The author's death three years ago has not prevented St. Martin's from publishing recent material under his name. This WWII-era thriller opens in August 1991 as American ambassador Stephen Metcalfe arrives in Moscow, where Communist hard-liners are attempting to wrest control of Russia from the reform government. The fate of the country will be decided by an official known as the Dirizhor-the Conductor-and Metcalfe is the only man who can convince him to resist the forces of Stalinist darkness. Flash back to 1940, just after the Nazis have signed a nonaggression pact with the Russians. Young playboy/espionage agent Metcalfe is sent by American spymaster "Corky" Corcoran to the U.S.S.R. to enlist an old lover, Lana ("an extraordinary woman, impossibly beautiful, magnetic, passionate") in a scheme that if successful will change the course of history. Hot on Metcalfe's tail is assassin Kleist, a Nazi Secret Service agent who dispatches his enemies by garroting them with the E string of his violin. These principals and a host of others thrust and parry between Paris, Moscow and Berlin before a final confrontation in an enormous, mock factory fashioned of plywood and cleverly painted canvas. The factory, a bombing decoy, provides an apt metaphor for the book: a hollow, flimsy construct unable to hold the weight of a bloated plot and an army of cliched characters. All of Ludlum's trademarks are in evidence: one-sentence paragraphs, a plentitude of exclamation points, ridiculous dialogue ("Die, you bastard!") and the breathless use of italics to impart excitement, but in the end there are few surprises in this unsatisfying behemoth. Perhaps it's time to let the master rest in peace. (Oct. 28) Forecast: Ludlum's many fans may relish this gift from the grave, but others will find it thin fare, far from the author's best efforts. 750,000 first printing; major ad/promo campaign. Copyright 2003 Reed Business Information.
To help win the war against the Nazis, Stephen Metcalfe must travel from occupied Paris to Moscow and make contact with a devious ballerina-who happens to be a former lover. Copyright 2003 Reed Business Information.
From the ranks of dead bestselling authors comes yet another probable bestseller. So peaceful, the grave. No distractions, no need to keep up with the world. No pressure to update the information. No arguments with editors. This is how it must have been for Barbara Cartland in those last golden 50 years, when she was so practiced she simply dictated books from the comfort of one of her several Louis Quinze settees. In fact, a posthumous Ludlum reads almost like a manly Cartland. If there is a waist, it will be tiny. If there is a buttock, it will be tight. If there is a Vichy hostess, she will be a tart. And if there is a plot . . . . Well, of course there is a plot. This is, after all, a Ludlum, so there are layers upon layers of oh-so-reliably nasty Nazis and Bolsheviks against whom is pitted one rich handsome Ivy League polyglot straight-shooting Russo-Yank intelligence agent, Stephen Metcalfe, whose exciting impersonation of an Argentine playboy in Paris in 1940 is interrupted by an assignment to Moscow, where Metcalfe is to test the leanings of the debauched German aristocrat attached to the Reich's embassy to see if he might be turned. Or so Stephen has been told. But nothing is as it seems, for-and here the late hand of the master reaches for one of the great metaphors of '80s spycraft and its supporting literature-there are mirrors upon mirrors. The repulsive nobleman is currently the protector of Svetlana "Lana" Baranova, beautiful star of the Bolshoi and a Great Love among the many loves in Stephen's busy past. (Not out of his 20s, the lad seems never to have slept alone). As corpse after corpse falls in his path, some garroted by a sadistic (of course), violin-playing SSofficer with exceptional olfactories, some just blasted by the Bolsheviks, it dawns on Stephen that his masters are simply using him to get to Lana, who will herself be used. The fate of the democratic West is at stake! Nurse, another lap robe, there's a good girl. First printing of 750,000
From the Publisher
“One heck of a thriller...loaded with all the intrigue, paranoia, and real-life parallels that made Ludlum famous.” People on The Janson Directive
“Finely crafted...the plot packs more twists than a Rold Gold factory.” Entertainment Weekly on The Janson Directive
People on The Janson Directive
One heck of a thriller...loaded with all the intrigue, paranoia, and real-life parallels that made Ludlum famous.
Entertainment Weekly on The Janson Directive
Finely crafted...the plot packs more twists than a Rold Gold factory.
Read an Excerpt
Moscow, August 1991
The sleek black limousine, with its polycarbonate-laminate bullet-resistant windows and its run-flat tires, its high-tech ceramic armor and dual-hardness carbon-steel armor plate, was jarringly out of place as it pulled into the Bittsevsky forest in the southwest area of the city. This was ancient terrain, forest primeval, densely overgrown with birch and aspen groves interspersed with pine trees, elms, and maples; it spoke of nomadic Stone Age tribes that roamed the glacier-scarred terrain, hunting mammoths with hand-carved javelins, amid nature red in tooth and claw. Whereas the armored Lincoln Continental spoke of another kind of civilization entirely with another sort of violence, an era of snipers and terrorists wielding submachine guns and fragmentation grenades.
Moscow was a city under siege. It was the capital of a superpower on the brink of collapse. A cabal of Communist hard-liners was preparing to take back Russia from the forces of reform. Tens of thousands of troops filled the city, ready to fire at its citizens. Columns of tanks and armored personnel carriers rumbled down Kutuzovsky Prospekt and the Minskoye Chausse. Tanks surrounded Moscow City Hall, TV broadcasting facilities, newspaper offices, the parliament building. The radio was broadcasting nothing but the decrees of the cabal, which called itself the State Committee for the State of Emergency. After years of progress toward democracy, the Soviet Union was on the verge of being retumed to the dark forces of totalitarianism.
Inside the limousine sat an elderly man, silver-haired, with handsome, aristocratic features. He was Ambassador Stephen Metcalfe, an icon of the American Establishment, an adviser to five Presidents since Franklin D. Roosevelt, an extremely wealthy man who had devoted his life to serving his government. Ambassador Metcalfe, though now retired, the title purely honorific, had been urgently summoned to Moscow by an old friend who was highly placed in the inner circles of Soviet power. He and his old friend had not met face-to-face for decades: their relationship was a deeply buried secret, known to no one in Moscow or Washington. That his Russian friend-code-named "Kurwenal"--insisted on a rendezvous in this deserted location was worrying, but these were worrying times.
Lost in thought, visibly nervous, the old man got out of his limousine only once he glimpsed the figure of his friend, the three-star general, limping heavily on a prosthetic leg. The American's seasoned eyes scanned the forest as he
began to walk, and then his blood ran cold.
He detected a watcher in the trees. A second, a third! Surveillance. He and the Russian code--named Kurwenal--had just been spotted!
This would be a disaster for them both!
Metcalfe wanted to call out to his old friend, to warn him, but then he noticed the glint of a scoped rifle in the late-afternoon sun. It was an ambush!
Terrified, the elderly ambassador spun around and loped as quickly as his arthritic limbs would take him back toward his armored limousine. He had no bodyguard; he never traveled with one. He had only his driver, an unarmed American marine supplied by the embassy.
Suddenly men were running toward him from all around. Black-uniformed men in black paramilitary berets, bearing machine guns. They surrounded him and he began to struggle, but he was no longer a young man, as he had to keep reminding himself. Was this a kidnapping? Was he being taken hostage? He shouted hoarsely to his driver.
The black-clad men escorted Metcalfe to another armored limousine, a Russian ZIL. Frightened, he climbed into the passenger compartment. There, already seated, was the three-star general.
"What the hell is this?" Metcalfe croaked, his panic subsiding.
"My deepest apologies," replied the Russian. "These are hazardous, unstable times, and I could not take the chance of anything happening to you, even here in the woods. These are my men, under my command, and they're trained in counterterrorist measures. You are far too important an individual to expose to any dangers."
Metcalfe shook the Russian's hand. The general was eighty years old, his hair white, though his profile remained hawklike. He nodded at the driver, and the car began to move.
"I thank you for coming to Moscow--I realize my urgent summons must have struck you as cryptic."
"I knew it had to be about the coup," Metcalfe said.
"Matters are developing more rapidly than anticipated," the Russian said in a low voice. "They have secured the blessing of the man known as the Dirizhor--the Conductor. It may already be too late to stop the seizure of power."
"My friends in the White House are watching with great concern. But they feel paralyzed--the consensus in the National Security Council seems to be that to intervene might be to risk nuclear war."
"An apt fear. These men are desperate to overthrow the Gorbachev regime. They will resort to anything. You've seen the tanks on the streets of Moscow--now all that remains is for the conspirators to order their forces to strike. To attack civilians. It will be a bloodbath. Thousands will be killed! But the orders to strike will not be issued unless the Dirizhor gives his approval. Everything hangs on him--he is the linchpin."
"But he's not one of the plotters?"
"No. As you know, he's the ultimate insider, a man who controls the levers of power in absolute secrecy. He will never appear at a news conference; he acts in stealth. But he is in sympathy with the coup plotters. Without his support, the coup must fail. With his support, the coup will surely succeed. And Russia will once again become a Stalinist dictatorship--and the world will be at the brink of nuclear war."
"Why did you call me here?" asked Metcalfe. "Why me?"
The general turned to face Metcalfe, and in his eyes Metcalfe could see fear. "Because you're the only one I trust. And you're the only one who has a chance of reaching him. The Dirizhor."
"And why will the Dirizhor listen to me?"
"I think you know," said the Russian quietly. "You can change history, my friend. After all, we both know you did it before."
Copyright 2003 by Robert Ludlum