Troll: A Love Storyby Johanna Sinisalo
"A wily thriller-fantasy . . . Each discovery sounds like the voice of a storyteller reminding us of how the gods play with our fates."New York Times
Winner of the Finlandia Award, Troll: A Love Story is an enchanting novel that has become an international sensation. Angel, a young photographer, comes home from a night of carousing to/i>/b>/i>… See more details below
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"A wily thriller-fantasy . . . Each discovery sounds like the voice of a storyteller reminding us of how the gods play with our fates."New York Times
Winner of the Finlandia Award, Troll: A Love Story is an enchanting novel that has become an international sensation. Angel, a young photographer, comes home from a night of carousing to find a group of drunken teenagers in the courtyard of his apartment building, taunting a wounded, helpless young troll. He takes it in, not suspecting the dramatic consequences of this decision. What does one do with a troll in the city? As the troll's presence influences Angel's life in ways he could never have predicted, it becomes clear that the creature is the familiar of man's most forbidden feelings. A novel of sparkling originality, Troll is a wry, beguiling story of nature and man's relationship to wild things, and of the dark power of the wildness in ourselves.
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TrollA Love Story
By Johanna Sinisalo
Grove Atlantic, Inc.Copyright © 2000 Johanna Sinisalo
All right reserved.
Chapter OneDusk Crept Through the Greenwood
ANGEL I'm starting to get worried. Martes's face seems to be sort of fluctuating in the light fog induced by my four pints of Guinness. His hand's resting on the table close to mine. I can see the dark hairs on the back of his hand, his sexy, bony finger-joints and his slightly distended veins. My hand slides toward his and, as if our hands were somehow joined together under the table, his moves away in a flash. Like a crab into its hole. I look him in the eyes. His face wears a friendly, open, and understanding smile. He seems at once infinitely lovable and completely unknown. His eyes are computer icons, expressionless diagrams, with infinite wonders behind them, but only for the elect, those able to log on. "So why did you ask me out for a drink? What did you have in mind?" Martes leans back in his chair. So relaxed. So carefree. "Some good conversation." "Nothing more?" He looks at me as if I've exposed something new about myself, something disturbing but paltry: a bit compromising, but not something that will inexorably affect a good working relationship. It's more as if my deodorant were inadequate. "I have to tell you honestly that I'm not up for it." My heart starts pounding and my tongueresponds on reflex, acting faster than my brain. "It was you who began it." When we were little and there was a schoolyard fight, the most important thing was whose fault it was. Who began it. And as I go on Martes looks at me as if I weren't responsible for my behavior. "I'd never have let myself in for this ... if you hadn't shown me, so clearly, you were up for it. As I've told you, I'm hot shit at avoiding emotional hangups. If I've really no good reason to think the other person's interested I don't let anything happen. Not a thing. Hell, I don't even think it." Memories are crowding through my mind while I'm sounding off-too angrily, I know. I'm recalling the feel of Martes in my arms, his erection through the cloth of his pants as we leaned on the Tammerkoski River bridge railings that dark night. I can still feel his mouth on mine, tasting of cigarettes and Guinness, his mustache scratching my upper lip, and it makes my head start to reel. Martes reaches for his cigarettes, takes one, flicks it into his mouth, lights his Zippo and inhales deeply, with deep enjoyment. "I can't help it if I'm the sort of person people project their own dreams and wishes onto." In his opinion nothing has happened. In his opinion it's all in my imagination. I crawl home at midnight, staggering and limping-it's both the beer and the wound deep inside me. Tipsily, I'm licking my wound like a cat: my thought probes it like a loose tooth, inviting the dull sweet pain over and over again-dreams and wishes that won't stand the light of day. The street lamps sway in the wind. As I turn in through the gateway from Pyynikki Square, sleet and crushed lime leaves blow in with me. There's loud talk in the corner of the yard. A loathsome bunch of kids are up to something in the corner by the trash cans-young oafs, jeans hanging off their asses and their tattered windbreakers have lifted to show bare skin. They've got their backs to me, and one of them's goading another, using that tone they have when they're challenging someone to perform some deed of daring. This time it's to do with something I can't see, at their feet. Normally I'd give thugs like these a wide berth-they make my flesh crawl. They're just the sort that make me hunch up my shoulders if I pass them in the street, knowing I can expect some foul-mouthed insult-but just now, because of Martes, because I don't give a damn about anything and with my blood-alcohol count up, I go up to them. "This is private property, it belongs to the apartment building. Trespassers will be prosecuted." A few heads turn-they sneer-and then their attention goes back to whatever's at their feet. "Afraid it'll bite?" one asks another. "Give it a kick." "Didn't you hear? This is private property. Get the fuck out of here." My voice rises, my eyes sting with fury. An image from my childhood is flashing through my brain: a gang of bullies from an older class are towering above me, sneering at me, and goading me in that same tone-"Afraid it'll bite?"-and then they stuff my mouth with gravelly snow. "Shove it up your ass, sweetie," one of these juvenile delinquent coos tenderly. He knows I've no more power over them than a fly. "I'll call the police." "I've called them already," says a voice behind me. The ornery old woman who lives on the floor below me and covers her rent by acting as some kind of caretaker has materialized behind me. The thugs shrug their shoulders, twitch their jackets, blow their noses onto the ground with a swagger and dawdle away, as if it was their choice. They shamble off through the gateway, manfully swearing, and the last one flicks his burning cigarette butt at us like a jet-propelled missile. They've hardly reached the street before we hear anxious running feet. The lady snorts. "Well, they did do what they were told." "Are the police coming?" "'Course not. Why bother the police with scum like that? I was off to the Grill House myself." The adrenaline's cleared my head for a moment, but now, as I struggle to dig out my keys, my fingers feel like a bunch of sausages. The woman's on her way to the gate, and that's fine, because my pissed brain's buzzing with a rigid, obsessive curiosity. I wait until she's off and start peering among the garbage cans. And there, tucked among the cans, some young person is sleeping on the asphalt. In the dark I can only make out a black shape among the shadows. I creep closer and reach out my hand. The figure clearly hears me coming. He weakly raises his head from the crouching position for a moment, opens his eyes, and I can finally make out what's there. It's the most beautiful thing I've ever seen. I know straight away that I want it. It's small, slender and it's curled up in a strange position, as if it were completely without joints. Its head is between its knees, and its full black mane of hair is brushing the muddy pavement. It can't be more than a year old. A year and a half at the most. A mere cub. By no means the huge bulk you see in illustrations of the full-grown specimens. It's hurt or been abandoned, or else it's strayed away from the others. How did it get to the courtyard of an apartment building in the middle of the town? Suddenly my heart starts thumping and I swing around, half expecting to see a large black hunched shadow slipping from the garbage cans to the gate and then off into the shelter of the park. I react instinctively. I crouch down by it and carefully bend one of its forearms behind its back. It stirs but doesn't struggle. Just in case, I twist the strap of my bag all around the troll so that its paws are fastened tightly to its side. I glance behind me and lift it up in my arms. It's light, bird-boned, weighing far less than a child the same size. I glance quickly at the windows. There's nothing but a reddish light glowing in the downstairs neighbor's bedroom. The glamorous head of a young woman pops up in the window, her hand drawing the curtain. Now. In a moment we're in my apartment. It's very weak. When I lower it onto the bed it doesn't struggle at all, just contemplates me with its reddish-orange feline eyes with vertical pupils. The ridge of its nose protrudes rather more than a cat's, and its nostrils are large and expressive. The mouth is in no way like the split muzzle of a cat or a dog: it's a narrow, horizontal slit. The whole face is so human-looking-like the face of the American woolly monkey or some other flatfaced primate. It's easy to understand why these black creatures have always been regarded as some sort of forest people who live in caves and holes, chance mutations of nature, parodies of mankind. In the light, its cubbishness is even more obvious. Its face and body are soft and round, and it has the endearing ungainliness of all young animals. I examine its front paws: they're like a rat's or racoon's, with flexible, jointed fingers and long nails. I untie it, and the cub makes no move to scratch or bite. It just turns on its side and curls up, drawing its tufted tail between its thighs and folding its front paws against its chest. Its tangled black mane falls over its nose, and it lets out that half-moan/half-sigh of a dog falling asleep. I stand at the bedside, looking at the troll-cub and taking in a strong smell-not unpleasant, though. It's like crushed juniper berries with a hint of something else-musk, patchouli? The troll hasn't moved an inch. Its bony side heaves to the fast pace of its breathing. Hesitantly I take a woolen blanket from the sofa, stand by the bed a while, and then spread it over the troll. One of its hind legs gives a kick, like a reflex, swift and strong as lightning, and the blanket flies straight over my face. I struggle with it, my heart pumping wildly, for I'm convinced the frightened beast will go for me, scratching and biting. But no. The troll lies there curled up and breathing peacefully. It's only now that I face the fact that I've brought a wild beast into my home. My head and neck are aching. I've been sleeping on the sofa. It's ridiculously early; still dark. And there's nothing on the bed. So that's what it's all been: a fantasy that won't survive the first light of day. Except that the blanket lies crumpled on the floor by the bed, and there's a faint little sound coming from the bathroom. I get up and walk slowly, in the light of the streetlamps filtering through the window, creeping as quietly as I can to the bathroom door. In the dusk I can see a small black bony bottom, hind legs, a tufted twitching tail, and I realize what's happening. It's drinking from the toilet bowl. The juniper-berry smell is pungent. Then I spot a yellow puddle on my mint-green tiled floor. Naturally. It has stopped lapping up water and has sensed that I'm there. Its torso is up from the bowl so fast I can't see the movement. Its face is dripping with water. I'm trying to convince myself that the water is perfectly clean, drinkable. I'm trying to remember when I last scrubbed the bowl. Its eyes are still dull, it doesn't look healthy, and its pitch-black coat is sadly short of gloss. I move aside from the bathroom door, and it slides past me into the living room, exactly as an animal does when it's got another route to take-pretending to be unconcerned but vividly alert. It walks on two legs, with a soft and supple lope: not like a human being, slightly bent forwards, its front paws stretched away from its sides-ah, on tiptoe, like a ballet dancer. I follow it and watch it bounce on to my bed, effortlessly, like a cat, as though gravity didn't exist-then curl up and go back to sleep again. I go back to the kitchen for a cereal bowl, fill it with water and put it by the bed. Then I start mopping up the bathroom floor, though I've got a splitting headache. What the hell do trolls eat?
Back in my study, I leave the door open, boot up my computer, connect to the Internet and type TROLL. Troll (older forms: hobgoblin, bugbear, ogre), Felipithecus trollius. Family: Cat-apes (Felipithecidae) A pan-Scandinavian carnivore, found only north of the Baltic and in western Russia. Disappeared completely from Central Europe along with deforestation but, according to folklore and historical sources, still fairly common in medieval times. Not officially discovered, and scientifically classified as a mammal, until 1907. Before then assumed to be a mythical creature of folklore and fairy tale. Weight of a full-grown male: 50-75 kg. Height standing upright: 170-190 cm. A long-limbed plantigrade, whose movements nevertheless show digitigrade features. Walk: upright on two legs. Four long-nailed toes on the hindlimbs, five on the forelimbs, both including a thumb-like gripping toe. The tail long, with a tuft. The tongue rough. The overall color a deep black, the coat dense, sleek. A thick black mane on the head of the males. Movement only at night. Main nourishment: small game, carrion, birds' nests, and chicks. Hibernates. Cubs probably conceived in the autumn before hibernation, the female giving birth to one or two cubs in spring or early summer. About the behavior of this animal, however, so extremely shy of human contact, there is very little scientific knowledge. Extremely rare. Supposedly there are about four hundred specimens in Finland. Classified as an endangered species.
ANGEL This is making me no wiser. I click on SEARCH and come up with the following. Because of their great outward resemblance to humans or apes, trolls were originally mistaken for close relatives of the hominids; but further study has demonstrated that the case is one of convergent evolution. Misclassified a primate, the species was first erroneously designated "the Northern Troglodyte Ape" (Latin: Troglodytas Borealis). Later it was observed that the troll belonged to a completely independent family of carnivores, the Felipithecidae, but the apelike attributions survived for a time in the nomenclature, Felipithecus troglodytas. At present, the established, scientifically accepted nomenclature of the species still bows to popular tradition as Felipithecus trollius. An interesting episode in the naming of the troll was a suggestion from the prestigious Societas pro Fauna et Flora: relying on the mythical and demonic connotations, they proposed the name Felipithecus satanus. Only one other species of the Felipithecidae is known, the almost extinct yellow cat-ape (Felipithecus flavus), a roughly lynx-sized creature whose habitat is the heart of the Indonesian rain forest. The common ancestor of the species is believed, on fossil evidence, to have inhabited Southeast Asia. Though, on the evidence of its mode of life and dentition, the troll is clearly a carnivore, many scientists consider that the species does not properly belong to the order of Carnivora. Theories exist that the troll is more closely related to the insectivores and primates than to the true feline predators, and this is supported by certain anatomical features. It has been suggested that several other species whose existence has not been scientifically established beyond doubt (such as the legendary Tibetan "Abominable Snowman," or Yeti, of hearsay, and the mythical North American Sasquatch, or "Bigfoot") may also be humanity-shunning representatives of the Felipithecidae family.
Excerpted from Troll by Johanna Sinisalo Copyright © 2000 by Johanna Sinisalo. Excerpted by permission.
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Meet the Author
Johanna Sinisalo was born in Finnish Lapland in 1958. Not Before Sundown, her acclaimed first novel, has been translated into six languages, and is the first Finnish fiction to be published in this country for six years. Also known in Finland for her television and comic strip writing, Johanna has, in addition to the Finlandia Award, won the Atorox prize for best Finnish SF or fantasy story six times and has been the winner of the Kemi National Comic Strip Contest three times.
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