The Ugly Duckling

The Ugly Duckling

4.7 19
by Hans Christian Andersen, William B. Jones
     
 

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The Ugly Duckling is a literary fairy tale by Danish poet and author Hans Christian Andersen (1805-1875). The story tells of a homely little bird born in a barnyard who suffers abuse from his surroundings until, much to his delight (and to the surprise of others), he matures into a beautiful swan, the most beautiful bird of all. The story is beloved around

Overview

The Ugly Duckling is a literary fairy tale by Danish poet and author Hans Christian Andersen (1805-1875). The story tells of a homely little bird born in a barnyard who suffers abuse from his surroundings until, much to his delight (and to the surprise of others), he matures into a beautiful swan, the most beautiful bird of all. The story is beloved around the world as a tale about personal transformation for the better. The Ugly Duckling was first published on November 11th, 1843 with three other tales by Andersen in Copenhagen, Denmark to great critical acclaim. The tale is completely Andersen's invention and owes no debt to fairy or folklore. Beautifully illustrated, this classic tale will capture children's interest and spark their imagination inspiring a lifelong love of literature and reading.

Editorial Reviews

An unusually beautiful version of an old favorite.
Publishers Weekly
Crossley-Holland (Storm) and So (The 20th Century Children's Poetry Treasury) bring out all the luster of Andersen's classic tale in this beguiling book. The familiar sequence of events unfolds in a courtly retelling shot through with flashes of humor ("That's a turkey's egg," says a duck elder authoritatively before the "duckling" hatches; "Waddle properly keep your legs well apart, like I do," the mother duck urges her strange child). Crossley-Holland's prose is as elegant as it is lyrical ("Sunlight settled on the shoulders of the ancient castle"; "A great skein of wild geese started up"; "Clouds sagged with snow and hail"). So's dexterous, impressionistic watercolors soar between blocks of text on the spreads for a highly dynamic presentation. The images are by turn droll, dreamlike and bittersweet, ranging from a dog splashing wildly through the marsh and the busy congress of a barnyard to the supple arch of a bird's neck against a winter sky. The equal of the striking prose, So's graceful brush strokes and expressive use of line issue an irresistible invitation to readers. Ages 5-8. (Sept.) Copyright 1999 Cahners Business Information.
Children's Literature
AGERANGE: Ages 5 to 9.

The classic story of an awkward, unattractive duckling who hatches into a family of downy little ducks is told in a lightly humorous way. The mother duck, tired of sitting on the nest, is happy when the eggs hatch, but one large egg takes longer that the others. When it does hatch, the mother duck must admit he does not look like her other ducklings. She decides she will raise him and teach him to go into the water no matter what it takes. The ugly duckling is laughed at and picked on by all the other creatures. One day he sees a flock of magnificent white birds fly by and he is strangely moved. He aches to join them. After a bitter winter he sees the birds again and approaches them. He wants to be with them even if they think he is ugly. Of course, they welcome him, for he has blossomed into a beautiful white swan. The ultimate lesson is rather sad, as it indicates that beauty is necessary for happiness. The collage paintings accompanying the text are unusual and add another dimension to the story. Reviewer: Carolyn Mott Ford

Children's Literature - Marilyn Courtot
Many of Andersen's fairy tales do not have a truly happy ending, but the story of the ugly duckling is one that ends in triumph. The duckling is not like his brothers and sisters and is taunted by them and the other ducks. His mother is protective, but the little duckling is treated so badly that he sets out on his own. After suffering much privation, he suddenly sees a flock of the same beautiful birds that flew by many months ago. He glories in his newfound wings and the strength coursing through his body and decided to join them. Much to his surprise they welcome him, for he too has become a beautiful white swan. Pinkney's watercolors are wonderful. From the mother duck's surprise at the large egg that takes so long to hatch, to the poor ducklings struggles to survive during the harsh winter to the warmth and beauty of spring and his reunion with those who welcome him as one of their own. The sunlight on the water and around the beautiful swan are a reflection of the golden glow of inner joy. A truly lovely adaptation of this classic story.
Children's Literature - Deborah Zink Roffino
True to the original version of the story, this interpretation has humor, drama and poignancy as the awkward young cygnet journeys toward his real identity. Andersen's most famous fable of an outcast is retold with well-contrasted woodcuts. The lyrical narration bursts with vivid description and challenging vocabulary.
Children's Literature - Mary Hynes-Berry
Hans Christian Anderson's tale of the ugly duckling is the classic expression of a message that every child who doubts his or her self-worth needs to hear. The important thing is who we are, not how we look. Even the plainest looking beings on the outside have the potential to grow beautiful—inside and out. This version retains a translation of Anderson's text but is graced by Vaino's soft but realistic watercolor paintings. Each spread has two to three paragraphs of text facing a full page illustration. Given the somewhat formal tone and language, the beautiful illustrations invite children alone or with an adult to revisit the story and, by "reading" the illustrations, process and ponder the story's lesson. The illustrations also make this a great book to use in a study of birds or domestic animals, given how few children today are likely to be familiar with ducks or swans. Reviewer: Mary Hynes-Berry
School Library Journal

PreS-Gr 2

Andersen's timeless story is lovingly revisited in this modest yet engaging retelling. With the sound and feel of a classic in the very best sense, the familiar tale has been reworked but not oversimplified, making it particularly appealing for children who might be too young for some of the harsher elements of the original. But what makes this version particularly appealing is the lovely watercolor artwork, which, like the text, exudes a feeling of tradition and familiarity. Uncluttered backgrounds are softly blurred in watery shades of blue and green, while the details are more focused and sharply drawn. The duckling's sadness and longing to belong come through in his posture and expressions, providing a clear focal point for readers' empathy. When considering a classic, it is easy to decide that a collection doesn't need yet another version, but with a beautifully simple offering such as this, one might want to think again.-Teri Markson, Los Angeles Public Library

Hans Christian Andersen
An unusually beautiful version of an old favorite.
Book
Kirkus Reviews
A gentler, milder version of Andersen's classic tale of the misunderstood cygnet, inexplicably despised for his comparatively large size and definite lack of yellow but not for any real ugliness. Vainio reveals through delicate watercolors the whitish-gray fluff of a charming, tender baby desperately alone in a soft, beautiful world. Though the illustrations are lovely, they lack power. In every situation where the innocent swan is abused and finds no respite from hatred, the art handles this horror too gently. His reactions to rejection and verbal abuse are revealed in the illustrations, with a slight incline of his head showing his dejection. He is also unnaturally slow in growing, remaining a fuzzy baby over the course of months and then suddenly growing to adulthood in a page turn-a problem inherent in most illustrated versions of the tale. The unnamed translator has edited out the most violent verbal and physical abuse found in the original, making a place for it in collections for younger picture-book readers yet losing the story's raw spark. (Picture book/fairy tale. 4-6)

Product Details

ISBN-13:
9781620280324
Publisher:
Trajectory, Inc.
Publication date:
07/11/2013
Series:
Classics Illustrated Junior , #502
Sold by:
Trajectory
Format:
NOOK Book
Pages:
33
Sales rank:
207,607
File size:
19 MB
Note:
This product may take a few minutes to download.
Age Range:
4 - 8 Years

Meet the Author

Hans Christian Andersen was a Danish author and poet best remembered for his fairy tales, both original and retold, including the beloved classics "Thumbelina," "The Emperor's New Clothes," "The Fir Tree," "The Steadfast Tin Soldier," "The Princess and the Pea," "The Red Shoes," "The Ugly Duckling," and "The Snow Queen." 

Jerry Pinkney is the illustrator of more than a hundred books for children. A five-time winner of both the Caldecott Honor and the Coretta Scott King Award, he has been recognized with numerous other honors, taught illustration and conducted workshops at universities across the country, and created art for the United States Postal Service's Black Heritage stamps. Books Mr. Pinkney has illustrated include The Ugly Duckling, John Henry, The Nightingale, and Noah's Ark. The father of four grown children, he lives and works in Croton-on-Hudson, New York, in a nineteenth-century carriage house with his wife, author Gloria Jean.

In His Own Words...

"I grew up in a small house in Philadelphia, Pennsylvania. I was a middle child of six. I started drawing as far back as I can remember, at the age of four or five. My brothers drew, and I guess in a way I was mimicking them. I found I enjoyed the act of putting marks on paper. It gave me a way of creating my own space and quiet time, as well as a way of expressing myself. You can imagine six children competing for attention and to be heard. I would sit, watching and drawing.

"In first grade I had the opportunity to draw a large picture of a fire engine on the blackboard. I was complimented and encouraged to draw more. The attention felt good, and I wanted more. I was not a terrific reader or adept speller in my growing-up years, and I felt insecure in those areas. Drawing helped me build my self-esteem and feel good about myself, and, with hard work, I graduated from elementary school with honors.

"I attended an all-black elementary school, and I gained a strong sense of self and an appreciation of my own culture there. But Roosevelt Junior High was integrated. There I had many friends, both white and black, at a time when there was little mixing socially in school. There the spark for my curiosity about people was lit. You can see this interest and fascination with people of different cultures throughout my work.

"My formal art training started at Dobbins Vocational High School, and upon graduation I received a scholarship to the Philadelphia Museum College of Art. My major was advertising and design. The most exciting classes for me were drawing, painting, and printmaking. It is no wonder I turned to illustrating and designing books. For me the book represents the ultimate in graphics: first, as a designer, considering space, page size, number of pages, and type size; then, as an illustrator, dealing with the aesthetics of line, color, and form.

"There were three books that somehow magically came into my possession in the early sixties: The Wind in the Wows, illustrated by Arthur Rackham; The Wonder Clock, illustrated by Howard Pyle; and Rain Makes Applesauce, illustrated by Marvin Bileck. You can see those influences in my art today. Later, my work was greatly influenced by such African American artists as Charles White, Romare Bearden, and Jacob Lawrence.

"From the very beginning of my career in illustrating books, research has been important. I do as much as possible on a given subject, so that I live the experience and have a vision of the people and places. To capture a sense of realism for characters in my work, I use models that resemble the people I want to portray. My wife, Gloria Jean (also an author), and I keep a closetful of old clothes to dress up the models, and I have the models act out the story. Photos are taken to aid me in better understanding body language and facial expressions. Once I have that photo in front of me I have freedom, because the more you know, the more you can be inventive.

"For illustrating stories about animals, I keep a large reference file of over a hundred books on nature and animals. The first step in envisioning a creature is for me to pretend to be that particular animal. I think about its size and the sounds it makes, how it moves (slowly or quickly), and where it lives. I try to capture the feeling of the creature, as well as its true-to-life characteristics. There are times when the stories call for the animals to be anthropomorphic, and I've used photographs of myself posing as the animal characters.

"It still amazes me how much the projects I have illustrated have given back to me in terms of personal and artistic satisfaction. They have given me the opportunity to use my imagination, to draw, to paint, to travel through the voices of the characters in the stories, and, above all else, to touch children."

Jerry Pinkney is the illustrator of more than a hundred books for children. A five-time winner of both the Caldecott Honor and the Coretta Scott King Award, he has been recognized with numerous other honors, taught illustration and conducted workshops at universities across the country, and created art for the United States Postal Service's Black Heritage stamps. Books Mr. Pinkney has illustrated include The Ugly Duckling, John Henry, The Nightingale, and Noah's Ark. The father of four grown children, he lives and works in Croton-on-Hudson, New York, in a nineteenth-century carriage house with his wife, author Gloria Jean.

In His Own Words...

"I grew up in a small house in Philadelphia, Pennsylvania. I was a middle child of six. I started drawing as far back as I can remember, at the age of four or five. My brothers drew, and I guess in a way I was mimicking them. I found I enjoyed the act of putting marks on paper. It gave me a way of creating my own space and quiet time, as well as a way of expressing myself. You can imagine six children competing for attention and to be heard. I would sit, watching and drawing.

"In first grade I had the opportunity to draw a large picture of a fire engine on the blackboard. I was complimented and encouraged to draw more. The attention felt good, and I wanted more. I was not a terrific reader or adept speller in my growing-up years, and I felt insecure in those areas. Drawing helped me build my self-esteem and feel good about myself, and, with hard work, I graduated from elementary school with honors.

"I attended an all-black elementary school, and I gained a strong sense of self and an appreciation of my own culture there. But Roosevelt Junior High was integrated. There I had many friends, both white and black, at a time when there was little mixing socially in school. There the spark for my curiosity about people was lit. You can see this interest and fascination with people of different cultures throughout my work.

"My formal art training started at Dobbins Vocational High School, and upon graduation I received a scholarship to the Philadelphia Museum College of Art. My major was advertising and design. The most exciting classes for me were drawing, painting, and printmaking. It is no wonder I turned to illustrating and designing books. For me the book represents the ultimate in graphics: first, as a designer, considering space, page size, number of pages, and type size; then, as an illustrator, dealing with the aesthetics of line, color, and form.

"There were three books that somehow magically came into my possession in the early sixties: The Wind in the Wows, illustrated by Arthur Rackham; The Wonder Clock, illustrated by Howard Pyle; and Rain Makes Applesauce, illustrated by Marvin Bileck. You can see those influences in my art today. Later, my work was greatly influenced by such African American artists as Charles White, Romare Bearden, and Jacob Lawrence.

"From the very beginning of my career in illustrating books, research has been important. I do as much as possible on a given subject, so that I live the experience and have a vision of the people and places. To capture a sense of realism for characters in my work, I use models that resemble the people I want to portray. My wife, Gloria Jean (also an author), and I keep a closetful of old clothes to dress up the models, and I have the models act out the story. Photos are taken to aid me in better understanding body language and facial expressions. Once I have that photo in front of me I have freedom, because the more you know, the more you can be inventive.

"For illustrating stories about animals, I keep a large reference file of over a hundred books on nature and animals. The first step in envisioning a creature is for me to pretend to be that particular animal. I think about its size and the sounds it makes, how it moves (slowly or quickly), and where it lives. I try to capture the feeling of the creature, as well as its true-to-life characteristics. There are times when the stories call for the animals to be anthropomorphic, and I've used photographs of myself posing as the animal characters.

"It still amazes me how much the projects I have illustrated have given back to me in terms of personal and artistic satisfaction. They have given me the opportunity to use my imagination, to draw, to paint, to travel through the voices of the characters in the stories, and, above all else, to touch children."

Brief Biography

Date of Birth:
April 2, 1805
Date of Death:
August 4, 1875
Place of Birth:
Odense, Denmark
Place of Death:
Copenhagen, Denmark

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The Ugly Duckling 4.7 out of 5 based on 1 ratings. 19 reviews.
Anonymous More than 1 year ago
Another excellent version of the Ugly Duckling. The illustrations are wonderful and so lovely for little children to see the beauty of art in such a great story. People of all ages can relate to the story of the misfit in the group and you find yourself riding along with the main character as he tries to fit in and then tries to find who he is really is. This classic story is always a great story for kids and with the lovely illustrations it makes it fun to read again and again. I would recommend this book to all people who love to read with children.
Anonymous More than 1 year ago
its a story about a duck who actually isnt a duck its actually a swan who cant love that
Anonymous More than 1 year ago
One of the great lessons of all children's stories. Remember it fondly and hold it close to your heart.
Guest More than 1 year ago
This book is a great story with good meaning behind it. 'Let me see the egg that won't hatch'. The ugly duckling was a late comer and not the prettiest thing either. He struggled all his life until one day when he realized that he could be a great duck. In the end he says, 'I never dreamed of so much happiness when I was the ugly duckling'. Anderson, Hans Christian. The Ugly Duckling. Penguin Young Readers Group, 2005.
Guest More than 1 year ago
I¿m partial to any Hans Christian Anderson book. This is because when I was young I saw the movie of his life as portrayed by Danny Kaye and I fell in love with his story! Though I¿m not sure how factual the movie was, I¿m still intrigued by his literature. The Ugly Duckling is a timeless story of a young hatchling¿s journey from birth to adulthood. His life begins as an ugly, awkward duck that is taunted and teased by all those who see him even his own family turns against him and they peck and chase him out of their barnyard. The little duckling finds himself in strange surroundings, but tries to do his best with what he¿s got and to find his place in life. One day, he hears a flock of birds flying high and admires them from afar. ¿Oh, if only he could go with them! But what sort of a companion could he be to those beautiful beings?¿ After a terribly cold winter, you¿ll be delighted to see the discoveries that unfold for this strong-willed little duckling.
Guest More than 1 year ago
From the moment he hatched out of his egg, the little duckling knew he was different. Even his mother and his brothers and sisters thought he was strange. The other animals taunted him and bit him to the point where he just could not stand it anymore, so he left his mother to try to make it on his own. Out in the wild, the duckling faced even more challenges such as hunters and dogs. He began to think to himself, ¿I am too ugly even for a dog to eat.¿ The summer ended and winter was just around the corner, but still the duckling wondered, would he ever fit in anywhere? The Ugly Duckling is an extraordinary book for both children and adults of all ages. I remember reading this book as a young child and crying because it was so sad with a bright ending, and when I read it again now as an adult, I reacted to the book in the very same way. A lot of people can relate to this book if at sometime in their lives, they felt out of place (basically everyone will feel that way at sometime or another in their life) just as the duckling in the book did. This book teaches children that while not everybody is exactly the same, everyone is special in their own way. What¿s on the outside is not what matters it¿s what¿s on the inside that counts. Jerry Pinkney lives in Croton-on-Hudson, New York with his wife, author Gloria Jean Pinkney. Jerry turned to art at an early age because his dyslexia made it very difficult to read. He graduated from Dobbins Vocational School with a concentration in commercial art and he received a full scholarship to attend the Philadelphia Museum College of Art (PCA). Jerry has been illustrating children¿s books since 1964, and to date, he has illustrated more than 75 books. Many of his books have won various awards including the Caldecott Honor Award. Pinkney, Jerry. The Ugly Duckling. New York: Morrow Junior Books, 1999. RL: Ages 5-8, Grades K-3
Guest More than 1 year ago
The Ugly Duckling is a true Classic. A tale of how no matter what circumstances you were born in- how unlike the others you are, you can find true beauty when you find your place in the crowd. You will then find indeed true character and goodness within. This book is highly recommended.
MikeLaville More than 1 year ago
My favorite! Great pictures as well!
Gardenseed More than 1 year ago
This is a retelling for picture book age children. The illustrations are superb and very appealing. I deducted one star because it does not have the original text, however this much shorter version will appeal to the age most likely to want to read the story. This would be a beautiful addition to any family's picture book collection. Recommended.
Anonymous More than 1 year ago
Love this story so much! It brings back such sweet memories.
Guest More than 1 year ago
Caldecott: Throughout the book, The Ugly Duckling, I felt sorry for the duck. It was a sad situation because no one wanted to have anything to do with the duck. The mother duck would not even tell the others she thought he was a good looking duck. It was awful that no one really took up for him. Hans Christian Andersen was born in the slums of Odense. His father, Hans Andersen, was a poor shoemaker and literate, who believed he was of aristocratic origin. Andersen's mother, Anne Marie Andersdatter, worked as washerwoman. Although she was uneducated and superstitious, she opened for his son the world of folklore. Andersen received little education. As a child he was highly emotional, suffering all kinds of fears and humiliations because of his tallness and effeminate interests. Encouraged by his parents he composed his own fairy tales and arrange puppet theatre shows. His father loved literatuire and took Andersen often to the playhouse. The Ugly Duckling, is about a duck that when he was born he was different from his siblings and mom. Everyone thought he was so ugly and picked on him. So, he left home one night. He came across a lady and her cat and hen. He stayed with them awhile, but the cat and hen thought the duckling was useless. So, once again the duck left in search for a new place. The duck goes through a few more situations, but then finds others that he fits in with. ¿He may not be quite as handsome as the others,¿ his mother answered. The duckling¿s mother agrees with another duck that her son is not that good looking like the other ducks. Andersen, Hans Christian. The Ugly Duckling. New York: Morrow Junior Books, 1999. Grade Level: 4th
Guest More than 1 year ago
This is an excellent take on the classic children's story, and the pictures are amazing. Jerry Pinkney won a Caldecott Honor for his rendition of the Ugly Duckling. I love how the pictures span the whole page, but frame the text on one page to make it easier to read. The tale is truly a heartwarming story, and I would highly recommend this book for children, parents, and teachers alike.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Very nicely done!
Anonymous More than 1 year ago
Well stared by a sample. I like it already.
Anonymous More than 1 year ago
Love my 3 page sample.
Anonymous More than 1 year ago
Fhccbcfhfvg cute! Nguhygdfdgyrfggv¿¿¿¿¿¿¿¿¿¿¿nhhtdghrjjjjjjyyyyyyyyyttttfcccvggggbhhbvg
Anonymous More than 1 year ago
Anonymous More than 1 year ago
The original (non-Disney) version of the tale.