Trinity

Overview

The Southwestern desert—that tumultuous "zone claimed by two nations, and controlled by no one"—is Charles Bowden's home and enduring passion. In acclaimed books ranging from A Shadow in the City: Confessions of an Undercover Drug Warrior and Down by the River: Drugs, Money, Murder, and Family to Inferno and Exodus/Éxodo, Bowden has written eloquently about issues that plague the border region—the smuggling of drugs and people and the violence that accompanies it, the rape of the environment and the greed that ...

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Overview

The Southwestern desert—that tumultuous "zone claimed by two nations, and controlled by no one"—is Charles Bowden's home and enduring passion. In acclaimed books ranging from A Shadow in the City: Confessions of an Undercover Drug Warrior and Down by the River: Drugs, Money, Murder, and Family to Inferno and Exodus/Éxodo, Bowden has written eloquently about issues that plague the border region—the smuggling of drugs and people and the violence that accompanies it, the rape of the environment and the greed that drives it. Completing a trilogy that includes Inferno and Exodus/Éxodo, Bowden looks back in Trinity across centuries of human history in the border region to offer his most encompassing and damning indictment of "the murder of the earth all around me."

Sparing no one, Bowden recounts how everyone who has laid claim to the Southwestern desert—Native Americans, Spain, Mexico, and the United States—has attempted to control and domesticate this ecologically fragile region, often with devastating consequences. He reserves special scorn for the U.S. government, whose attempts at control have provoked consequences ranging from the massive land grab of the Mexican War in the nineteenth century, to the nuclear fallout of the first atomic bomb test in the twentieth century, to the police state that is currently growing up around attempts to seal the border and fight terrorism. Providing a stunning visual counterpoint to Bowden's words, Michael Berman's photographs of the desert reveal both its harsh beauty and the scars it bears after centuries of human abuse.

Bowden's clearest warning yet about the perils facing the desert he calls home, Trinity confirms that, in his words, "the [border] zone is a laboratory where the delusions of life—economic, religious, military, foreign policy, biological, and agricultural—can be tested. This time the edge is the center, this time the edge is the face of the future."

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Editorial Reviews

Library Journal
Trinity completes a trilogy that includes Bowden's earlier titles Inferno and Exodus, each devoted to the region spanning the U.S.-Mexico borderlands. An amalgam of text and image, Trinity is a virtuosic collaboration between two artists profoundly sensitive to human history and geographic textures. One-time journalist Bowden is a specialist in all things Southwest; Berman is a painter-photographer whose work documents the physical grandeur and human decay that so starkly mark the region's physical aspects. The bulk of the book is made up of Bowden's eloquent but necessarily lugubrious ruminations on the history of human and ecological cruelties that have taken place on ground he clearly loves. Countless personages populate and propel the dreamlike narrative: Robert Oppenheimer at Los Alamos, the Comanche leader Quanah Parker, the landscape painter Maynard Dixon, and John Steinbeck in his Sea of Cortez boat. Punctuating Bowden's essays are Berman's 69 exquisite, uncaptioned photographs—some of which portray mountainous geology, others the detritus left by the human inhabitants, still others the animals clinging to life there. VERDICT A dystopian meditation, this will appeal to anyone with an interest in the Southwest or fine landscape photography.—Douglas F. Smith, Berkeley P.L., CA
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Product Details

  • ISBN-13: 9780292719866
  • Publisher: University of Texas Press
  • Publication date: 10/15/2009
  • Pages: 288
  • Product dimensions: 12.00 (w) x 9.60 (h) x 1.20 (d)

Meet the Author

CHARLES BOWDEN is a long-time observer of social issues along the U.S.-Mexico border. His recent books include A Shadow in the City: Confessions of an Undercover Drug Warrior; Down by the River: Drugs, Money, Murder, and Family; Blues for Cannibals: Notes from Underground; Blood Orchid: An Unnatural History of America; Desierto: Memories of the Future; Inferno (also with Michael Berman); and Exodus/Éxodo (with Julián Cardona).

MICHAEL P. BERMAN received a Guggenheim Fellowship in 2008 for his work on the Southwestern grasslands that appears in Trinity. His photographs are included in the collections of the Metropolitan Museum of Art, the Amon Carter Museum, and the Museum of New Mexico. He has received painting fellowships from the Arizona Commission on the Arts and the Wurlitzer Foundation, and his installations, photographs, and paintings have been reviewed in Art in America and exhibited throughout the country.

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Table of Contents

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