The Triumph of Pleasure: Louis XIV and the Politics of Spectacle

Overview

Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
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Overview

Prominent components of Louis XIV's propaganda, the arts of spectacle also became sources of a potent resistance to the monarchy in late seventeenth-century France. With a particular focus on the court ballet, comedy-ballet, opera, and opera-ballet, Georgia Cowart tells the long-neglected story of how the festive arts deployed an intricate network of subversive satire to undermine the rhetoric of sovereign authority.
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Editorial Reviews

Times Higher Education Supplement
Cowart details the ideological intricacies embedded within and across a wide range of performance modes. . . . [Her] elegant prose and nuanced observations will appeal to a wide range of readers interested in cultural history and the arts.

— Anne Hogan

Times Higher Education Supplement - Anne Hogan

"Cowart details the ideological intricacies embedded within and across a wide range of performance modes. . . . [Her] elegant prose and nuanced observations will appeal to a wide range of readers interested in cultural history and the arts."
Times Literary Supplement

"One of the great strengths of Cowart's book is precisely its chronological scope. . . . Cowart's reach, combined with her considerable erudition and meticulous scholarship, allows her to make some very suggestive parallels between works that might otherwise have passed unnoticed."
French Studies

"Cowart's study is of impressive scope and offers a rich synthesis that draws on a breadth of scholarship by musicologists, art historians, literary historians/theorists, and dance specialists. Her cross-disciplinary approach yields important insights into the field of seventeenth-century studies."
Davitt Moroney

The Triumph of Pleasure is a splendid addition to the literature on French baroque music. Cowart makes a strong argument for her position that many works from the late seventeenth and early eighteenth centuries constitute an unofficial counterculture, diametrically opposed to the official court culture in the later years of Louis XIV’s reign. Her knowledge of a very wide range of works that are generally unknown even to specialists in this area throws much light on this vast topic. This fascinating and subtle study continues to resonate in the mind long after reading.”

Orest Ranum

“A subtle, distinguished, and learned work. Through her careful, succinct descriptions and analyses of the dance and its place in the fêtes at Louis XIV’s court, Georgia Cowart elucidates a fundamental shift from the emphasis on the bombastic, glory-obsessed celebrations of war and conquest for the Sun King to performances that stressed the virtues of peace, sensual pleasure, and more private lifestyles. Well-researched and elegantly written, The Triumph of Pleasure will be welcomed by readers interested in elite and courtly cultures and by scholars who study the history of dance, music, and art.”

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Product Details

  • ISBN-13: 9780226211558
  • Publisher: University of Chicago Press
  • Publication date: 10/21/2014
  • Pages: 324
  • Sales rank: 1,112,846
  • Product dimensions: 5.90 (w) x 8.90 (h) x 0.80 (d)

Meet the Author


Georgia J. Cowart is professor of music at Case Western Reserve University.
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Table of Contents

1 Muses of pleasure : Louis XIV's early court ballet, 1651-1660 1

2 Muses of memory : Louis XIV's late court ballet, 1661-1669 41

3 Muses of satire : Le bourgeois gentilhomme & the utopia of spectacle 84

4 Tragic interlude : reversals at the Paris Opera, 1671-1697 120

5 Sappho, Cythera & the triumph of love : the ballet at the Paris Opera, 1700-1713 161

6 Carnival, commedia dell'arte & the triumph of folly : the ballet at the Paris Opera, 1699-1718 191

7 Watteau's Cythera, the opera-ballet & the staging of pleasure 222

Bibliography 253

Index 281

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