An inspired side project,
Transplants features
Tim Armstrong of
Rancid,
Armstrong's buddy
Rob Aston rapping,
blink-182 drummer
Travis Barker, and a host of pals dropping in. They don't really sound much like
Rancid, though at times one does hear
the Clash in these tunes. A bit more
rock & roll than
punk rock,
Transplants spare listeners any
ska tunes. However, there is plenty of
hip-hop courtesy of
Aston, who
raps in a macho and at times grating style with no shortage of borrowed
gangsta cliches. In fact,
Transplants sound best when he's not shouting about gats and hos. Every time
Armstrong's gutter
punk-accented, mushmouth voice appears,
Transplants sound more soulful than
rap-rock.
Armstrong hasn't written hook-filled songs like these since
And Out Come the Wolves.
"Down in Oakland," the one song he wrote without
Aston, is among the album's catchiest. Check out
Armstrong's slick and reverby
surf guitar on this one. Aside from singing like a
punk rock Marvin Gaye and playing snazzy guitar leads,
Armstrong is also responsible for the
blues piano loops that anchor
"Diamonds and Guns" and
"California Babylon," songs that sound a good deal better than their titles. Perhaps the album's best number is the downbeat
"Weigh on My Mind," featuring the throaty, understated background vocals of
Brody Armstrong of
the Distillers, who sings the chorus "I've got so many problems and they weigh on my mind" with
Armstrong. Among the other key contributors is
Vic Ruggiero of
the Slackers, who lays down some cool piano and organ grooves throughout. And there's a not half-bad
rap tune called
"D.R.E.A.M.," which bites an overused
Method Man refrain from the
Wu-Tang Clan song
"C.R.E.A.M.," but sports a beat that's as
G-funk as
punk gets. ~ Adam Bregman
