Two

Editorial Reviews

All Music Guide - K. Ross Hoffman
Anybody who was hoping the second Lenka album would be a dark, moody, sober, edgy, or in any way downcast affair is, first of all, probably not a very realistic person and, secondly, gearing up for a serious disappointment. Otherwise, it's hard to imagine anybody being disappointed by the Australian sparkle-pop princess' sophomore outing, which is every bit as lovably bright and sunny as her debut. (Unless, of course, the listener in question doesn't have the stomach for this sort of frothy, sugary-sweet musical confection to begin with -- which is certainly understandable, though still a darn shame.) That said, Two definitely does have a bit more bite than its ...
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Editorial Reviews

All Music Guide - K. Ross Hoffman
Anybody who was hoping the second Lenka album would be a dark, moody, sober, edgy, or in any way downcast affair is, first of all, probably not a very realistic person and, secondly, gearing up for a serious disappointment. Otherwise, it's hard to imagine anybody being disappointed by the Australian sparkle-pop princess' sophomore outing, which is every bit as lovably bright and sunny as her debut. (Unless, of course, the listener in question doesn't have the stomach for this sort of frothy, sugary-sweet musical confection to begin with -- which is certainly understandable, though still a darn shame.) That said, Two definitely does have a bit more bite than its predecessor, and a slightly more modern sound, tending away from Lenka's lavish, Hollywood-style orchestrations toward lightly embellished small-group arrangements and, occasionally, sleek electro-pop. The major exception is first single "Roll with the Punches," a big, buoyant creampuff of a tune that revisits the singsong cadence of Lenka's breakout hit "The Show," with all the requisite layers of strings, trumpets, organs, and backing vocals. But the other similarly "vintage"-styled swing numbers here -- the bouncy "Everything's Okay" and cutie-pie nursery rhyme "Everything at Once" -- keep things relatively simple and piano-based. Meanwhile, the title cut shows Lenka at her leanest and meanest, with a stripped-down kicks'n'claps beat and a funky acoustic guitar/fuzz-toned synth bass riff. "Blinded by Love" and "Here to Stay" are classically styled pop
ock ballads that go easy on the instrumental theatrics, instead gleaning their emotional power from Lenka's increasingly impressive singing and songcraft. And the slinky "You Will Be Mine" shows that she could hack it as a competent (if somewhat faceless) seductive indie electro diva, although the sparkly, effervescent "Shocked Me into Love" is a far more gratifying synth pop foray, sounding not unlike a young Kylie Minogue at her bubbliest, and just a remix away from serious dance chart potential. It's a considerable stylistic range for one album, but Lenka pulls it off and keeps it cohesive, thanks to an unerring gift for melody and a subtly sophisticated understanding of pop poetics. She knows how these things can work in reverse -- "Sing me a sad song and make me feel better/Sing me a happy song and I might start to cry," she croons on the deceptively titled "Sad Song" -- which might explain why perhaps the sweetest number here is about the apocalypse: "The End of the World," which plays as sort of an inverse of a Skeeter Davis classic. All told, Two is just as wonderfully winning as its predecessor, fully deserving a spot alongside it (and alongside Regina Spektor, Marit Larsen, and the Bird and the Bee) on the top shelf of shiny-smart, retro-contemporary happy pop.
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Product Details

  • Release Date: 4/19/2011
  • Label: Epic
  • UPC: 886976245825
  • Catalog Number: 762458
  • Sales rank: 25,255

Tracks

Disc 1
  1. 1 Two (3:16)
  2. 2 Heart Skips a Beat (3:22)
  3. 3 Roll With the Punches (3:20)
  4. 4 Sad Song (3:26)
  5. 5 Everything At Once (2:38)
  6. 6 Blinded By Love (3:50)
  7. 7 Here To Stay (4:02)
  8. 8 You Will Be Mine (3:23)
  9. 9 Shock Me Into Love (3:27)
  10. 10 Everything's Okay (3:51)
  11. 11 The End of the World (4:14)
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Album Credits

Performance Credits
Lenka Primary Artist
Kevin Salem Bass, Guitar
Guy Sigsworth Strings, Keyboards
Jason Cooper Drums
Amir Yaghmai Guitar, Violin
Ben H. Allen Piano
Samuel Dixon Bass
Eg White Guitar, Drums, Keyboards
Andy Page Guitar
Mike DuClos Bass
David Kosten Percussion, Keyboards
Eamon Ryland Guitar, Pedal Steel Guitar, Mellotron
Sigurdur Birkis Drums
Chris Elms Guitar
Robby Handley Bass
Lenka Kripac Organ, Synthesizer, Percussion, Piano, Autoharp, Keyboards, Vocals, Mellotron, fender rhodes
Danny T. Levin Horn
Erik Kertes Bass
Sunny Levine Drums
Ian Archer Guitar
Technical Credits
Kevin Salem Engineer, Additional Production
Guy Sigsworth Producer
Ron Shapiro Management
Ben H. Allen Producer
Eg White Producer, Engineer
Andy Page Programming, Engineer
David Wrench Engineer
Adam Ayan Mastering
David Kosten Programming, Producer, Engineer
Joe Hegleman Management
Chris Elms Programming, Engineer
Dougal Lott Engineer
James Gulliver Hancock Artwork
Rob Gardner Engineer
Sunny Levine Programming, Producer, Engineer
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