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Treason Of The Intellectuals, The / Edition 1

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Julien Benda's classic study of the European 1920s resonates today. La trahison des clercs is one of those phrases that bristle with hints and associations without stating anything definite. In his new introduction, Roger Kimball quotes from a contemporary, Alain Finkielkraut, who recalls in haunting words the essence of The Treason of the Intellectuals. "When hatred of culture becomes itself a part of culture, the life of the mind loses all meaning." As Kimball reminds us, in the present age, only the title of the book, not its argument, enjoys currency. The book itself is well known without being known well. Its release at this time should overcome that neglect.

The "treason" of which Benda writes was the betrayal by the intellectuals of their unique vocation. From the time of the pre-Socratics, intellectuals, in their role as intellectuals, had been a breed apart. In Benda's terms, they were understood to be "all those whose activity essentially is not the pursuit of practical aims, all those who seek their joy in the practice of an art or a science or a metaphysical speculation, in short in the possession of non-material advantages." Thanks to such men, Benda noted, "humanity did evil for two thousand years, but honored good. This contradiction was an honor to the human species, and formed the rift whereby civilization slipped into the world." According to Benda, this situation began to change in the early decades of the twentieth century. More and more, intellectuals abandoned their attachment to the traditional panoply of philosophical and scholarly ideals. One clear indication of the change was the attack on the Enlightenment ideal of universal humanity and the concomitant glorification of various particularisms. The implications for intellectual life today are transparent, and this long unavailable classic of European thought should interest all those who teach and who preach the human sciences.

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Editorial Reviews

From the Publisher
“It is rich, quirky, erudite, digressive, and polemical. . . . Partisan in its claims for disinterestedness, it is ruthless in its defense of intellectual high-mindedness. . . . [G]iven the horrific events that unfolded in the decades following its publication, Benda’s unremitting attack on the politicization of the intellect and ethnic separatism cannot but strike us as prescient. And given the continuing echo in our own time of the problems he anatomized, the relevance of his observations to our situation can hardly be doubted.” —Roger Kimball, The New Criterion
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Product Details

  • ISBN-13: 9781412806237
  • Publisher: Transaction Publishers
  • Publication date: 10/15/2006
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 280
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.63 (d)

Meet the Author

Julien Benda (1867-1956) was a novelist and critic. Among his other books are The Yoke of Pity, Uriel's Report, and Exercises of a Man Buried Alive. Roger Kimball is co-editor and publisher of The New Criterion and president and publisher of Encounter Books. He is also an art critic for the London Spectator and National Review. He is author of numerous titles including The Rape of the Masters: How Political Correctness Sabotages Art and Art's Prospect: The Challenge of Tradition in an Age of Celebrity.

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Table of Contents

Introduction to the Transaction Edition Translator’s Note Author’s Foreword 1 The Modern Perfecting of Political Passions 2 Significance of this Movement—Nature of Political Passions 3 The “Clerks”—The Great Betrayal 4 Summary—Predictions Notes

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Customer Reviews

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  • Posted January 4, 2013

    An hysterical, historical oddity

    Benda is very exercised about something, but I defy any reader to figure out exactly what. It has something to do with nationalism, rationalism, France, Germany, politics, science, populism, hypocrisy, the disaster of WWI and the runup to WWII. Anyone today would likely find similar material in endless blog posts across fifty Usenet forums. Benda is in high dudgeon because he's in favor of more good and less bad.

    The book itself is just photo-reproduced pages of a (much) earlier typeset, the text is actually quite brief. The contents often refer to contemporary (1923) and historical French events that few modern (and non-French) readers are going to understand in the least, but generally the message comes through.

    There are occassional lines that seem to apply to our modern situation - such as the title! Shouldn't our intellectual leaders know better? Haven't they sold out to the mob? Well of course they have! At least reading Benda you find it's no new thing.

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