The Unabridged Journals of Sylvia Plath

The Unabridged Journals of Sylvia Plath

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by Sylvia Plath
     
 

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First U.S. Publication

A major literary event—the complete, uncensored journals of Sylvia Plath, published in their entirety for the first time.

Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept

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Overview

First U.S. Publication

A major literary event—the complete, uncensored journals of Sylvia Plath, published in their entirety for the first time.

Sylvia Plath's journals were originally published in 1982 in a heavily abridged version authorized by Plath's husband, Ted Hughes. This new edition is an exact and complete transcription of the diaries Plath kept during the last twelve years of her life. Sixty percent of the book is material that has never before been made public, more fully revealing the intensity of the poet's personal and literary struggles, and providing fresh insight into both her frequent desperation and the bravery with which she faced down her demons. The complete Journals of Sylvia Plath is essential reading for all who have been moved and fascinated by Plath's life and work.

Editorial Reviews

From the Publisher
From reviews of the British edition:

"A literary event...The book has a raw immediacy that will only add to Plath's iconic reputation." -Harpers & Queens

"The journals are cause for celebration...Given the intensity and rawness of their writing, at moments it feels like walking straight into someone else's dream."-Jacqueline Rose

Publishers Weekly - Publisher's Weekly
This book constitutes a literary event. Over 400 pages of never-before-published personal writings make this first comprehensive volume of Plath's journals and notes from 1950 to 1962 indispensable reading for both scholars and general readers interested in the poet. Plath's journals were previously published in 1982 and heavily censored by her husband, poet Ted Hughes. But even the diary entries that have been available to the public demand re-reading in the context of fresh materials. In the newly revealed writings, we see an even more complex, despairing psyche struggling to create in the face of powerful demons. Plath's intense bitterness towards her mother emerges in full force, particularly in her notes on her psychoanalysis by Ruth Beuscher in Boston from 1957 to 1959. Plath's writing is by turns raw, obsessive, brilliant and ironic. Her sensitivity about rejections from magazines, her struggle to establish a daily routine of reading and learning, and her ongoing attempts to ward off depression provide reminders of her drive and ambition, despite her feelings of inferiority with respect to her husband. This work constitutes an invaluable primary source as well as a thoroughly engrossing narrative whose omissions are sometimes as important as its inclusions. (There is, for example, surprisingly little on Plath's sudden marriage to Hughes.) Strong print media attention focusing on new revelations will drive early sales of this important work, and it should become a staple backlist title. Editor Kukil is assistant curator of rare books at Smith College, where Plath was an undergraduate and later a lecturer. (Oct.) Copyright 2000 Cahners Business Information.
Library Journal
Plath's admirers should prepare themselves for another dose of her bitter medicine: Anchor Books has announced the U.S. publication of her "complete, uncensored journals." (This unabridged edition appeared first in England.) Judiciously and unobtrusively edited by curator Kukil, who oversees the Plath Collection at Smith College, the text includes the portions suppressed by Plath's husband, the poet Ted Hughes, now deceased, when he authorized an earlier American edition. About two-thirds of the writings, which cover the last years of Plath's fevered life, have not been available to the public previously. All of the difficulties and contradictions that made Plath a literary icon are contained in these intense, confessional revelations, including her anger, egotism, frustrations, self-destructiveness, and passionate need to express herself. Certain to generate dozens of new academic papers, this is essential for anyone engaged in Plath studies.--Carol A. McAllister, Coll. of William & Mary Lib., Williamsburg, VA Copyright 2000 Cahners Business Information.\
Economist
To read the deepest dreams and impulses of Sylvia Plath is to fall in love all over again, totally and uncritically.
Moses
The publication of these journals is a watershed event. They allow us, for the first time, to see this dazzlingly, maddeningly fragmented woman as an integrated being...Perhaps the most exciting aspect of a close reading of Plath's journals is the thrill of watching the laboratory of her mind at work, watching her coax her raw materials toward their concentrated final form...Her ars poetica, not just brilliantly executed but brilliantly won despite unbelievable odds, leaps into focus in even more astonishing detail than ever before.
Salon
Michiko Kakutani
The publication of Plath's unabridged journals provides us with a fuller, more nuanced portrait of her: this "litany of dreams, directives and imperatives," as she once described her diary, gives us a depressed, self-dramatizing woman, but it also gives us the popular, golden coed familiar to readers from her letters to her mother ("Letters Home").
New York Times
Kirkus Reviews
Courageous, honest, painful, yearning, and occasionally even funny, the unexpurgated diaries and journals of poet and novelist Plath show a woman struggling to develop her talent against the social constraints of her day.

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Product Details

ISBN-13:
9780385720250
Publisher:
Knopf Doubleday Publishing Group
Publication date:
10/01/2000
Edition description:
ABR
Pages:
768
Sales rank:
37,144
Product dimensions:
5.16(w) x 8.00(h) x 1.48(d)
Age Range:
14 - 18 Years

Meet the Author

Karen V. Kukil is assistant curator of rare books at Smith College, with particular responsibility for supervising scholarly use of the Sylvia Plath Collection.

Brief Biography

Date of Birth:
October 27, 1932
Date of Death:
February 11, 1963
Place of Birth:
Boston, Massachusetts
Place of Death:
London, England
Education:
B.A., Smith College, 1955; Fulbright Scholar, Cambridge University

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The Unabridged Journals of Sylvia Plath 4.4 out of 5 based on 0 ratings. 20 reviews.
Guest More than 1 year ago
The good thing about journals is that after you've read them you can dip in again at any page and get caught up in that day's events, action, dilemmas, reflections; once you become more familiar with the contents you can return to your favourite passages for pleasure. It's almost like having a best friend on your bookshelf. The biggest barrier to anyone contemplating writing down their innermost thoughts is crossing that line of inhibition and saying what you really feel about the most intimate of things, without censoring yourself (with the fear of friends or family possibly reading it) or for feeling stupid or embarrassed about opening up on the page and seeing your thoughts in print. Not many people could write a journal account of their life as honestly as Sylvia Plath. It amazes me how disciplined - and with so much devotion - she was able to 'jot down' day after day the beautifully written, perfect prose in her journals; and from such an early age as well, eighteen (she actually started keeping journals in childhood but this edition covers only her adult life). In her own unmistakable voice we see 'Syvie' as the young, naive teenager on the threshold of life, dreaming of the romantic love affairs she longs for; the excited college student working on a New York magazine, an experience she later used for her only novel The Bell Jar; trips to Paris and her honeymoon in Spain; married life with Ted Hughes, the mother of his two children; and all the time living in the shadow of the black depression that would descend on her without any warning. With Sylvia Plath's tragic suicide you can't help but think: what a waste of life, what a wasted talent. Perhaps it was because she knew her own psyche best - she was constantly trying to figure out her feelings on the page - that she was in such a hurry to get everything down before the inevitable happened. Maybe she just burned herself out too soon. The final flurry of stunningly original poems that would later become the posthumous collection Ariel are testament to the short life she was able to pack into the pages of her hefty Journals. The only thing that spoils this otherwise marvellous new edition of the Journals is editor Karen V. Kukil's decision to list the notes of identification of people and places at the back of the book instead of footnotes on the bottom of the pages; it's irritating and bothersome to have to continually flick back and forth and use two different bookmarks to keep your place. Two other books can be read in conjunction with the Journals, and I recommend them both. Sylvia Plath's Letters Home - written mainly to her mother Aurelia Plath, who edited this volume and also provides biographical content about her daughter's life in a lengthy introduction and accompanying side-notes to letters when needed for clarification. Birthday Letters is a beautiful collection of poems by Ted Hughes, written as letters of reminiscence about his life with Sylvia Plath in reply to her account of their marriage in the Journals.
Elijah_Joon More than 1 year ago
Very comforting to read. Also, a storehouse of information for Plath scholars while being accessible and engaging.
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Guest More than 1 year ago
This stunning collection is truly a must for anyone who has read and loved Plath's poetry. For those of us who have absorbed the final product, these journals illuminating Plath's struggles toward literary achievement offer an entirely new dimension to her work. Sort of a 'behind the scenes look'- a poet's craft begins in the mind and that is what unfolds in these pages. They are heartbreaking too, for we know as we read that this talented person didn't think she was good enough for this world. And she very often did not think her poems were too, but we are here today to know that she was wrong.