Tumbling & Timing

Tumbling & Timing

by Jay M Horne, Bob Hagan
     
 

Welcome again, to Ninja International’s Tesaihiryu Ninjutsu Training Program. Our outlook on learning stems from a solid base of teaching. We believe each student has their very own, individual way of learning and moving. Thus the extent that teaching is good for, is but to learn and grow owns own arsenal of techniques. Teaching any particular style of…  See more details below

Overview

Welcome again, to Ninja International’s Tesaihiryu Ninjutsu Training Program. Our outlook on learning stems from a solid base of teaching. We believe each student has their very own, individual way of learning and moving. Thus the extent that teaching is good for, is but to learn and grow owns own arsenal of techniques. Teaching any particular style of fighting only helps one person evolve, and that person is the teacher alone. He implements all of his own known tactics, learning from each mistake as he watches his students fumble through the mimicking and miming of his own postures and style.
This lesson will cover a great many bases, and require much self-discipline in long-term dedication. During our solid, in class lesson, we will practice further muscle and joint limberness by implementing leg condition in order to ease the struggle in acrobatic tumbling. Also we will be utilizing the slip and duck, combined with the stop hit and parry. These extremely devastating techniques will provide your students with a rounded understanding of action/reaction Taijutsu.
Once we have completed our initial in-house class, this book will move onto it’s mission tactics conditioning. Within this framework of movements you will find instructions on some Intermediate tumbling, poisonous horticulture recognition, and some weaponry.

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Product Details

ISBN-13:
2940012480996
Publisher:
International Mobile Publishing
Publication date:
04/22/2011
Series:
Teaching Ninja , #4
Sold by:
Barnes & Noble
Format:
NOOK Book
File size:
2 MB

Meet the Author

Jay grew up in a wealthy family as a young child. His parents however would see to it that their kids attended public school so that they would not feel they were better than the other children. As a boy, jay was particularly neat. He always had things planned out, or a schedule to stay fit, but never let those qualities interfere with his over active imagination. He started writing at the age of ten. Tall tales he would construct from movies he would see or stories he would hear from his father. As he grew into a teenager his family settled quaintly into southern middle class, and his father's work abroad would have them move many times among the South East United States. This gypsy like attribute to his teen years colored him culturally, as he was forced to change high schools more than 4 times.
At 17 his interest in school work had dimiinshed completely and he was already a budding entrepeneur. Getting his G.E.D. and serving in the U.S. Navy along side BuDS class 243 was but one adventure of his youth. Constantly he stayed engulfed in the art ninjutsu and practical Earth magics. Tinkering in phoilosopshy and religion, and finding adequate similarities across the globe, though gaping distances separated their past, he became intrigued in connecting these strange occurences.
His writting career, especially his earliest works, reflects this in every sense. From works on martial arts to joke books, he genuinely longs to bring humanity into harmony on the planet, and see in his lifetime the world speaking with a single voice of praise and love.

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