The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation [NOOK Book]

Overview

2014 ACKER AWARD WINNER

Anyone who cares to understand the literary and cultural ferment of America in the later twentieth century must be familiar with the writings and lives of those scruffy bohemians known as the Beat Generation.

In this highly entertaining work, Bill Morgan, the country’s leading authority on the movement and a man who personally knew most of the Beats,...
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The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation

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Overview

2014 ACKER AWARD WINNER

Anyone who cares to understand the literary and cultural ferment of America in the later twentieth century must be familiar with the writings and lives of those scruffy bohemians known as the Beat Generation.

In this highly entertaining work, Bill Morgan, the country’s leading authority on the movement and a man who personally knew most of the Beats, narrates the history of these writers as primarily a social group of friends, tracing their origins together during the World War II years to the full blossoming of their notoriety in the late 1950s to their profound influence on the social upheaval of the 1960s. Indeed, it is impossible to comprehend the sixties without first grasping the importance of the social ripples set in motion by the Beats a decade earlier.

Although their prose and poetry varied in style and for the most part did not represent a genuine literary movement, the Beats, through their words and nonconformist lives, collectively posed a challenge to the staid and complacent America of the postwar years. They believed in free expression, opposing all censorship; they dabbled in free love; they practiced Eastern philosophy, leading to an embrace in America of alternative forms of spirituality; sooner than others, they watched with dismay the increasingly heavy hand of military and corporate culture in our national life; they embraced the aspirations, as well as the lingo, of urbanized black Americans. They believed in the liberating influence of hallucinogenic drugs.

In short, the Beats were thoroughly American in their love of individual freedom. Perhaps it should come as no surprise that J. Edgar Hoover described them in 1960 as one of the three greatest threats to American security (after communism and intellectual "eggheads").

The story that Bill Morgan tells has less to do with sociology than with social mingling. He traces the closely knit friendships of the Beat luminaries Allen Ginsberg, Jack Kerouac, William S. Burroughs, and the small army of other names. Although Kerouac, author of the much loved novel On the Road, was the most famous of the Beat writers, it was Ginsberg, Morgan contends, who resided at the center of the group and for more than two decades provided it with cohesion and a sense of direction.

The Beats were not saints. They were sexually irresponsible, undependable in marriage (the movement could in fact fairly be described as misogynistic); they did too many drugs and consumed too much booze; the very quality that characterized their lives and writings—a fervent belief in spontaneity—destroyed some friendships. Indeed, Morgan’s story begins with a murder in New York’s Riverside Park in 1944.

Bill Morgan has provided a sweeping, indispensable story about these discontented free spirits. We watch their peripatetic lives, their sexual misadventures, their ambivalent response to fame. We are reminded above all that while their personal lives may have not have been holy, their typewriters and their lasting words very much were.
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Editorial Reviews

Publishers Weekly
The title of this not-so-rough guide to the mid-century social circle, of which Allen Ginsberg was the center, is taken from the poet's “Footnote to Howl.” For Morgan, Ginsberg was the “locomotive” for the group of journeyers, addicts, loiterers, and seekers that came to be known, in Jack Kerouac's term, as “beats” and who would act as catalyst for the late 1950s beatniks as well as the social movements of the 1960s. As Morgan points out, this was a boys' club—the combustible William Burroughs, murderer Lucien Carr, the charismatic bisexual Neal Cassady, the incorrigible Gregory Corso, Peter Orlovsky, Gary Snyder, and others more on the fringe, like Ken Kesey—and a white one at that. In part, such could be explained by the zeitgeist, in which even (largely gay) revolutionaries were unconscious participant-prisoners. The infamous and essential On the Road manuscript consisted of attached papers fed through Kerouac's typewriter like a roll of paper in an early word processor printer, and bravely promoted by agent Sterling Lord, represents for Morgan (in a bit of a stretch) how far ahead of their time the beats were. Although Ginsberg biographer Morgan cannot deliver a firsthand account of the beat history, readers do gain some immediacy regarding the legendary lives and loves of this motley crew that changed the world. (May 11)
From the Publisher
"The Typewriter is Holy is a wonderful romp, a totally engrossing history of the Beat generation, and those wildly colorful figures who brought about a seismic change in our culture. It makes sense of the intersecting lives of Allen Ginsberg, Neal Cassady, William Burroughs and others whose great adventures gave birth to the upheavals of the Sixties. No one alive knows these people as well as Bill Morgan does, and the result is a fascinating chronicle.”
—Dinitia Smith, author of The Illusionist and Remember This

“At long last we have a first-rate history of the Beat Generation! Bill Morgan’s The Typewriter Is Holy not only explores the enduring revolutionary appeal of Jack Kerouac, Allen Ginsberg, and William S. Burroughs but proudly brings marvelous lesser known Beat artists like Alan Ansen and Joanne Kyger into the Main Game mix. A masterful synthesis brimming with clarity and erudition”
—Douglas Brinkley, Professor of History at Rice University and editor of Windblown World: The Journals of Jack Kerouac, 1947-1954.

"Bill Morgan draws on an encyclopedic knowledge of the Beat writers to shine sober, sympathetic light into the dark corners of four tortured lives. His painfully personal profiles of Allen Ginsberg, Jack Kerouac, Neal Cassady and William Burroughs show how their misguided search for personal freedom trapped them in their own obsessions and addictions, yet also sparked an enlivening burst of creative genius."
— Don Lattin, author of The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America.

Library Journal
Morgan (I Celebrate Myself: The Somewhat Private Life of Allen Ginsberg), the author of several books on Beat literature, takes his title from Ginsberg's Howland employs a wide focus to portray the remarkable group of writers and artists that became known as the Beat Generation. He suggests that Jack Kerouac, Lawrence Ferlinghetti, Gary Snyder, Gregory Corso, William Burroughs, and others had such divergent aims and styles that they cannot properly be considered a literary movement. Instead, he sees them as a circle of friends who loved literature and were united by Ginsberg. The book traces their entrances to and exists from one another's lives, documenting their involvement with forces that were to reshape American society in the second half of the 20th century, including the freespeech, antiwar, gay liberation, and environmental movements. VERDICT Morgan makes a strong case that Ginsberg was the glue that held the group together. A solid contribution to Beat studies, this lively history will interest scholars and general readers alike. Highly recommended.—William Gargan, Brooklyn Coll. Lib., CUNY
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Product Details

  • ISBN-13: 9781416597209
  • Publisher: Free Press
  • Publication date: 5/11/2010
  • Sold by: SIMON & SCHUSTER
  • Format: eBook
  • Pages: 320
  • Sales rank: 999,863
  • File size: 3 MB

Meet the Author

Bill Morgan is the author and editor of more than a dozen books about the Beat writers, including the acclaimed biography, I Celebrate Myself: The Somewhat Private Life of Allen Ginsberg. For nearly forty years he has worked as an editor and archival consultant for nearly every member of the Beat Generation including Allen Ginsberg, Lawrence Ferlinghetti, Jack Kerouac, Gary Snyder, Michael McClure, Diane Di Prima, Gregory Corso, William S. Burroughs, and Edie Kerouac. He lives in Vermont.
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Table of Contents

Acknowledgments xi

Introduction xiii

1 Friendship and Murder 1

2 The Lumpen World 13

3 The Adonis of Denver 24

4 Insanity 34

5 The Subterraneans 45

6 Literary Lives 58

7 The Name of a Generation 72

8 To the West Coast 81

9 Nightmare of Moloch 91

10 The Six Gallery 101

11 Desolation and Loneliness 111

12 Censorship and Vindication 122

13 Fame 133

14 The Threads Loosen 148

15 The Circle Widens 158

16 Cut-ups 168

17 Bitter Fruits 180

18 Setting the Global Stage 192

19 A Culture Turned Upside Down 201

20 The Sixties 214

21 The End of the Road 226

22 Aftermath 231

23 Respectability 238

24 Acceptance 244

25 Postscript 247

Source Notes 251

Selected Bibliography 265

Index 275

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