Ugly Duckling

( 18 )

Overview

For over one hundred years The Ugly Duckling has been a childhood favorite, and Jerry Pinkney's spectacular new adaptation brings it triumphantly to new generations of readers. With keen emotion and fresh vision, the acclaimed artist captures the essence of the tale's timeless appeal: The journey of the awkward little bird — marching bravely through hecklers, hunters, and cruel seasons — is an unforgettable survival story; this blooming into a graceful swan is a reminder of the patience often necessary to ...

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Overview

For over one hundred years The Ugly Duckling has been a childhood favorite, and Jerry Pinkney's spectacular new adaptation brings it triumphantly to new generations of readers. With keen emotion and fresh vision, the acclaimed artist captures the essence of the tale's timeless appeal: The journey of the awkward little bird — marching bravely through hecklers, hunters, and cruel seasons — is an unforgettable survival story; this blooming into a graceful swan is a reminder of the patience often necessary to discover true happiness. Splendid watercolors set in the lush countryside bring drama to life.

Hans Christian Andersen's heart-warming tale of the Ugly Duckling, who grows up to be a beautiful swan, is brought to life by Jan Lewis' enchanting and amusing illustrations. With rhyming text that's fun to read aloud, and lots to look at on every page, this really big board book is sure to delight young children.

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Editorial Reviews

From The Critics
An unusually beautiful version of an old favorite.
Publishers Weekly - Publisher's Weekly
The simplified telling here may be more palatable to younger readers, but it flattens the story, making what was poetic stiff and what was funny too protracted. But San Souci's illustrations rescue the edition, in the colors of a faded, favorite patchwork quiltmuted, with many patterns and quaint touches that contribute to a period setting. Certainly, there was never a more downtrodden, woebegone duckling, who later, unaware of his own new beauty, cannot raise his head in front of the swans; he's afraid that his own ugliness will so offend them that they'll want to kill him. Ages 47. (May)
Publishers Weekly
Crossley-Holland (Storm) and So (The 20th Century Children's Poetry Treasury) bring out all the luster of Andersen's classic tale in this beguiling book. The familiar sequence of events unfolds in a courtly retelling shot through with flashes of humor ("That's a turkey's egg," says a duck elder authoritatively before the "duckling" hatches; "Waddle properly keep your legs well apart, like I do," the mother duck urges her strange child). Crossley-Holland's prose is as elegant as it is lyrical ("Sunlight settled on the shoulders of the ancient castle"; "A great skein of wild geese started up"; "Clouds sagged with snow and hail"). So's dexterous, impressionistic watercolors soar between blocks of text on the spreads for a highly dynamic presentation. The images are by turn droll, dreamlike and bittersweet, ranging from a dog splashing wildly through the marsh and the busy congress of a barnyard to the supple arch of a bird's neck against a winter sky. The equal of the striking prose, So's graceful brush strokes and expressive use of line issue an irresistible invitation to readers. Ages 5-8. (Sept.) Copyright 1999 Cahners Business Information.
Publishers Weekly
The translation of Andersen's Danish text (copyright page states simply that this is adapted from W. Angeldorff's translation) may be dense and formal, but Italian artist Angaramo's full-bleed spreads are anything but. Novel visual angles, human expressions on the faces of the animals, and plenty of bright greenery and golden sun convey a feeling of optimism at odds with the sober tale. Angaramo's duckling is a tiny grayish fellow with huge feet and cheerful pinprick eyes. The text describes the trials he undergoes because of his odd appearance: "the poor ugly duckling was bitten, pushed, and sneered at both by the ducks and the hens." But though Angaramo's ugly duckling stands alone in the big barnyard (viewed from bird's-eye level, the barn and haystacks appear as high as mountains), the animals who encircle him talking excitedly, with shining eyes; they might be complimenting his nice gray plumage. Even in the worst of the cold ("Just thinking about winter was enough to make one feel frozen, and the poor duckling certainly had a very bad time of it"), Angaramo's duckling lifts his wings happily, a smile on his face. As an introduction to Andersen's traditional tales, this is as benign an entry as parents could hope to find. Ages 4-up. (Apr.) Copyright 2006 Reed Business Information.
Publishers Weekly - Publisher's Weekly
Pinkney's (Rikki-Tikki-Tavi) supple, exquisitely detailed watercolors provide a handsome foil to his graceful adaptation of the Hans Christian Andersen classic. This "duckling" is teased unmercifully by his apparent siblings but loved by the mother duck: "He may not be quite as handsome as the others," she says, "but... I am sure he will make his way in the world as well as anybody." Eventually he runs away, and as the seasons turn, the fledgling has a series of adventures, from a close encounter with a hunting dog to getting trapped in ice. All the while he is growing, transforming, and in the triumphant ending, he finds peace and happiness when his real identity is revealed to himself and to readers. Pinkney's artwork is a swan song to the beauty of the pastoral, and his lush images flow across the pages in sweeping vistas and meticulous close-ups. Whether depicting the subtle patterns and colors of a duck's feathers, the murky twilight of a freshwater pond or the contrast of red berries against dried grasses etched with snow, Pinkney's keenly observed watercolors honor nature in all its splendor. A flawlessly nuanced performance by a consummate craftsman. Ages 3-up. (Mar.)
Children's Literature
This picture book edition of one of Hans Christian Anderson's most memorable tales is perfectly suited to the older reader. The impressionist-like color paintings on marbleized backgrounds are exquisite. The soft lime green and yellow change to deep brown and gold as the seasons change from spring to fall, and then change again to the icy grays and blues of winter. The strength of this new translation is in the illustrations, as the text is unremarkable. Whereas the updated and straightforward language may have appeal to the reader who eschews the fairy tale genre, the enchantment of language common to earlier translations is not to be found here. Purchase where supplemental materials are needed. 2005, Penguin Young Readers Group, Ages 5 to 8.
—Carole J. McCollough
Children's Literature - Deborah Zink Roffino
True to the original version of the story, this interpretation has humor, drama and poignancy as the awkward young cygnet journeys toward his real identity. Andersen's most famous fable of an outcast is retold with well-contrasted woodcuts. The lyrical narration bursts with vivid description and challenging vocabulary.
Children's Literature - Marilyn Courtot
Follow the adventures of a poor duckling scorned by all because he is different. When Spring comes he triumphs because he is now a swan. This classic story is richly enhanced byVan Nutt's wonderful illustrations that capture the beauty and colors of the ever changing seasons and the ugly ducklings journey through life's sorrows and joys.
Children's Literature - Marilyn Courtot
Many of Andersen's fairy tales do not have a truly happy ending, but the story of the ugly duckling is one that ends in triumph. The duckling is not like his brothers and sisters and is taunted by them and the other ducks. His mother is protective, but the little duckling is treated so badly that he sets out on his own. After suffering much privation, he suddenly sees a flock of the same beautiful birds that flew by many months ago. He glories in his newfound wings and the strength coursing through his body and decided to join them. Much to his surprise they welcome him, for he too has become a beautiful white swan. Pinkney's watercolors are wonderful. From the mother duck's surprise at the large egg that takes so long to hatch, to the poor ducklings struggles to survive during the harsh winter to the warmth and beauty of spring and his reunion with those who welcome him as one of their own. The sunlight on the water and around the beautiful swan are a reflection of the golden glow of inner joy. A truly lovely adaptation of this classic story.
School Library Journal
K-Gr 4-This adaptation of an Andersen favorite is faithful to the details and weight of the familiar story but has a bit less verbosity. The deft paintings, filling single pages and sometimes spread across two pages, are sunny and comic. As in other picture-book renditions, the extra-large hatchling-with his pale gray down, big feet, and winning smile-is not really ugly, just different from others in the barnyard. The various birds are colorfully feathered with graceful, elongated necks. Robert Ingpen's handsome version Minedition, 2005 richly expresses the darker side of the tale but is wordier at the outset. Jerry Pinkney's rendition Morrow, 1999 is livelier in both words and pictures. If you have room for one more, Angaramo's interpretation is competent and attractive.-Margaret Bush, Simmons College, Boston Copyright 2006 Reed Business Information.
School Library Journal
PreS-Gr 3 --This version of the familiar tale emphasizes the suffering of the duckling whose only misfortune is being in the wrong place at the wrong time. The duckling is depicted in both text and art as ugly, and readers do not see his beauty until the last four pages. The translation also includes elements not found in other books; for instance, a stork chattering in Egyptian and the duckling's wreaking havoc in a farmer's kitchen. The illustrations are done in misty watercolors--mostly in blue or green tones--and do not clarify the text. They are often viewed at various angles, at duck's-eye level or from a sky view, and although artistically interesting, children might find them confusing. One scene depicts a hunting dog in blood-colored water with a dead goose and two blood-spattered geese flying overhead against a red sky. Below, four hunters stare out of the marsh and trees, guns poised. This is not to say that it is a morbid version, only that hardship, pain, and suffering are brought to the forefront. The Ugly Duckling Knopf, 1986, illustrated by Robert Van Nutt, has clearer illustrations with more child appeal and a smoother writing style. --Regina Pauly, Burlington County Lib . , Mt. Holly, NJ
Hans Christian Andersen
An unusually beautiful version of an old favorite.
Book
Kirkus Reviews
Outstanding illustrations and some new characters make Pinkney's retelling of a familiar tale memorable. This time around, there's an old woman who befriends the duck for its egg-laying potential, a hunting dog that happens upon the duck, a man who pulls the duck out of a frozen river and provides warmth and shelter, and children who comment on the once-ugly duckling's arrival at a pond, saying it is the finest of the flock. As in the original, suffering and loneliness are appeased, and the enduring lessons are reaffirmed: suffering may be necessary for growth and happiness, and loneliness may be overcome. A spirited, artistic adaptation, and a welcome addition to the shelves. (Picture book/folklore. 3-9) .
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Product Details

  • ISBN-13: 9780688159320
  • Publisher: HarperCollins Publishers
  • Publication date: 3/24/1999
  • Pages: 40
  • Sales rank: 92,822
  • Age range: 4 - 8 Years
  • Lexile: AD650L (what's this?)
  • Product dimensions: 9.25 (w) x 11.00 (h) x 0.37 (d)

Meet the Author

Hans Christian Andersen

Hans Christian Andersen was a Danish author and poet best remembered for his fairy tales, both original and retold, including the beloved classics "Thumbelina," "The Emperor's New Clothes," "The Fir Tree," "The Steadfast Tin Soldier," "The Princess and the Pea," "The Red Shoes," "The Ugly Duckling," and "The Snow Queen." 

Jerry Pinkney is the illustrator of more than a hundred books for children. A five-time winner of both the Caldecott Honor and the Coretta Scott King Award, he has been recognized with numerous other honors, taught illustration and conducted workshops at universities across the country, and created art for the United States Postal Service's Black Heritage stamps. Books Mr. Pinkney has illustrated include The Ugly Duckling, John Henry, The Nightingale, and Noah's Ark. The father of four grown children, he lives and works in Croton-on-Hudson, New York, in a nineteenth-century carriage house with his wife, author Gloria Jean.

In His Own Words...

"I grew up in a small house in Philadelphia, Pennsylvania. I was a middle child of six. I started drawing as far back as I can remember, at the age of four or five. My brothers drew, and I guess in a way I was mimicking them. I found I enjoyed the act of putting marks on paper. It gave me a way of creating my own space and quiet time, as well as a way of expressing myself. You can imagine six children competing for attention and to be heard. I would sit, watching and drawing.

"In first grade I had the opportunity to draw a large picture of a fire engine on the blackboard. I was complimented and encouraged to draw more. The attention felt good, and I wanted more. I was not a terrific reader or adept speller in my growing-up years, and I felt insecure in those areas. Drawing helped me build my self-esteem and feel good about myself, and, with hard work, I graduated from elementary school with honors.

"I attended an all-black elementary school, and I gained a strong sense of self and an appreciation of my own culture there. But Roosevelt Junior High was integrated. There I had many friends, both white and black, at a time when there was little mixing socially in school. There the spark for my curiosity about people was lit. You can see this interest and fascination with people of different cultures throughout my work.

"My formal art training started at Dobbins Vocational High School, and upon graduation I received a scholarship to the Philadelphia Museum College of Art. My major was advertising and design. The most exciting classes for me were drawing, painting, and printmaking. It is no wonder I turned to illustrating and designing books. For me the book represents the ultimate in graphics: first, as a designer, considering space, page size, number of pages, and type size; then, as an illustrator, dealing with the aesthetics of line, color, and form.

"There were three books that somehow magically came into my possession in the early sixties: The Wind in the Wows, illustrated by Arthur Rackham; The Wonder Clock, illustrated by Howard Pyle; and Rain Makes Applesauce, illustrated by Marvin Bileck. You can see those influences in my art today. Later, my work was greatly influenced by such African American artists as Charles White, Romare Bearden, and Jacob Lawrence.

"From the very beginning of my career in illustrating books, research has been important. I do as much as possible on a given subject, so that I live the experience and have a vision of the people and places. To capture a sense of realism for characters in my work, I use models that resemble the people I want to portray. My wife, Gloria Jean (also an author), and I keep a closetful of old clothes to dress up the models, and I have the models act out the story. Photos are taken to aid me in better understanding body language and facial expressions. Once I have that photo in front of me I have freedom, because the more you know, the more you can be inventive.

"For illustrating stories about animals, I keep a large reference file of over a hundred books on nature and animals. The first step in envisioning a creature is for me to pretend to be that particular animal. I think about its size and the sounds it makes, how it moves (slowly or quickly), and where it lives. I try to capture the feeling of the creature, as well as its true-to-life characteristics. There are times when the stories call for the animals to be anthropomorphic, and I've used photographs of myself posing as the animal characters.

"It still amazes me how much the projects I have illustrated have given back to me in terms of personal and artistic satisfaction. They have given me the opportunity to use my imagination, to draw, to paint, to travel through the voices of the characters in the stories, and, above all else, to touch children."

Jerry Pinkney is the illustrator of more than a hundred books for children. A five-time winner of both the Caldecott Honor and the Coretta Scott King Award, he has been recognized with numerous other honors, taught illustration and conducted workshops at universities across the country, and created art for the United States Postal Service's Black Heritage stamps. Books Mr. Pinkney has illustrated include The Ugly Duckling, John Henry, The Nightingale, and Noah's Ark. The father of four grown children, he lives and works in Croton-on-Hudson, New York, in a nineteenth-century carriage house with his wife, author Gloria Jean.

In His Own Words...

"I grew up in a small house in Philadelphia, Pennsylvania. I was a middle child of six. I started drawing as far back as I can remember, at the age of four or five. My brothers drew, and I guess in a way I was mimicking them. I found I enjoyed the act of putting marks on paper. It gave me a way of creating my own space and quiet time, as well as a way of expressing myself. You can imagine six children competing for attention and to be heard. I would sit, watching and drawing.

"In first grade I had the opportunity to draw a large picture of a fire engine on the blackboard. I was complimented and encouraged to draw more. The attention felt good, and I wanted more. I was not a terrific reader or adept speller in my growing-up years, and I felt insecure in those areas. Drawing helped me build my self-esteem and feel good about myself, and, with hard work, I graduated from elementary school with honors.

"I attended an all-black elementary school, and I gained a strong sense of self and an appreciation of my own culture there. But Roosevelt Junior High was integrated. There I had many friends, both white and black, at a time when there was little mixing socially in school. There the spark for my curiosity about people was lit. You can see this interest and fascination with people of different cultures throughout my work.

"My formal art training started at Dobbins Vocational High School, and upon graduation I received a scholarship to the Philadelphia Museum College of Art. My major was advertising and design. The most exciting classes for me were drawing, painting, and printmaking. It is no wonder I turned to illustrating and designing books. For me the book represents the ultimate in graphics: first, as a designer, considering space, page size, number of pages, and type size; then, as an illustrator, dealing with the aesthetics of line, color, and form.

"There were three books that somehow magically came into my possession in the early sixties: The Wind in the Wows, illustrated by Arthur Rackham; The Wonder Clock, illustrated by Howard Pyle; and Rain Makes Applesauce, illustrated by Marvin Bileck. You can see those influences in my art today. Later, my work was greatly influenced by such African American artists as Charles White, Romare Bearden, and Jacob Lawrence.

"From the very beginning of my career in illustrating books, research has been important. I do as much as possible on a given subject, so that I live the experience and have a vision of the people and places. To capture a sense of realism for characters in my work, I use models that resemble the people I want to portray. My wife, Gloria Jean (also an author), and I keep a closetful of old clothes to dress up the models, and I have the models act out the story. Photos are taken to aid me in better understanding body language and facial expressions. Once I have that photo in front of me I have freedom, because the more you know, the more you can be inventive.

"For illustrating stories about animals, I keep a large reference file of over a hundred books on nature and animals. The first step in envisioning a creature is for me to pretend to be that particular animal. I think about its size and the sounds it makes, how it moves (slowly or quickly), and where it lives. I try to capture the feeling of the creature, as well as its true-to-life characteristics. There are times when the stories call for the animals to be anthropomorphic, and I've used photographs of myself posing as the animal characters.

"It still amazes me how much the projects I have illustrated have given back to me in terms of personal and artistic satisfaction. They have given me the opportunity to use my imagination, to draw, to paint, to travel through the voices of the characters in the stories, and, above all else, to touch children."

Biography

Hans Christian Andersen (1805-1875) was born in Odense, Denmark, to a poor family. He left home as a 14-year-old to seek his fortune at the theatre in Copenhagen. Andersen began writing plays and poetry before he left for Copenhagen, but it was not until 1835 that he published the first of the fairytales that would bring him international renown. Since then, his over 200 fairytales have enjoyed undiminished popularity, providing the basis for favorite American interpretations such as Disney's The Little Mermaid.

Biography courtesy of HarperCollins

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    1. Date of Birth:
      April 2, 1805
    2. Place of Birth:
      Odense, Denmark
    1. Date of Death:
      August 4, 1875
    2. Place of Death:
      Copenhagen, Denmark

Customer Reviews

Average Rating 4.5
( 18 )
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Sort by: Showing all of 18 Customer Reviews
  • Anonymous

    Posted April 10, 2010

    Ugly Duckling

    Another excellent version of the Ugly Duckling. The illustrations are wonderful and so lovely for little children to see the beauty of art in such a great story. People of all ages can relate to the story of the misfit in the group and you find yourself riding along with the main character as he tries to fit in and then tries to find who he is really is. This classic story is always a great story for kids and with the lovely illustrations it makes it fun to read again and again. I would recommend this book to all people who love to read with children.

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 31, 2009

    u-g-l-y

    its a story about a duck who actually isnt a duck its actually a swan who cant love that

    4 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 9, 2009

    I Also Recommend:

    If it walks like a duck, and talks like a duck, it might just be a.....???

    One of the great lessons of all children's stories. Remember it fondly and hold it close to your heart.

    3 out of 3 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 30, 2005

    My Christmas Gift of 1949!

    The Ugly Duckling is a true Classic. A tale of how no matter what circumstances you were born in- how unlike the others you are, you can find true beauty when you find your place in the crowd. You will then find indeed true character and goodness within. This book is highly recommended.

    3 out of 4 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted April 23, 2007

    The Ugly Duckling

    This book is a great story with good meaning behind it. 'Let me see the egg that won't hatch'. The ugly duckling was a late comer and not the prettiest thing either. He struggled all his life until one day when he realized that he could be a great duck. In the end he says, 'I never dreamed of so much happiness when I was the ugly duckling'. Anderson, Hans Christian. The Ugly Duckling. Penguin Young Readers Group, 2005.

    2 out of 2 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 26, 2006

    Caldecott Honor Book

    From the moment he hatched out of his egg, the little duckling knew he was different. Even his mother and his brothers and sisters thought he was strange. The other animals taunted him and bit him to the point where he just could not stand it anymore, so he left his mother to try to make it on his own. Out in the wild, the duckling faced even more challenges such as hunters and dogs. He began to think to himself, ¿I am too ugly even for a dog to eat.¿ The summer ended and winter was just around the corner, but still the duckling wondered, would he ever fit in anywhere? The Ugly Duckling is an extraordinary book for both children and adults of all ages. I remember reading this book as a young child and crying because it was so sad with a bright ending, and when I read it again now as an adult, I reacted to the book in the very same way. A lot of people can relate to this book if at sometime in their lives, they felt out of place (basically everyone will feel that way at sometime or another in their life) just as the duckling in the book did. This book teaches children that while not everybody is exactly the same, everyone is special in their own way. What¿s on the outside is not what matters it¿s what¿s on the inside that counts. Jerry Pinkney lives in Croton-on-Hudson, New York with his wife, author Gloria Jean Pinkney. Jerry turned to art at an early age because his dyslexia made it very difficult to read. He graduated from Dobbins Vocational School with a concentration in commercial art and he received a full scholarship to attend the Philadelphia Museum College of Art (PCA). Jerry has been illustrating children¿s books since 1964, and to date, he has illustrated more than 75 books. Many of his books have won various awards including the Caldecott Honor Award. Pinkney, Jerry. The Ugly Duckling. New York: Morrow Junior Books, 1999. RL: Ages 5-8, Grades K-3

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted November 30, 2006

    My Review

    I¿m partial to any Hans Christian Anderson book. This is because when I was young I saw the movie of his life as portrayed by Danny Kaye and I fell in love with his story! Though I¿m not sure how factual the movie was, I¿m still intrigued by his literature. The Ugly Duckling is a timeless story of a young hatchling¿s journey from birth to adulthood. His life begins as an ugly, awkward duck that is taunted and teased by all those who see him even his own family turns against him and they peck and chase him out of their barnyard. The little duckling finds himself in strange surroundings, but tries to do his best with what he¿s got and to find his place in life. One day, he hears a flock of birds flying high and admires them from afar. ¿Oh, if only he could go with them! But what sort of a companion could he be to those beautiful beings?¿ After a terribly cold winter, you¿ll be delighted to see the discoveries that unfold for this strong-willed little duckling.

    2 out of 2 people found this review helpful.

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  • Posted September 16, 2012

    My favorite! Great pictures as well!

    My favorite! Great pictures as well!

    1 out of 1 people found this review helpful.

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  • Posted June 8, 2012

    A lovely picture book

    This is a retelling for picture book age children. The illustrations are superb and very appealing. I deducted one star because it does not have the original text, however this much shorter version will appeal to the age most likely to want to read the story. This would be a beautiful addition to any family's picture book collection. Recommended.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 1, 2012

    Cute!!

    Love this story so much! It brings back such sweet memories.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 11, 2006

    Ugly Duckling Review

    Caldecott: Throughout the book, The Ugly Duckling, I felt sorry for the duck. It was a sad situation because no one wanted to have anything to do with the duck. The mother duck would not even tell the others she thought he was a good looking duck. It was awful that no one really took up for him. Hans Christian Andersen was born in the slums of Odense. His father, Hans Andersen, was a poor shoemaker and literate, who believed he was of aristocratic origin. Andersen's mother, Anne Marie Andersdatter, worked as washerwoman. Although she was uneducated and superstitious, she opened for his son the world of folklore. Andersen received little education. As a child he was highly emotional, suffering all kinds of fears and humiliations because of his tallness and effeminate interests. Encouraged by his parents he composed his own fairy tales and arrange puppet theatre shows. His father loved literatuire and took Andersen often to the playhouse. The Ugly Duckling, is about a duck that when he was born he was different from his siblings and mom. Everyone thought he was so ugly and picked on him. So, he left home one night. He came across a lady and her cat and hen. He stayed with them awhile, but the cat and hen thought the duckling was useless. So, once again the duck left in search for a new place. The duck goes through a few more situations, but then finds others that he fits in with. ¿He may not be quite as handsome as the others,¿ his mother answered. The duckling¿s mother agrees with another duck that her son is not that good looking like the other ducks. Andersen, Hans Christian. The Ugly Duckling. New York: Morrow Junior Books, 1999. Grade Level: 4th

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 14, 2002

    Outstanding book

    This is an excellent take on the classic children's story, and the pictures are amazing. Jerry Pinkney won a Caldecott Honor for his rendition of the Ugly Duckling. I love how the pictures span the whole page, but frame the text on one page to make it easier to read. The tale is truly a heartwarming story, and I would highly recommend this book for children, parents, and teachers alike.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 20, 2013

    Very well edited!

    Very nicely done!

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  • Anonymous

    Posted July 18, 2013

    Awsome

    Well stared by a sample.
    I like it already.

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  • Anonymous

    Posted January 29, 2013

    Love

    Love my 3 page sample.

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  • Anonymous

    Posted June 3, 2012

    Gtrffddgecvdg

    Fhccbcfhfvg cute! Nguhygdfdgyrfggv¿¿¿¿¿¿¿¿¿¿¿nhhtdghrjjjjjjyyyyyyyyyttttfcccvggggbhhbvg

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  • Anonymous

    Posted April 23, 2012

    I Also Recommend:

    The original (non-Disney) version of the tale.

    The original (non-Disney) version of the tale.

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  • Anonymous

    Posted May 16, 2012

    No text was provided for this review.

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