Twentysomething Essays by Twentysomething Writers: The Best New Voices of 2006

Overview

Selected as the winners of Random House’s national contest, a stunning collection of essays ranging from comic to poignant, personal to political, by the newest, brightest young writers you haven’t heard of . . . yet.

Here, for the first time, current twentysomethings come together on their own terms, in their own words, and begin to define this remarkably diverse and self-aware generation. Tackling an array of subjects–career, family, sex, ...
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Twentysomething Essays by Twentysomething Writers: The Best New Voices of 2006

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Overview

Selected as the winners of Random House’s national contest, a stunning collection of essays ranging from comic to poignant, personal to political, by the newest, brightest young writers you haven’t heard of . . . yet.

Here, for the first time, current twentysomethings come together on their own terms, in their own words, and begin to define this remarkably diverse and self-aware generation. Tackling an array of subjects–career, family, sex, religion, technology, art–they form a vibrant, unified community while simultaneously proving that there is no typical twentysomething experience.

In this collection, a young father works the late-night shift at Wendy’s, learning the finer points of status, teamwork, and french fries. An artist’s nude model explains why she’s happy to be viewed as an object. An international relief worker wrestles with his choices as he starts to resent the very people who need his help the most. A devout follower of Joan Didion explains what New York means to her. And a young army engineer spends his time in Kuwait futilely trying to grow a mustache like his dad’s.

With grace, wit, humor, and urgency, these writers invite us into their lives and into their heads. Twentysomething Essays by Twentysomething Writers is a rich, provocative read as well as a bold statement from a generation just now coming into its own.

Praise for Twentysomething Essays by Twentysomething Writers

“Being in your twenties is weird. The world tells you you’re a grown-up, but damn if you feel like one. With 29 sharply observant and well-written snapshots of life between the ages of 19 and 30, Twentysomething Essays by Twentysomething Writers couldn’t have captured this more perfectly.”
Nylon

“You’ll devour this compilation of essays by funny, smart, insightful young writers in just a few hours.”
Jane Magazine

“[Twentysomething Essays by Twentysomething Writers offers] a wide variety of experience. . . . If we are still looking for a voice for this generation, I’d nominate this eclectic choir instead.”
Orlando Sentinel

“[Ranging] from playful and absurd to poignant and earnest . . . [Twentysomething Essays by Twentysomething Writers is] a bold reminder that this generation is extremely diverse and very capable. . . . These essays will speak to you no matter your age.”
–Austinist.com

“Delightful . . . Whether admitting they are only just beginning to see their own parents as people or struggling to balance graduate study and parenthood, the essayists blend morbid irony and idealism. . . . This highly readable collection of voices is more assured and memorable than one might have expected from such a venture.”
Publishers Weekly

“Earnest, honest, and well-written . . . a propitious look at writers coming of age right now, and it’s a pleasant surprise.”
The Phoenix (Boston)

“A slice of Gen Y life: everything from OCD, rape, and depression to a nude-art-class model, online communities, and how to find (and keep) a drummer. Pick up your copy.”
stuff@night (Boston)

“The essays . . . have an urgency, an immediacy, even as the subject matter runs the gamut from sex to death.”
Los Angeles Times Book Review

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Editorial Reviews

Publishers Weekly
This delightful literary anthology of memoir-style essays by American writers under 30 is the fruit of an Internet contest organized by Kellogg and Quint, editorial assistants at Random House. Its acutely self-aware observers and philosophers inhabit experience intensely. Many write about work, be it night shifts at Wendy's, serving the U.S. military in Kuwait or playing with infuriating fellow band members in New York City. Whether admitting they are only just beginning to see their own parents as people or struggling to balance graduate study and parenthood, the essayists blend morbid irony and idealism. Many write of a dawning realization of mortality: Jennifer Glaser writes with a perfectly judged tone about being in love and losing a boyfriend to leukemia. Others attempt to define their generation and the trends that dominate it: John Fischer, who works for a company that monitors changing consumer attitudes, savagely contemplates high-tech capitalist consumer culture, while Theodora Stites, considering her obsession with Friendster and MySpace, confesses, "I am trying desperately be a celebrity in the network of my own digital world." This highly readable collection of voices is more assured and memorable than one might have expected from such a venture. 34 illus. (Sept. 5) Copyright 2006 Reed Business Information.
Library Journal
It is hardly a revelation that twentysomethings are likely to be preoccupied with themselves, but this collection of winning essays from Random House's nationwide Best New Voices contest, edited by editorial assistants Kellogg and Quint, proves the point. While we could hope for insights into a dynamic time of life, the featured writers unfortunately highlight limited life experience, narcissistic preoccupation with one's place in the world, and derivative writing styles (straining to be breezy is a common hazard). Some essays address interesting issues (e.g., a boyfriend's cancer, nude modeling), but others are mere outlets for whining about the stress of still living with parents or being underemployed, mildly entertaining newspaper column topics rather than the stuff of enduring essays. One hopes in vain for stylistic adventurousness or fresh thinking (after all, Annie Dillard was meditating on Tinker's Creek in her twenties). A few stories do have something worth saying: Jess Lacher's "California," Shahnaz Habib's "Backlash," and Kyle Minor's "You Shall Go Out in Joy" share understated, graceful prose. One hopes that the others will find more to write about in their thirties. Not recommended.-Laurie Sullivan, Sage Group International, Nashville Copyright 2006 Reed Business Information.
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Product Details

  • ISBN-13: 9780812975666
  • Publisher: Random House Publishing Group
  • Publication date: 8/29/2006
  • Pages: 304
  • Sales rank: 1,371,867
  • Product dimensions: 5.20 (w) x 7.90 (h) x 0.68 (d)

Read an Excerpt

A NOTE FROM THE EDITORS
Between the hours of 10:00 A.M. and 11:59 P.M. on November 24, 2005, the inbox of 20by20essays@randomhouse.com was inundated with more than one thousand e-mails. Was it spam? A virus? Were people finally responding to our Match.com profile? No, we still couldn’t find a date or a good deal on Viagra. It was simply the deadline for the Twentysomething Essays by Twentysomething Writers contest, and as it turned out, nearly everyone—two-thirds of the total contestants—had waited until literally the last minute to submit.

According to our colleagues, this meant we were a generation of procrastinators, too busy blogging about our recently diagnosed ADHD or watching the first season of The OC to get our act together and turn something in ahead of time; the contest had run for a full six months, after all. And they had a point. But the more we thought about it, the more we realized that this procrastination wasn’t necessarily a generational fault but rather an indication of how today’s world works. In an era of text messaging, online shopping, and movies on demand, why would anyone do anything more than a day or two in advance? It’s not that we’re lazy or bratty or glib; it’s just that we’re fast. We know how to access all kinds of information, and we have absolute confidence in the tools at our disposal.

In fact, it was precisely because of this technological immediacy that the contest attracted such a large, wide-ranging pool of writers. When we first launched our website, we had two listings on Google; the next week, fifty; as of this writing, we’re at 1,130. Though at first we were concerned that certain groups or types of twentysomethings might dominate the collection—it would be a problem if everyone was from Albuquerque or played the lute or worked at Petco—we were bowled over by the breadth and depth of the submissions we received. We heard from prison inmates, soldiers, production assistants, corporate-ladder climbers, pastry chefs. And not only were the writers themselves diverse, but each offered a new way of thinking about a given subject. Is ethnicity tantamount to identity or is it a barrier to overcome? Should we be planning careers and families or living moment to moment? How do we negotiate our roles as both someone’s child and someone’s parent? Do we approach God with skepticism or trust? To what extent can we effect political change? What’s funny? What’s not? How can we make art that’s new, and do we even want to?

Because of this diversity, we had trouble discerning overarching themes in these essays. It seemed almost audacious to make any blanket statements about a generation that so consistently asserts its volatility, but we’re nothing if not audacious, so we gave it a shot. We began by doing what any incredibly anal person confronted with an overwhelming amount of information would do: we pigeon-holed. Having narrowed the field down to one hundred essays, we subdivided the finalists and slapped on tidy little labels—Ethnic Identity; Cubicle Culture; Born-Again Agnosticism; Indie/Underground/Post-Trip-Hop/Pre-Grunge-Revival; Deep, Philosophical, Possibly Drug-Enhanced Ruminations on Life; and, of course, Sex. Lots and lots of Sex. Some of the categories, like Gay Issues and Women’s Studies, even started to sound like 200-level liberal arts courses.

But ultimately our well-intentioned bigotry was for naught. For example, early on we relegated a piece about a Web-radio obsession to the Technology section. As we moved through the rest of the submissions, though, we saw that it could just as easily have worked under the heading Pop Culture or Career (the author listens to her favorite station to get her through the workday) or Family (she fondly remembers her father’s addiction to NPR). And this kept happening. No single essay, it seemed, fit snugly into a single category. It was like we were stuck using a Microsoft Outlook approach in a Gmail world. (For those not familiar with the difference, Outlook only allows you to sort each e-mail into a single folder, while the exceedingly brilliant people at Google figured out that you could cross-reference messages by an unlimited number of distinct labels.) Maybe it was just the sleep deprivation talking, but everything seemed to be about, well, everything. We didn’t know whether to jump for joy or weep in a corner.

The problem was that such “everything-ness” seemed to spoil any claims of twentysomething solidarity. Our generation has often been accused of political apathy, of lacking the unity of ideology and purpose that the Boomers—our parents—were so famous for. According to popular opinion, we are all supposed to be deeply polarized by the Red/Blue divide. Which side we land on, we are told, should dictate who we vote for, what we wear, how we feel about NASCAR. But, in reality, the spectrum is much wider and more colorful. We are not apathetic; we’ve simply learned to make more subtle distinctions. Because of the Gmail Effect, we can each adopt a multitude of personas that ebb and flow depending on context. And this, in our humble opinion, is very cool.

A mutual friend once commented that there isn’t a twentysomething out there, home-schooled hermits and bow-tied Republicans aside, who doesn’t love The Daily Show with Jon Stewart. And that was even before the Crossfire appearance. So, if we are such a diverse, nuanced generation, why is it that a late-night comedy show on cable TV has become our universal point of reference? Sure, the fart jokes and celebrity interviews don’t hurt, but ultimately we watch because Stewart and company have come to reflect our core values: a new brand of humor that recognizes that reality is itself a punch line, a categorically skeptical point of view, and a genuine engagement with the world around us. And these values are what enable us to make informed decisions and keep up hope in legitimately troubled times (i.e., recent elections, natural disasters, Nick and Jessica’s downfall, etc.).

The writers in this book recognize the problems, big and not-so-big, that our generation faces. With hope, intelligence, irreverence, and urgency, they show that we are not to be taken lightly (but not too seriously, either), that we’re finally ready to sit at the proverbial Grownups’ Table. Like the twentysomethings who have come before us, we’ve slogged through the absurdities of postadolescence/preadulthood and are prepared for anything the world might throw at us— except, God forbid, turning thirty.

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Table of Contents

California 3
The waltz 11
The mustache race 24
Sex and the sickbed 34
Tricycle 44
Prime-time you 54
Backlash 63
Think outside the box but stay inside the grid 70
Finding the beat 76
You shall go out with joy and be led forth with peace 83
The idiot's guide to your palm 101
Sheer dominance 111
Live nude girl 117
An evening in April 129
Cliche rape story 134
Rock my network 142
Goodbye to all that 149
All the right answers 161
Why I had to leave 174
In-between places 185
A red spoon for the nameless 197
My little comma 203
Fight me 211
The secret lives of my parents 216
My roaring twenties 225
In, from the outside 238
The mysteries of life ... revealed! 253
So you say you want a revolution 266
Working at Wendy's 277
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