- Shopping Bag ( 0 items )
Author Biography: Anna Myers grew up and established strong roots in Oklahoma. She attended college at the University of Central Oklahoma in Edmond, and went on to teach high school English in Tulsa and Norman. She says of her bond with Oklahoma, "Maybe it's because we are a relatively new state that the people here seem to feel a connection to the land. That connection is very important to me." Anna's adventurous spirit took her to teach in New York. She met Paul Myers while still in Oklahoma and, after he joined her in New York, they were married in Woodstock. After a few years in New York, the Myers' returned to Oklahoma where Anna taught in Oklahoma City until her eldest child was born. After her youngest child began kindergarten, Anna returned to teaching in Chandler. Personal experience abounds in Anna's work. She began writing children's stories as a result of her experience with her daughter, Ginny. Remembering the stories her grandmother told about family history, Anna chose historical fiction as her genre. Anna is the first author to receive two "Oklahoma Book Awards". One for Red-Dirt Jessie in 1993 and one for Graveyard Girl in 1995. A school visit from Anna isn't just a lecture. She works to make each visit special by using her background to connect with students, sharing her experiences and philosophy, emphasizing reading and writing, and dramatizing a character from her books. For more information about scheduling an author visit at your school, contact Walker's BFYR Marketing Department.
In 1921, fifteen-year-old Noble Chase hates the sheriff of Wekiwa, Oklahoma, and is more than willing to cross him to help his best friend, a black man, who is injured during race riots in nearby Tulsa.
“A love interest, a wise and wily sheriff’s wife, and an airplane ride flesh out this gripping novel. . . . [T]his absorbing book is excellent for group discussions.” —School Library Journal
“Descriptions are poetic and vivid; the narrative is deep and soulful.” —Kirkus Reviews
First off, I'll tell you about my name, Noble Wayne Chase. The first name is the same as my grandpa's on my ma's side. His name was Noble, and he had one brother named Worthy and one named Loyal. His sisters were named Patience and Joy. I can't tell you about the others, but I reckon my grandpa lived up to his name. He died when I was just a baby, but my ma used to tell me about him all the time. He was a blacksmith, and he helped lots of people with stuff like building houses around the little town of Wekiwa, Oklahoma, back when it used to be an Indian village. I wish I could have knowed my grandpa named Noble.
Nobody except Mrs. Mitchell, Isaac's mother, has ever called me anything but Nobe. Mrs. Mitchell is the teacher at the colored school down the road. She lives just about a half mile from us. After I got big enough to sell milk, Mrs. Mitchell always bought a jug from me everyday, even after Isaac left home. "I've started drinking lots of milk myself," she told me, but I was pretty sure she just didn't want to cut down the money she gave me.
Pa would have throwed a ring-tailed fit if he'd ever known how I tagged after Isaac. Pa didn't like coloreds. He didn't like me selling milk to Mrs. Mitchell either, but he didn't try to make me quit because we needed every cent of money we could get our hands on. Ma always said she didn't have nothing against the Mitchells for being colored. She said God made colored folks same as he made whites.
I ain't sure Ma told the truth about not thinking coloreds was different, because she sure didn't like it that Mrs. Mitchell and Isaac lived in a nice solid little house with boxes of flowers on the windowsills. It was a lot better house than ours, and I noticed Ma's expression would sort of turn sour when we drove the wagon past the Mitchell place to go over and visit Widow Carter. She wouldn't admit it, but I'm pretty sure it bothered Ma, coloreds living better than we did.
I didn't care nothing about what color they was or about them having a better house. The important things to me was that Isaac always treated me good and that when Mrs. Mitchell talked to me, I felt like Noble, like I might grow up to do good things, things like my grandpa Noble used to do.
I reckon I'm on the scrawny side, which ain't surprising, considering how my stomach never was real full unless I ate down at the Mitchell place. My hair was yellow when I was just a young'un, but it has kind of got beyond that now to be almost brown. My eyes are blue, and they are weak, watering a bunch if I read a lot. My eyes are quick, though. They always told me when Pa got a mean spell on. My feet are quick too. I could outrun him to hide even when I was little. I had me a special place in the barn, one where me and Rex hid, one Pa never could find. When I got older, I figured out that me and Rex could just walk off for a spell. To Pa I was just something to hit if the hitting was easy, not something to go out of his way for.
I don't need to walk off or hide from Pa anymore. He died last spring, just after I turned fifteen and just before I learned about hate and revenge. I reckon everything really started the day he was buried. I remember standing beside Ma while Preacher Jackson read from the Bible. The preacher ain't none too strong, and he breathed sort of heavy as he read. Some of the neighbors stood around us. There was Cinda with her folks, Mr. and Mrs. Phillips. Widow Carter and her brother, who wasn't quite right in the head because of the war, were there. So was Mr. and Mrs. Collins and three of their kids. Sheriff Leonard was there with his puffed-up face and his red nose. Off a few steps from the others stood Mrs. Mitchell and Isaac.
I looked at Mrs. Mitchell, and her eyes were kind and gentle, like she was saying she understood. Mrs. Mitchell had seen the bruises Pa left on me. "Your father is not a good man, Noble," she told me once. "Don't let him decide your future for you." She handed me a saucer with a piece of hot apple pie and poured me a glass of milk from the jar she had just paid me for. "You are a bright young man, and you must stay in school."
Well, I thought, Pa won't be complaining about school being a waste of time now. Pa wouldn't ever yell at me again. There would be no more bruises. I looked over at my mother's tired face. Ma's face was always tired, but never as tired as it was yesterday when she drove the wagon back from town.
It was on toward dark when I seen her coming, turning the wagon off the main road onto the long drive. I leaned against the barn, watching. Only Ma could be seen. Was Pa stretched out in the back, like when they left to see the doctor?
I waited for the wagon to move slowly down the drive and stop, finally, in front of the barn.
Ma got down from the wagon without looking back, and I knowed for sure then that my pa was not in the wagon. It was me that helped Pa into the wagon, him leaning hard. It had seemed strange to have Pa touch me like that, to need me to lean against.
"We'll see the doctor," Ma had said, and they were gone down the tree-lined drive. I watched until they were out on the main road. I turned back to the barn then. Pa would have a fit if he was to come back and find the chores not done.
But Pa had not come back. "He's dead," Ma had said after she climbed down from the wagon. "He was gone before I got to town. Doc said it was most likely his heart, like I figured when the pain started. Same thing killed his pa the year we married." Ma ran her hand across her eyes. "I reckon you're starved." She looked closely at me, like she hadn't seen me good at first. "I'll fix you a bite to eat."
I followed her into the kitchen. I wanted to question her. What would we do without Pa? Could we still farm the land? I wanted to tell Ma I was glad, glad the man who never did give me no kind word was gone. It wasn't that simple, though, on account of I wanted to tell her I was sorry too. I wanted to be sorry. My pa was dead. Shouldn't I be sorry? I didn't say nothing. Instead I went to the washstand, poured water from the big pitcher into the tin pan, rubbed the homemade lye soap across my hands, and washed.
It was Ma that said something. "We'll be leaving this place," she said.
I whirled to look at her. "Why? We can work the place! You know we done most of the work our ownselves, not Pa."
She sighed and looked away from me to study the potato she had been peeling. "It's the bank, Nobe. Our note's due, and Charlie Carson ain't likely to give us no extension without your pa. Banks don't put no stock in half-growed boys and worn-out women." She began to take long slices from the potato in her hand. "No, we got to leave."
My heart beat fast. Leave this place? I had never known no other home. I looked around the house, and I thought about the outside. Leave the pond with the willow tree? Leave Ma's grapevines growing beside the porch and the patch of sunflowers in the front pasture? Leave the barn where I milked old Buttercup and where I liked to rest, wedged among the bales up in the loft with the sweet hay smell like a salve for my hurts?
Ma had gone back to work, like I wasn't even there beside her, waiting. Finally I spoke. "Where? Where can we go?"
"Into Wekiwa, we'll have to go to town. Sheriff Leonard says they need help at their place, his wife being sickly and all. He says she don't get up most days a'tall, and she needs someone there to be with her."
I swallowed hard. I hated Sheriff Leonard, hated the way the man's bulging eyes looked at my mother when he brought Pa home drunk. Those awful eyes followed Ma around the room in a way that made me want to hit him, but of course I did not hit the man whose badge flashed even in the dim light from the lantern.
"Ma, not the sheriff's place!"
"It's a fine place, indoor toilet and all, three stories high. There's two rooms up on that top floor for you and me. Won't it be a wonder living in a house where the roof don't ever leak?"
"Please, Ma. We can think of something else." I shoved my knotted fists into the pocket of my worn-out overalls and searched for words. It wasn't likely I'd be able to come out and talk about what I knew Sheriff Leonard had in mind for Ma. She knew too, didn't she? I had to ask.
I drew in a breath and let go with the question. "Ma, you know the sheriff has got ideas about you. You know that, don't you?" I didn't look at her, just kept my eyes down.
"Son," she said, and her voice was weary. "I got no plans to do anything that ain't decent, but I got to think of the future. The sheriff's wife ain't likely to live much longer. There's money there, Nobe. If I was to marry Sheriff Leonard-" She paused for a minute, then went on. "Why, boy, there'd be ways to do things for you. Maybe you could go off to one of them colleges like that Mitchell boy did."
I stared at her. "Don't be making no such plans on my actcount," I said. "I don't want none of the sheriff's money, and I don't want to live in his fine house with you hoping his wife will pass on soon."
Anger flashed across her face. "I never done no planning before I married your pa." There was a break in her voice, and for a minute I thought she might cry, but she didn't. "Now he's laying in the back of Jones Furniture Store, stone cold and waiting for Roscoe Jones to make him a box." She pointed to the skillet. "See them taters. They're nearabout the last food we got." She shook her head. "Oh, we could find a neighbor to take us in, be someone's charity. No, I got to plan for the future." There was no trace of a sob in her voice toward the end, only flatness and a terrible final sound.
"I'm going out," I said. "I'll be back when supper's ready."
"You done washed," she protested, but I went anyway, through the back screen door onto the porch. The spring night met me with the cry of what seemed like a thousand tree frogs, and I breathed in deep gulps of the soft air, trying to forget everything but the night and its sounds.
Old Rex came to me, and I dropped down on the edge of the porch to stroke the dog's back. "Good old boy," I said, "we're leaving this place. Ma's planning for our future." A moan come up from inside me then, a moan born from a sudden and certain thought. "He won't want a dog," I whispered, and I pressed my face against the top of the dog's head, "but I won't go without you. I won't take a step toward that sheriff's fine house, not without you, boy?
Ma called me then, and I went inside. Dinner was on the table. I slid onto the bench, bent over my plate, and went to filling my mouth with fried potatoes and onions. Ma brought her own plate to come and settle across from me, but she only took a bite or two. We didn't do no talking. When I was done eating, I carried my plate to the rickety cook table and set it next to the dishpan. Then I went back outside.
Rex stayed beside me. For a real long time we walked through the fields and pasture. If I kicked a rock, I'd start to bend over and pick it up, but I stopped myself. I wouldn't be trying to plow these fields no more. I was done with fighting the rocks. I figured the rocks could have the place now. When I got too tired to make my feet move good, we went back to the house and settled on the ground beneath the big cottonwood near the barn. From there I could see my ma's bedroom window. Soon a lantern light appeared there briefly before she blew it out.
"She's in bed now, so I can go inside," I said to Rex. I went into the house, blew out the lantern on the kitchen table, made my way to the tiny room at the side of the house, and threw myself on the narrow bed.
That's what happened before we buried Pa. The next day, standing beside the grave, I could feel Sheriff Leonard looking at me. I tried not to think about the stinking sheriff, just kept my eyes on the preacher, who was talking about heaven. It was purely impossible for me to believe Preacher Jackson had any real hope that Melvin Chase could make it to heaven. Everyone around our place and in the small town of Wekiwa knowed that my pa was a drunk. It didn't seem likely to me that God would let a man who had once puked right on the church steps during Sunday service into heaven. Pa had never done one thing good that I knowed of.
Suddenly I closed my eyes, remembering. There was that one time. I was four, so that made it eleven years ago. It was summer, and I had gone out into the backyard with no shoes. I went to pick little purple wildflowers for my ma, and I got right in a big patch of stickers. At first I just hollered out, but then I realized no one was coming to help me. Standing on one foot, I picked up the other one, named it up, and started to remove the stickers, but I lost my balance and tumbled into the thorny patch. My legs, protected by overalls, were fine, but I didn't have on no shirt. Now my back was full of stickers too. I just gave up, closed my eyes, and sobbed.
Then I felt myself being lifted, higher than I ever had been lifted before. The arms were strong, and I knowed, even without opening my eyes, that it was my pa who lifted me. "He'll hurt me now," I thought. My pa always hit me if I cried, and forgetting the stickers in my back, I drew myself as much as possible into a ball and waited for the blow.
"Don't cry, little man," a voice said. I thought the voice was my pa's voice, but I couldn't never remember Pa ever talking soft like to me before. "Let's get those burrs out of you, and you'll quit the hurting."
The man's face was close to mine. This could not be my pa; there wasn't no smell like the one that came from Pa's bottles and stayed on his breath. Afraid, I opened just one eye to peek. It was my pa! He carried me into the house and put me on the kitchen bench. Pa took out every sticker. With his own hands, he done that. Next he wet a cloth with water warm from the tea kettle and washed my face, back, and feet. Then, without a word, he kissed the top of my head and went out the back door.
Now, remembering, I touched the top of my own head. Oh, Pa, I thought, why couldn't you ever be that way again? I remembered trying once, a few weeks later, to re-create the scene by going on purpose into the stickers when my pa was nearby.
I yelled out in pain, but my pa, cursing, just left me there and disappeared into the barn. I stayed in that sticker patch, crying, for a long time. Ain't no use of bawling, I finally told myself. You might as well give it up. I bit my lip and crawled out of them stickers. One place on my hand had blood on it, but I didn't do no more crying. I couldn't remember much crying at all after that day, but now, standing beside my pas grave, I felt one tear slip from my eye and roll down my cheek.
Excerpted from Tulsa Burning by Anna Myers Copyright © 2002 by Anna Myers
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Posted February 17, 2013
I have not read the book bit I know a kid and hes one of the class clowns, and he loved the book so much he told some of my class about it, and now six people have it on hold in my school library. He also told us it was a tear jerker, and he cried while reading it. So be ready to cry.
1 out of 1 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted April 6, 2014
Posted October 4, 2011
No text was provided for this review.
Posted March 12, 2012
No text was provided for this review.
Posted May 18, 2012
No text was provided for this review.
Posted February 16, 2012
No text was provided for this review.