Turn Your Radio On: The Stories Behind Gospel Music's All-Time Greatest Songs

Overview

These fascinating stories are all about how the best loved gospel songs came to be written.

Turn Your Radio On tells the fascinating stories behind gospel music's most unforgettable songs, including "Amazing Grace," "The Battle Hymn of the Republic," "He Touched Me," "I'll Fly Away," "Were You There?" and many more. These are the songs that have shaped our faith and brought us joy. You'll find out: What famous song traces back to a sailor's ...
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Turn Your Radio On

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Overview

These fascinating stories are all about how the best loved gospel songs came to be written.

Turn Your Radio On tells the fascinating stories behind gospel music's most unforgettable songs, including "Amazing Grace," "The Battle Hymn of the Republic," "He Touched Me," "I'll Fly Away," "Were You There?" and many more. These are the songs that have shaped our faith and brought us joy. You'll find out: What famous song traces back to a sailor's desperate prayer, What Bill Gaither tune was recorded by Elvis Presley in 1969 — and won a Grammy, What song was born during a carriage ride through Washington, D.C., at the onset of the Civil War. Turn Your radio On is an inspiring journey through the songs that are part of the roots of our faith today.

Author Biography: Ace Collins is the author of two previous Zondervan titles, Turn Your Radio On and The Cathedrals, both celebrating the tremendous power of music to touch and change lives. An award-winning author with over fifty books to his credit, Ace specializes in biographies and, during his many book tours, has appeared on scores of television shows including CBS This Morning, The NBC Nightly News, CNN, Good Morning America, MSNBC and Entertainment Tonight.

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Product Details

  • ISBN-13: 9780310211532
  • Publisher: Zondervan
  • Publication date: 8/1/1999
  • Pages: 272
  • Sales rank: 660,936
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.75 (d)

Meet the Author

Ace Collins is the writer of more than sixty books, including several bestsellers: Stories behind the Best-Loved Songs of Christmas, Stories behind the Great Traditions of Christmas, The Cathedrals, and Lassie: A Dog's Life. Based in Arkadelphia, Arkansas, He continues to publish several new titles each year, including a series of novels, the first of which is Farraday Road. Ace has appeared on scores of television shows, including CBS This Morning, NBC Nightly News, CNN, Good Morning America, MSNBC, and Entertainment Tonight.
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Read an Excerpt

Amazing Grace

Although there are a host of different opinions about the roots of modern gospel music, there is no debate about the fact that true gospel music must possess a message that universally appeals to the masses and that each composition must present a uniquely individual testimony. Gospel is therefore a deeply personal music that seems always to originate in a single soul offering a message of hope that begs to transport a person to the highest reaches of heaven. And as long as there has been gospel music, there have been those souls who shared their most meaningful experiences through simple but sincere verse and song.

Long before the emergence of radio and recordings, even before America had emerged as a nation, John Newton's life was set on a course to spawn a musical style that would pave the way for religious music to be brought out of the hallowed halls of great cathedrals and sung in even the most modest of rural venues. For, like the gospel that Paul and the other apostles spread in the very first days of the Christian church, if the message was to reach the masses, it had to be heard in the real world by real sinners seeking a better life. And if there ever was a sinner who was living far from the church and its narrow way, it was the young sailor who would later pen the words to America's most beloved gospel song.

John Newton was a troubled, motherless boy who ran away from home before his teens and followed his father to the sea. Once on the waves the impressionable British-born lad quickly developed all the wild and vile ways of the sailors who became his friends and mentors. As a teen he was a fighter and a drinker and a respecter of little but the law of might. After a stint in the Royal Navy as a cabin boy, Newton spent much of the middle part of the eighteenth century as a seaman on a slave trader. Here he and his shipmates regularly acquired African men and women and transported them to a life of slavery in the New World. As could be quickly seen by the most casual observer, for John Newton, human life, even his own, meant little and was worth even less. By the time he was twenty most of those who knew John well wondered if there was even a tiny piece of a soul left to save in the young man's rugged body.

Like Paul, Newton was wholly transformed suddenly and violently. In 1748 he found himself on a ship being tossed and torn in a hurricane. As the twenty-three-year-old Newton helplessly watched the waves crash over the deck, he sensed that his life might quickly be coming to an end. Although he had watched scores of slaves die on long ocean voyages, and though he had even seen countless shipmates lost at sea, Newton had never faced his own mortality. Frightened beyond words, unable to control anything that was transpiring around him, and listening to the wailing and cursing of the doomed men around him, John remembered his late mother. As he thought of her, a memory of her faith took hold of him. Falling to his knees on the deck of the rolling ship, he turned to something he had seen his mother do on many occasions in her brief life. He prayed. Miraculously, even as he struggled to come up with words to purge the pain from his soul, the storm passed and the ship steadied itself. Yet even more startling to the crew than the sudden end to the violent storm was John Newton's urging them all to give thanks to God for this miracle.

Within a decade of his conversion Newton had fallen under the influence of the famed preacher Charles Wesley and had given his life to Christ in Christian service. While serving as a pastor in Olney, England, John set the story of his own deliverance from the storms of life in verse and shared the song of salvation with his congregation.

The first four stanzas of "Amazing Grace" have changed little since they were first published in 1779. Yet while the message was straight from the home of King James, the music we sing has a flavor that owes as much to the hills of Kentucky as it does to the meadows of Britain. When William Walker was preparing to publish his "Southern Harmony" songbook in 1835, he replaced the original musical score of Newton's verse with an American folk melody known as "Harmony Grove." It is this version, complete with an additional fifth stanza written by an unknown writer, that has become the most beloved of all "American" hymns (we do tend to claim it as our own) and the foundation for the growth and widespread acceptance of gospel music both here and around the world.

By the turn of the century "Amazing Grace" was sung in churches, camp meetings, revivals, and homes around the country. Because of its personal nature and universal but starkly individual message, this song even found acceptance outside the normal channels of religious music. The early black gospel singers W.M. Nix and Roberta Martin put real spiritual blues and soul into their performances of Newton's song as they took it to both religious and secular venues. Early southern gospel performers added a bit of twang and rousing four-part quartet harmonies and sang it in brush arbor meetings and at rural schoolhouses. The song survived the big band and rock-and-roll musical evolution, but, more than that, entertainers like Hank Williams and Elvis Presley, men who challenged the very fabric of accepted musical standards of their times, sang it in their live performances. And somehow, even in the midst of an explosion of new gospel music composers, songs, and publishers in the early sixties, this almost two-hundred-year-old standard remained one of the music's most personal and moving testimonies to the grace and power of God. Yet, even though the old hymn was deeply loved and its message revered by believers everywhere, few thought "Amazing Grace" would ever find its way onto a popular music chart. This seemed to be one stormy sea even John Newton's old standard couldn't ride.

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Table of Contents

Contents
Introduction
Amazing Grace
Battle Hymn of the Republic
Because He Lives
Beyond the Sunset
Can the Circle Be Unbroken?
Child of the King
Clinging to a Saving Hand
Crying in the Chapel
Everybody Will Be Happy
Farther Along
Give the World a Smile
Glory Train
The Gospel Ship
The Great Speckled Bird
Happy Rhythm
Heaven Came Down
He Keeps Me Singing
He Knows Just What I Need
He Looked Beyond My Fault and Saw My Need
He Touched Me
His Eye Is on the Sparrow
His Hand in Mine
How Great Thou Art
I'd Rather Have Jesus
If That Isn't Love
If We Never Meet Again
I Know Who Holds Tomorrow
I'll Fly Away
In the Garden
I Saw the Light
It Is No Secret
I Wouldn't Take Nothing for My Journey Now
Jesus Loves Me
Just a Closer Walk With Thee
Just a Little Talk With Jesus
Keep on the Sunny Side of Life
The King Is Coming
Life's Railway to Heaven
Mansion Over the Hilltop
Milky White Way
My Tribute
O Happy Day
Peace in the Valley
Precious Lord, Take My Hand
Satisfied
Stand by Me
Supper Time
The Sweetest Song I Know
Thanks to Calvary
This Ole House
This World Is Not My Home
Through It All
Turn Your Radio On
The Unclouded Day
Until Then
Victory in Jesus
Walk Dem Golden Stairs
We'll Soon Be Done With Troubles and Trials
Were You There?
When God Dips His Love in My Heart
When the Morning Comes
Where No One Stands Alone
Who Am I?
Without Him
Your First Day in Heaven
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First Chapter

Amazing Grace
Although there are a host of different opinions about the roots of modern gospel music, there is no debate about the fact that true gospel music must possess a message that universally appeals to the masses and that each composition must present a uniquely individual testimony. Gospel is therefore a deeply personal music that seems always to originate in a single soul offering a message of hope that begs to transport a person to the highest reaches of heaven. And as long as there has been gospel music, there have been those souls who shared their most meaningful experiences through simple but sincere verse and song.
Long before the emergence of radio and recordings, even before America had emerged as a nation, John Newton's life was set on a course to spawn a musical style that would pave the way for religious music to be brought out of the hallowed halls of great cathedrals and sung in even the most modest of rural venues. For, like the gospel that Paul and the other apostles spread in the very first days of the Christian church, if the message was to reach the masses, it had to be heard in the real world by real sinners seeking a better life. And if there ever was a sinner who was living far from the church and its narrow way, it was the young sailor who would later pen the words to America's most beloved gospel song.
John Newton was a troubled, motherless boy who ran away from home before his teens and followed his father to the sea. Once on the waves the impressionable British-born lad quickly developed all the wild and vile ways of the sailors who became his friends and mentors. As a teen he was a fighter and a drinker and a respecter of little but the law of might. After a stint in the Royal Navy as a cabin boy, Newton spent much of the middle part of the eighteenth century as a seaman on a slave trader. Here he and his shipmates regularly acquired African men and women and transported them to a life of slavery in the New World. As could be quickly seen by the most casual observer, for John Newton, human life, even his own, meant little and was worth even less. By the time he was twenty most of those who knew John well wondered if there was even a tiny piece of a soul left to save in the young man's rugged body.
Like Paul, Newton was wholly transformed suddenly and violently. In 1748 he found himself on a ship being tossed and torn in a hurricane. As the twenty-three-year-old Newton helplessly watched the waves crash over the deck, he sensed that his life might quickly be coming to an end. Although he had watched scores of slaves die on long ocean voyages, and though he had even seen countless shipmates lost at sea, Newton had never faced his own mortality. Frightened beyond words, unable to control anything that was transpiring around him, and listening to the wailing and cursing of the doomed men around him, John remembered his late mother. As he thought of her, a memory of her faith took hold of him. Falling to his knees on the deck of the rolling ship, he turned to something he had seen his mother do on many occasions in her brief life. He prayed. Miraculously, even as he struggled to come up with words to purge the pain from his soul, the storm passed and the ship steadied itself. Yet even more startling to the crew than the sudden end to the violent storm was John Newton's urging them all to give thanks to God for this miracle.
Within a decade of his conversion Newton had fallen under the influence of the famed preacher Charles Wesley and had given his life to Christ in Christian service. While serving as a pastor in Olney, England, John set the story of his own deliverance from the storms of life in verse and shared the song of salvation with his congregation.
The first four stanzas of 'Amazing Grace' have changed little since they were first published in 1779. Yet while the message was straight from the home of King James, the music we sing has a flavor that owes as much to the hills of Kentucky as it does to the meadows of Britain. When William Walker was preparing to publish his 'Southern Harmony' songbook in 1835, he replaced the original musical score of Newton's verse with an American folk melody known as 'Harmony Grove.' It is this version, complete with an additional fifth stanza written by an unknown writer, that has become the most beloved of all 'American' hymns (we do tend to claim it as our own) and the foundation for the growth and widespread acceptance of gospel music both here and around the world.
By the turn of the century 'Amazing Grace' was sung in churches, camp meetings, revivals, and homes around the country. Because of its personal nature and universal but starkly individual message, this song even found acceptance outside the normal channels of religious music. The early black gospel singers W.M. Nix and Roberta Martin put real spiritual blues and soul into their performances of Newton's song as they took it to both religious and secular venues. Early southern gospel performers added a bit of twang and rousing four-part quartet harmonies and sang it in brush arbor meetings and at rural schoolhouses. The song survived the big band and rock-and-roll musical evolution, but, more than that, entertainers like Hank Williams and Elvis Presley, men who challenged the very fabric of accepted musical standards of their times, sang it in their live performances. And somehow, even in the midst of an explosion of new gospel music composers, songs, and publishers in the early sixties, this almost two-hundred-year-old standard remained one of the music's most personal and moving testimonies to the grace and power of God. Yet, even though the old hymn was deeply loved and its message revered by believers everywhere, few thought 'Amazing Grace' would ever find its way onto a popular music chart. This seemed to be one stormy sea even John Newton's old standard couldn't ride.
Read More Show Less

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