- Shopping Bag ( 0 items )
Both incest and the Holocaust have also been featured in contemporary psychological literature on trauma and memory. The author employs theories of post traumatic stress disorder and histories of the so-called memory wars to illuminate the amnesias, fantasies, and mistakes in memory that must be taken into account, along with corroborated evidence, if we are to understand how personal and public historical meaning is made.
Janet Walker’s engrossing narrative demonstrates that the past does not come down to us purely and simply through eyewitness accounts and tangible artifacts. Her incisive analysis exposes the frailty of memory in the face of disquieting events while her joint consideration of trauma cinema and psychological theorizing radically reconstructs the roadblocks at the intersection of catastrophe, memory, and historical representation.
|1||Catastrophe, representation, and the vicissitudes of memory||3|
|2||The excision of incest from classical Hollywood cinema : Kings row and Freud||33|
|3||Incest on television and the burden of proof : Sybil; Shattered trust; The Shari Karney story; Liar, liar; and Divided memories||49|
|4||Strange bedfellows - incest in trauma documentaries : Daughter rite; Some nudity required; the Electronic diary series; Just, Melvin; and Capturing the Friedmans||82|
|5||The last days is not Shoah - experiments in Holocaust representation : The march and Tak for Alt||125|
|6||Disremembering the Holocaust : Everything's for you, Second generation video, and Mr. Death||158|