Translating Nature into Art: Holbein, the Reformation, and Renaissance Rhetoric

Translating Nature into Art: Holbein, the Reformation, and Renaissance Rhetoric

by Jeanne Nuechterlein
     
 

ISBN-10: 0271036923

ISBN-13: 9780271036922

Pub. Date: 02/27/2011

Publisher: Penn State University Press

Hans Holbein the Younger is best known for his work in Henry VIII’s England, where he painted portraits and designed decorative objects for courtly circles. England, however, only accounts for half of Holbein’s working life. He developed his artistic identity on the Continent, creating a diverse range of artworks for urban elites, scholars, and

Overview

Hans Holbein the Younger is best known for his work in Henry VIII’s England, where he painted portraits and designed decorative objects for courtly circles. England, however, only accounts for half of Holbein’s working life. He developed his artistic identity on the Continent, creating a diverse range of artworks for urban elites, scholars, and publishers. Translating Nature into Art argues that by the time Holbein reached England, he had developed two roughly alternative styles of representation: a highly descriptive and objective mode, which he used for most of his portraiture, and a much more stylized and inventive manner, which he applied primarily to religious, historical, and decorative subjects. Jeanne Nuechterlein contends that when Holbein used his stylized manner, he acknowledged that he was the inventor of the image; when Holbein painted a portrait or a religious work in the objective manner, he implied instead that he was observing something in front of him and reproducing what he saw. By establishing this dialectic, Holbein was actively engaging in one of the central debates of the Reformation era concerning the nature and validity of the visible world. Holbein explored how much art should look like the visible world, and in the process discovered alternative ways of making representation meaningful.

Product Details

ISBN-13:
9780271036922
Publisher:
Penn State University Press
Publication date:
02/27/2011
Pages:
264
Product dimensions:
8.30(w) x 10.20(h) x 1.00(d)

Table of Contents

Contents

List of Illustrations

Acknowledgments

Statement About Orthography

Introduction: Holbein’s Reformation of Art

1 Holbein and the Basel Reformation

2 Choosing Styles

3 Seeing Christ

4 Judging Appearances

5 Translating Nature into Art

Conclusion: Noli me tangere

Notes

Bibliography

Index

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