Tube: The Invention of Television

Overview

The visionary eccentrics and hardboiled businessmen behind television’s inception come to life in this “gripping” (Booklist), “lucid and engrossing” (american Scientist) chronicle of patent races, marketing showdowns, and courtroom battles. Index; photographs.

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Overview

The visionary eccentrics and hardboiled businessmen behind television’s inception come to life in this “gripping” (Booklist), “lucid and engrossing” (american Scientist) chronicle of patent races, marketing showdowns, and courtroom battles. Index; photographs.

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Editorial Reviews

Publishers Weekly - Publisher's Weekly
As the authors say in their preface, "[W]ho invented television? Nobody knows." But the genius of several individuals coalesced into today's modern TV. In this personality-driven book, the authors look at the key players and their contributions: John Logie Bair, the eccentric Scot who went from marketing hemorrhoid cream to making the first TV in Britain; Vladimir Zworykin, the Russian immigrant who blazed the trail for RCA; and Ernst Alexanderson, who led RCA to the promised land but lost out to Zworykin. But the two stars are Philo T. Farnsworth and David Sarnoff. Farnsworth was the boy-genius who first visualized TV as a 14-year-old and invented one of the first totally electronic TVs, only to be defeated by corporate in-fighting. "General" David Sarnoff, a Jewish immigrant on New York City's Lower East Side, rose to become the head of RCA, leading it to the vanguard because of his keen perceptions of both radio and television. David Fisher, a professor of cosmochemistry at the University of Miami, and Marshal Joe Fisher, a freelance writer, offer an engrossing, in-depth look at the history of the medium. Photos not seen by PW. 35,000 first printing; major ad/promo; author tour. (Sept.)
Kirkus Reviews
Cogent technological exposition combines with Saturday- matinee melodrama to create a nearly moving saga of the many men who wanted singlehandedly to create what one inventor called "radiovision."

Beginning with an 1872 experiment on selenium rods that made British engineer Willoughby Smith imagine a system of "visual telegraphy," Scientist David Fisher (Univ. of Miami; The Scariest Place on Earth 1994, etc.) and son, freelance writer Marshall Fisher, chart the scientific progression that culminated with the debut of commercial television programming in 1941. Throughout, they stress the linked discoveries that made it possible: British inventor John Logie Baird's 1923 electrified hatbox with Nipkow disks, which constituted the world's first working television set; the cathode-ray Image Dissector of young American inventor Philo Farnsworth; Russian-American scientist Vladimir Zworykin's Kinescope; and many others. Simultaneously they tell the story of big business and its equally fierce race to control the as-yet imperfect invention. AT&T made claims on TV in the 1920s, but RCA and its leader, David Sarnoff, prevailed, hiring top scientists and using the government to moderate progress when his creations (like the early RCA color TV) were not ready for prime time. In a crowd of businessmen/speculators and scientists/tinkerers, Sarnoff and Farnsworth stand out: Both triumph with their vision of television, but only one succeeds in accumulating the corporate muscle needed in the modern age to make a lasting mark. Tapped out and underappreciated, Farnsworth and many other television pioneers faced sad ends—alcoholism, suicide, oblivion.

Though most useful as a record of scientific apparatus and exploration of the modern symbiosis of technology and commerce, this volume is most memorable for its views of quixotic men who, when down to their last dollar, proclaim, "I must invent something."

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Product Details

  • ISBN-13: 9780156005364
  • Publisher: Houghton Mifflin Harcourt
  • Publication date: 10/15/1997
  • Series: Harvest Book Series
  • Edition description: 1 ED
  • Pages: 448
  • Product dimensions: 6.00 (w) x 9.00 (h) x 1.26 (d)

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