacaine"?
Or, "Good evening, I'm your professor. I'm about to start developing breasts!"
Or, if he wanted, for some reason, to be completely candid, "You folks ever met a lesbian with a penis? Have now!"
He had no idea he was going to fall in love with my mom, even when they started to date, and she had no idea she was going to fall in love with him. It just happened.