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| Mario | Primary Artist |
| Joel Campbell | Keyboards |
| Reggie Hamilton | Bass, Guitar |
| Bob Horn | Bass, Guitar |
| LaMarquis Mark Jefferson | Bass |
| Mike Tyler | Guitar |
| Eric Dawkins | Background Vocals |
| Craig Love | Guitar |
| James "Hal" Smith | Background Vocals |
| Johnnie "Smurf" Smith | Keyboards |
| Charles "CJ" Hilton Jr. | Background Vocals |
| Dwayne Moore | Bass |
| The Underdogs | Musician |
| All-Star | Producer |
| Melvin Coleman | Composer, Producer |
| Steve Fisher | Vocal Engineer |
| John Frye | Engineer |
| Robert Garrett | Composer |
| Allen Gordon Jr. | Composer |
| Bob Horn | Engineer |
| Marvin Isley | Composer |
| O'Kelly Isley | Composer |
| Ronald Isley | Composer |
| Rudolph Isley | Composer |
| LaMarquis Mark Jefferson | Composer |
| Herb Powers | Mastering |
| James H. Smith | Engineer, Vocal Producer |
| Scott Storch | Composer, Producer, Audio Production |
| Mike "Hitman" Wilson | Vocal Engineer |
| Troy Patterson | Executive Producer, Vocal Producer |
| Damon Thomas | Composer |
| Francesco Romano | Composer |
| Robert Waller | Composer |
| Eric Dawkins | Composer |
| Craig Love | Composer |
| Jonathon "Lil' Jon" Smith | Producer |
| Angelo Quaglia | Engineer |
| Lil Jon | Audio Production |
| Dave Russell | Engineer |
| Harvey Mason Jr. | Composer |
| Johnta Austin | Composer, Vocal Producer |
| Jonathan Smith | Composer |
| J. Valentine | Composer |
| Peter Edge | Executive Producer |
| C. Harris | Composer |
| Kamel Abdo | Engineer, Vocal Engineer |
| Jason Phillips | Composer |
| Ivan "Orthodox" Barias | Composer, Programming, Producer |
| Carvin "Ransum" Haggins | Composer, Producer, Engineer, Vocal Producer |
| Harold Lilly | Composer, Audio Production |
| Conrad Golding | Engineer |
| Dabling Harward | Engineer |
| Terius Gray | Composer |
| Chris Carmouche | Engineer |
| Big Tank | Programming, Producer, Engineer |
| Ron Feemster | Producer, Instrumentation |
| Frank Sutton | Engineer |
| Jaymz Hardy-Martin III | Digital Editing |
| Chris LeBeau | Artwork |
| Antonio Dixon | Composer |
| Pun Nio | Vocal Producer |
| Shaffer Smith | Composer |
| Sean Garrett | Composer, Producer, Vocal Arrangements |
| Kameron Houff | Composer, Engineer |
| Alloy "Fai" Hume | Composer, Producer |
| Phillip "Taj" Jackson | Vocal Producer |
| Howard Lilly | Composer, Producer |
| Franky "Vegas" Romano | Digital Editing |
| Xavier Cordova | Composer |
| Theron "Neff U" Feemster | Audio Production |
| James "Jayshawn" Smith | Composer |
| The Underdogs | Producer, Audio Production |
Anonymous
Posted October 1, 2010
Mario proves he has matured into a well rounded young man. His vocals have matured, as well as his image, look and style. "Let Me Love You", "How Could You" and "Like Me Real Hard" really establish him as a artist. "Usher, Jr." would be a name to fit him as a true compliment to his talent and not as a copy cat. Mario has increased his lyrical range to put you in his shoes of whatever the situation may be. Although "Nikes Fresh out the Box" did nothing for me, the album is TIGHT!! Much love, respect and success for this rising young man.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
Don't get me wrong, the young man can sing...but there's something missing in this album. He has a harder edged feel and all the beats on this album sounded Old School 80's. I was so confused by the beats, especially when he was snapping or cursing. It seemed out of place. The Nike song is a "Next" for me. I would never listen to that more than once. Famous people doing the advertising thing gets old quickly (yeah, Busta and Nelly got the "Next" button too. I liked it better when Petey Pablo just added his advertising as a quip at the end. Dedicating a whole song to a shoe is kinda lame). Anyway, the old school feel took me back to grammar school, but it didn't make me enjoy it anymore or less. I would really like to see him produce his own album. I get the feeling his beats would be much better and they would fit his style. His words worked, but they didn't match the music. It seemed like somebody had to talk him into doing every song...but I could be wrong.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
I was feeling he was talking about a difference in his life and what changed him to become a better at what he does best. Or maybe it could be a girl in his life and he was talking about love and the one chance you get in a life time.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
This cd will prove that mario is a grown up man! with songs like boom and let me love you, it proves that mario will have some staying power in the industry.He really sounds like a "Usher" jr but it helps cause some of the songs that would have been flops marios voice brung it up to par I belive he will be on top next year with this cd!
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Editorial Reviews
All Music Guide - Jason Birchmeier
Two years after getting his foot in the door of contemporary urban music with a straight-faced cover of Biz Markie's "Just a Friend," Mario returned with his sophomore album, Turning Point, and its money lead single, "Let Me Love You." Produced and co-written by Scott Storch, fresh off the summertime success of his "Lean Back" chart-topper for Terror Squad, "Let Me Love You" has all the makings of a gigantic urban hit. It's by far the best song Mario has yet recorded, and it's one of the best contemporary R&B songs of the year, right up there with the best offerings of Usher, Alicia Keys, and company. However, there's not much else on Turning Point that comes close...