Tremendous Trifles (Dodo Press)

Tremendous Trifles (Dodo Press)

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by G. K. Chesterton
     
 

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Gilbert Keith Chesterton (1874-1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the "prince of paradox. " He wrote in an off-hand, whimsical prose studded with startling formulations. He

Overview

Gilbert Keith Chesterton (1874-1936) was an influential English writer of the early 20th century. His prolific and diverse output included journalism, philosophy, poetry, biography, Christian apologetics, fantasy, and detective fiction. Chesterton has been called the "prince of paradox. " He wrote in an off-hand, whimsical prose studded with startling formulations. He is one of the few Christian thinkers who are equally admired and quoted by both liberal and conservative Christians, and indeed by many non-Christians. And in his own words he cast aspersions on the labels saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected. " Chesterton wrote many books among which are: All Things Considered (1908), Alarms and Discursions (1910), The Ballad of the White Horse (1911), The Appetite of Tyranny (1915), The Everlasting Man (1925), The Secret of Father Brown (1927) and The Scandal of Father Brown (1935).

Product Details

ISBN-13:
9781406590944
Publisher:
Dodo Press
Publication date:
01/25/2008
Pages:
156
Product dimensions:
6.00(w) x 9.00(h) x 0.36(d)
Age Range:
1 - 17 Years

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Tremendous Trifles 4.4 out of 5 based on 0 ratings. 5 reviews.
Anonymous More than 1 year ago
Generally excellent book of essays by G.K. Chesterton, first published about1909. Known as the "Prince of Paradox", Chesterton defended orthodox Chistianity by turning conventional wisdom inside out. One warning though: Chesterton was conventional in at least one unfortunate way. In two essays, "The Dickensian", and "The Tower", he uses a racial term unacceptable today but apparently useable in the England of his day. Otherwise a great collection.
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