Twelve Stories and a Dream
Twelve Stories and a Dream is a collection of short stories by the renowned English writer H.G. Wells, first published in 1903. Known primarily for his groundbreaking contributions to the science fiction genre, Wells employs a variety of narrative styles and themes in this anthology, ranging from speculative fiction to social commentary, philosophical exploration, and psychological insight. This collection highlights Wells's versatility as an author and offers readers a window into the thematic concerns that preoccupied him at the turn of the 20th century, such as the role of science, progress, and human nature in an increasingly industrialized world.

The stories in this collection reflect Wells's deep engagement with the uncertainties of modernity, the moral and ethical implications of scientific advancements, and the complexities of human relationships and social structures. The title, Twelve Stories and a Dream, alludes to the central role that imagination and speculative thought play in these narratives, as well as to the often-dreamlike quality of some of the more fantastical tales.

Structure and Themes:
The anthology is divided into twelve individual short stories, with the titular "dream" serving as a reflective, almost ethereal final piece. These stories blend elements of realism with the speculative, a hallmark of Wells's style. Some tales delve into scientific possibilities and societal critiques, while others explore more personal, psychological themes. Several stories incorporate elements of fantasy or surrealism, inviting readers to question the boundaries of reality.

The Conqueror of the World – This story examines the ambitions of a man who seeks to dominate the globe through his intellectual and technological superiority. It explores the interplay between hubris and progress, echoing themes that would recur in Wells's later works, such as The War of the Worlds and The Time Machine.

The Dream of Armageddon – The title story within the collection, this piece offers a haunting vision of a global apocalypse, underscoring Wells's growing preoccupation with war and its potential to destroy civilization. The story uses the format of a dream to suggest the fragility of human existence and the haunting consequences of unchecked technological development. The Purple Pileus – A short, darkly comic story about a man who becomes involved in an improbable adventure after encountering a strange mushroom that leads to an altered perception of reality. It is a commentary on the limits of human understanding and the role of chance in life.

The Sea Raiders – A chilling tale of monstrous sea creatures attacking a coastal town. This story is a striking example of Wells's ability to blend the natural world with the fantastic, tapping into fears of the unknown and the potential horrors lurking just beyond the horizon.

The Country of the Blind – A classic Wellsian story about a man who stumbles upon a secluded society where the inhabitants have been blind for generations. In this land, sight is considered irrelevant, and the protagonist's inability to fit in is a commentary on the relativity of human perception and the limits of cultural norms.

The New Accelerator – A story exploring the potential consequences of scientific experimentation gone awry. The narrative focuses on the invention of a new chemical substance that accelerates time for its user, leading to the unintended social and ethical dilemmas that arise as a result. This tale highlights Wells's fascination with the effects of technological progress on human relationships and society.

The Star – A short but powerful story that delves into the sudden appearance of a mysterious star, which threatens to destroy the Earth. The story touches on the inevitability of human mortality in the face of cosmic forces, echoing Wells's recurring themes of existential dread and the transient nature of human existence.

The Remarkable Case of Davidson's Eyes – A psychological thriller involving a man who undergoes a radical experiment that allows him to see the future. This story explores themes of fate, free will, and the potential perils of tampering with the natural order of time and perception. The Crystal Egg – A story about a man who discovers an unusual crystal egg that seems to reveal glimpses of an alien world. As with many of Wells's works, the narrative examines the notion of discovery and the limitations of human understanding, as well as the ethical dilemmas that arise when encountering other worlds.

The Red Room – A psychological horror story in which a man spends the night in a supposedly haunted room, only to discover that the true terror lies within his own mind. This story is a meditation on fear and the way in which the human mind can create its own horrors, even in the absence of tangible threats.
The Lord of the Dynamos
The First Men in the Moon
1100030746
Twelve Stories and a Dream
Twelve Stories and a Dream is a collection of short stories by the renowned English writer H.G. Wells, first published in 1903. Known primarily for his groundbreaking contributions to the science fiction genre, Wells employs a variety of narrative styles and themes in this anthology, ranging from speculative fiction to social commentary, philosophical exploration, and psychological insight. This collection highlights Wells's versatility as an author and offers readers a window into the thematic concerns that preoccupied him at the turn of the 20th century, such as the role of science, progress, and human nature in an increasingly industrialized world.

The stories in this collection reflect Wells's deep engagement with the uncertainties of modernity, the moral and ethical implications of scientific advancements, and the complexities of human relationships and social structures. The title, Twelve Stories and a Dream, alludes to the central role that imagination and speculative thought play in these narratives, as well as to the often-dreamlike quality of some of the more fantastical tales.

Structure and Themes:
The anthology is divided into twelve individual short stories, with the titular "dream" serving as a reflective, almost ethereal final piece. These stories blend elements of realism with the speculative, a hallmark of Wells's style. Some tales delve into scientific possibilities and societal critiques, while others explore more personal, psychological themes. Several stories incorporate elements of fantasy or surrealism, inviting readers to question the boundaries of reality.

The Conqueror of the World – This story examines the ambitions of a man who seeks to dominate the globe through his intellectual and technological superiority. It explores the interplay between hubris and progress, echoing themes that would recur in Wells's later works, such as The War of the Worlds and The Time Machine.

The Dream of Armageddon – The title story within the collection, this piece offers a haunting vision of a global apocalypse, underscoring Wells's growing preoccupation with war and its potential to destroy civilization. The story uses the format of a dream to suggest the fragility of human existence and the haunting consequences of unchecked technological development. The Purple Pileus – A short, darkly comic story about a man who becomes involved in an improbable adventure after encountering a strange mushroom that leads to an altered perception of reality. It is a commentary on the limits of human understanding and the role of chance in life.

The Sea Raiders – A chilling tale of monstrous sea creatures attacking a coastal town. This story is a striking example of Wells's ability to blend the natural world with the fantastic, tapping into fears of the unknown and the potential horrors lurking just beyond the horizon.

The Country of the Blind – A classic Wellsian story about a man who stumbles upon a secluded society where the inhabitants have been blind for generations. In this land, sight is considered irrelevant, and the protagonist's inability to fit in is a commentary on the relativity of human perception and the limits of cultural norms.

The New Accelerator – A story exploring the potential consequences of scientific experimentation gone awry. The narrative focuses on the invention of a new chemical substance that accelerates time for its user, leading to the unintended social and ethical dilemmas that arise as a result. This tale highlights Wells's fascination with the effects of technological progress on human relationships and society.

The Star – A short but powerful story that delves into the sudden appearance of a mysterious star, which threatens to destroy the Earth. The story touches on the inevitability of human mortality in the face of cosmic forces, echoing Wells's recurring themes of existential dread and the transient nature of human existence.

The Remarkable Case of Davidson's Eyes – A psychological thriller involving a man who undergoes a radical experiment that allows him to see the future. This story explores themes of fate, free will, and the potential perils of tampering with the natural order of time and perception. The Crystal Egg – A story about a man who discovers an unusual crystal egg that seems to reveal glimpses of an alien world. As with many of Wells's works, the narrative examines the notion of discovery and the limitations of human understanding, as well as the ethical dilemmas that arise when encountering other worlds.

The Red Room – A psychological horror story in which a man spends the night in a supposedly haunted room, only to discover that the true terror lies within his own mind. This story is a meditation on fear and the way in which the human mind can create its own horrors, even in the absence of tangible threats.
The Lord of the Dynamos
The First Men in the Moon
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Twelve Stories and a Dream

Twelve Stories and a Dream

by H. G. Wells
Twelve Stories and a Dream

Twelve Stories and a Dream

by H. G. Wells

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Overview

Twelve Stories and a Dream is a collection of short stories by the renowned English writer H.G. Wells, first published in 1903. Known primarily for his groundbreaking contributions to the science fiction genre, Wells employs a variety of narrative styles and themes in this anthology, ranging from speculative fiction to social commentary, philosophical exploration, and psychological insight. This collection highlights Wells's versatility as an author and offers readers a window into the thematic concerns that preoccupied him at the turn of the 20th century, such as the role of science, progress, and human nature in an increasingly industrialized world.

The stories in this collection reflect Wells's deep engagement with the uncertainties of modernity, the moral and ethical implications of scientific advancements, and the complexities of human relationships and social structures. The title, Twelve Stories and a Dream, alludes to the central role that imagination and speculative thought play in these narratives, as well as to the often-dreamlike quality of some of the more fantastical tales.

Structure and Themes:
The anthology is divided into twelve individual short stories, with the titular "dream" serving as a reflective, almost ethereal final piece. These stories blend elements of realism with the speculative, a hallmark of Wells's style. Some tales delve into scientific possibilities and societal critiques, while others explore more personal, psychological themes. Several stories incorporate elements of fantasy or surrealism, inviting readers to question the boundaries of reality.

The Conqueror of the World – This story examines the ambitions of a man who seeks to dominate the globe through his intellectual and technological superiority. It explores the interplay between hubris and progress, echoing themes that would recur in Wells's later works, such as The War of the Worlds and The Time Machine.

The Dream of Armageddon – The title story within the collection, this piece offers a haunting vision of a global apocalypse, underscoring Wells's growing preoccupation with war and its potential to destroy civilization. The story uses the format of a dream to suggest the fragility of human existence and the haunting consequences of unchecked technological development. The Purple Pileus – A short, darkly comic story about a man who becomes involved in an improbable adventure after encountering a strange mushroom that leads to an altered perception of reality. It is a commentary on the limits of human understanding and the role of chance in life.

The Sea Raiders – A chilling tale of monstrous sea creatures attacking a coastal town. This story is a striking example of Wells's ability to blend the natural world with the fantastic, tapping into fears of the unknown and the potential horrors lurking just beyond the horizon.

The Country of the Blind – A classic Wellsian story about a man who stumbles upon a secluded society where the inhabitants have been blind for generations. In this land, sight is considered irrelevant, and the protagonist's inability to fit in is a commentary on the relativity of human perception and the limits of cultural norms.

The New Accelerator – A story exploring the potential consequences of scientific experimentation gone awry. The narrative focuses on the invention of a new chemical substance that accelerates time for its user, leading to the unintended social and ethical dilemmas that arise as a result. This tale highlights Wells's fascination with the effects of technological progress on human relationships and society.

The Star – A short but powerful story that delves into the sudden appearance of a mysterious star, which threatens to destroy the Earth. The story touches on the inevitability of human mortality in the face of cosmic forces, echoing Wells's recurring themes of existential dread and the transient nature of human existence.

The Remarkable Case of Davidson's Eyes – A psychological thriller involving a man who undergoes a radical experiment that allows him to see the future. This story explores themes of fate, free will, and the potential perils of tampering with the natural order of time and perception. The Crystal Egg – A story about a man who discovers an unusual crystal egg that seems to reveal glimpses of an alien world. As with many of Wells's works, the narrative examines the notion of discovery and the limitations of human understanding, as well as the ethical dilemmas that arise when encountering other worlds.

The Red Room – A psychological horror story in which a man spends the night in a supposedly haunted room, only to discover that the true terror lies within his own mind. This story is a meditation on fear and the way in which the human mind can create its own horrors, even in the absence of tangible threats.
The Lord of the Dynamos
The First Men in the Moon

Product Details

BN ID: 2940184732596
Publisher: H. G. Wells
Publication date: 04/16/2025
Sold by: Barnes & Noble
Format: eBook
File size: 421 KB

About the Author

About The Author
Herbert George Wells, commonly known as H.G. Wells (1866–1946), was an English writer and one of the most influential authors of the late 19th and early 20th centuries. He is best known for his groundbreaking work in the genre of science fiction, but his literary output spanned a wide range of genres, including history, politics, social commentary, and even dystopian fiction. Wells's works are marked by a keen awareness of the rapidly changing world of his time, and he was deeply concerned with the effects of science, technology, and social progress on human society.

Born in Bromley, Kent, England, Wells came from a modest background and was educated at the Normal School of Science in London. Early in his career, he worked as a teacher and journalist, but it was his talent for writing that would bring him international fame. Wells began his literary career with works of science fiction, which quickly established him as one of the genre’s pioneers. His most famous works, including The War of the Worlds (1898), The Invisible Man (1897), and The Time Machine (1895), have had a lasting impact on both the genre and popular culture. These novels explored themes such as time travel, alien invasions, and the dangers of unchecked scientific experimentation, all while addressing deeper philosophical questions about humanity’s place in the universe.

Wells's work was notable for its speculative nature, but it also served as a form of social critique. His stories often reflected his concerns about the potential misuse of scientific advancements, the dangers of imperialism, and the destructive consequences of social inequality. The War of the Worlds, for example, while telling the story of a Martian invasion, also serves as an allegory for colonialism and the exploitation of weaker societies by more technologically advanced powers. n addition to his science fiction, Wells was a prolific author of non-fiction works, ranging from histories and political treatises to essays on social issues. His books like The Outline of History (1920) and The Shape of Things to Come (1933) addressed historical events and future societal trends with a vision that was often utopian but also laced with caution about the direction of progress.

Date of Birth:

September 21, 1866

Date of Death:

August 13, 1946

Place of Birth:

Bromley, Kent, England

Place of Death:

London, England

Education:

Normal School of Science, London, England
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