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Overview

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a ...
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More About This Book

Overview

In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a “recursive public”—a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place.

Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.

Product Details

  • ISBN-13: 9780822389002
  • Publisher: Duke University Press
  • Publication date: 5/19/2008
  • Sold by: Barnes & Noble
  • Format: eBook
  • Series: Experimental Futures
  • File size: 1 MB

Meet the Author

Christopher M. Kelty is Assistant Professor of Anthropology at Rice University.

Table of Contents


Contents
Preface 000
Acknowledgments 000
Introduction 000
Part I. The Internet
1. Geeks and Recursive Publics 000
2. Protestant Reformers, Polymaths, Transhumanists 000
Part II. Free Software
3. The Movement 000
4. Sharing Source Code 000
5. Conceiving Open Systems 000
6. Writing Copyright Licenses 000
7. Coordinating Collaborations 000
Part III. Modulations
8. "If We Succeed, We Will Disappear" 000
9. Reuse, Modification, and the Nonexistence of Norms 000
Conclusion: The Cultural Consequences of Free Software 000
Notes 000
Bibliography 000
Index 000

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