- I Started a Fire
- You Can't Have It All
- Blacklisted
- Polaris
- Palace of Excess
- End of the World
- Ritual
- Shadows
- Princess Six
- Dark and Stormy
- Shattered Glass
- Twilight of the Innocents
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0825646985654
Rick McMurray Drums,Percussion
Tim Wheeler Guitar,Vocals
Mark Hamilton Guitar (Bass)
Pete Moses Vocals,Beatbox
Paul Buckmaster Conductor,Orchestra
Chris Athens Mastering
Jon Kaplan Engineer
Michael Brauer Mixing
Claudius Mittendorfer Engineer
Tim Wheeler Composer,Engineer,Producer
William Paden Hensley Digital Editing,Mixing Assistant
Rick McMurray Producer,Associate Producer
Dan Myers Engineer
Steve Churchyard Recording,String Engineer
Mark Hamilton Producer,Associate Producer
James Dowdall A&R
Jeff Blenkinsopp Engineer,Consultant,Treatments
James Brown Engineer
Pete Moses Engineer,Musician


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Overview
Their last release before becoming one of the first bands to abandon the concept of the traditional studio album, Twilight of the Innocents is also Northern Irish outfit Ash's first new material since the departure of Charlotte Hatherley. Recording as a trio for the first time since their mid-'90s number one 1977, their sixth LP wisely avoids attempting to recapture the raw energy and punk-pop sound of their teens, and instead focuses on a mature, emotive, and cinematic direction which showcases frontman Tim Wheeler's underrated songwriting abilities. There are still flashes of the Californian hair metal leanings of its predecessor, Meltdown, such as the crunching riffs on the muscular "Blacklisted," and the Guitar Hero-style solos on the ska-tinged "Ritual," while their indie rock credentials still remain fully intact, as displayed on the anthemic opening number "I Started a Fire," which recalls the raucous blues of Kings of Leon's "Sex on Fire," and the grungy Foo Fighters-esque "Shattered Glass." But elsewhere, Twilight of the Innocents feels like it should have been the natural successor to 2001's return to form, Free All Angels, thanks to its blend of high-octane power pop (the thumping indie-disco of "You Can't Have It All," the driving "Palace of Excess"), melodic midtempos (the jangly "Dark and Stormy," the Brill Building-ish "Shadows"), and widescreen orchestral ballads, (the gorgeous piano-led "Polaris," arguably their finest single, and the epic prog rock inspired closing title track). Wheeler's lackluster vocals remain a constant hindrance, his thin, reedy tones often struggling to make any impact above Michael Brauer's emphatic production, while the formulaic "End of the World" sounds like a lazy retread of early hit "Goldfinger." But overall, Twilight of the Innocents is a reassuringly strong collection of potential hits which, as the band claim, turns out to be their last conventional album, it's a pretty accomplished swansong. ~ Jon O'Brien
Product Details
Release Date: | 08/14/2007 |
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Label: | Wea International |
UPC: | 0825646985654 |
Tracks
Album Credits
Performance Credits
Ash Primary ArtistRick McMurray Drums,Percussion
Tim Wheeler Guitar,Vocals
Mark Hamilton Guitar (Bass)
Pete Moses Vocals,Beatbox
Paul Buckmaster Conductor,Orchestra
Technical Credits
Paul Buckmaster String ArrangementsChris Athens Mastering
Jon Kaplan Engineer
Michael Brauer Mixing
Claudius Mittendorfer Engineer
Tim Wheeler Composer,Engineer,Producer
William Paden Hensley Digital Editing,Mixing Assistant
Rick McMurray Producer,Associate Producer
Dan Myers Engineer
Steve Churchyard Recording,String Engineer
Mark Hamilton Producer,Associate Producer
James Dowdall A&R
Jeff Blenkinsopp Engineer,Consultant,Treatments
James Brown Engineer
Pete Moses Engineer,Musician
From the B&N Reads Blog
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