Un Gran Dia en El Barrio

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Editorial Reviews

Barnes & Noble - Mark Schwartz
Looking to give New York's flagging Latin music scene the same shot in the arm that Havana's Buena Vista Social Club provided for Cuba, producer Aaron Luis Levinson convened some of the music's unsung heroes for a tribute to classic salsa that sounds like the heartbeat of an uptown Saturday night circa 1973. Helmed by Oscar Hernandez, pianist in Rubén Blades's band and Manny Oquendo's Libre, the Spanish Harlem Orchestra gathers today's leading exponents of classic salsa, or salsa dura -- nonpareil sonero Herman Olivera, trumpeter Ray Vega, bongosero Bobby Allende, trombonist Jose Davila -- and a sprinkling of veterans such as neighborhood boy Jimmy Sabater, the vocal ...
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Editorial Reviews

Barnes & Noble - Mark Schwartz
Looking to give New York's flagging Latin music scene the same shot in the arm that Havana's Buena Vista Social Club provided for Cuba, producer Aaron Luis Levinson convened some of the music's unsung heroes for a tribute to classic salsa that sounds like the heartbeat of an uptown Saturday night circa 1973. Helmed by Oscar Hernandez, pianist in Rubén Blades's band and Manny Oquendo's Libre, the Spanish Harlem Orchestra gathers today's leading exponents of classic salsa, or salsa dura -- nonpareil sonero Herman Olivera, trumpeter Ray Vega, bongosero Bobby Allende, trombonist Jose Davila -- and a sprinkling of veterans such as neighborhood boy Jimmy Sabater, the vocal favorite from Joe Cuba's sextet. Apart from the Willie Colon/Hector Lavoe classic "Llegó la Banda" and the opener "Mama Guela" by Tito Puente, the repertoire consists of lesser-known material and a tapestry of Spanish Harlem salsa diversity -- fiery mambos, concupiscent boleros, moody guajiras -- as it existed in the '60s, somewhere between Blades's nascent social consciousness and the hard-charging sound that was eventually overpowered by disco. Levinson, who apprenticed himself to legendary Latin producer Al Santiago, is likewise loyal to the classic method -- Un Gran Día en El Barrio crackles with the power of a live band together in the studio. Collective centuries of experience are caught on tape, from the vets down to ringers such as bari saxman Mitch Frohman, a resident of Tito Puente's band and representative of the strong Jewish presence in the heyday of salsa. Above all, the album reaffirms the primacy of a New York sound, powered by Puerto Rican adaptations of Cuban music, performed by the mosaic of Latinos and Jews and African Americans that made up East Harlem. The music that became salsa, which in turn infected all of South America and finally the world, truly began here. All props given to the oldsters of Havana, but if you really wanna dance, there's only one social club to join.
All Music Guide - Jesse Jarnow
If the Spanish Harlem Orchestra are, as the promo copy suggests, "Harlem's answer to Cuba's Buena Vista Social Club", then Un Gran Dia en el Barrio is the soundtrack to a sweaty summer party in the city. One can almost hear the music and beats reverberating off the cement as they come curling out of a streetside window. The disc documents the salsa music native to upper Manhattan's Spanish Harlem and presents the music's tightly entwined grooves -- synchronized horn lines twisting over syncopated rhythms -- with enough fidelity for clarity and sufficient warmth for liveliness. Pianist Oscar Hernandez serves as bandleader to the dozen or so veteran musicians who make up the effortlessly grooving band.
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Product Details

  • Release Date: 9/17/2002
  • Label: Rope A Dope
  • UPC: 821838293422
  • Catalog Number: 931352

Tracks

Disc 1
  1. 1 Mama Guela
  2. 2 Obsesion
  3. 3 Tambori
  4. 4 Aprende a Querer
  5. 5 La Musica Es Mi Vida
  6. 6 Llego la Banda
  7. 7 Pa' Gozar
  8. 8 Somos Iguales
  9. 9 Guaguanco
  10. 10 Pueblo Latino
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Album Credits

Performance Credits
Spanish Harlem Orchestra Primary Artist
Bobby Allende Bongos
Mitch Frohman Baritone Saxophone
Oscar Hernandez Piano, Musical Direction
Ozzie Melendez Trombone
Jimmy Sabater Vocals
George Delgado Conga
Raul Agraz Trumpet
Ray Vega Trumpet
Chino Nuñez Timbales
Pablo "Chino" Nuñez Timbales
Rubén Rodríguez Bass
Herman Olivera Vocals
Jose Davila Trombone
Technical Credits
Marty Sheller Arranger
Angel Fernandez Arranger
Oscar Hernandez Arranger, Musical Director
Tim Holmes Graphic Design
Gilbert Lopez Arranger
Steve Mazur Contributor
Todd Parker Engineer
Aaron Luis Levinson Producer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Flat sound

    I'm not a music critic, but I found a very flat sound, is music and lirics but without the soul. It seems that the nurturing ground that elaborated "salsa" music 30-40 years ago (after the silencing of the Cuban Music)is not longer existing.

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Sort by: Showing 1 Customer Reviews