Uncanny Spectacle: The Public Career of the Young John Singer Sargent

Overview

This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of ...
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Overview

This book explores how the young American painter in just over a decade jumped from apprenticeship to wide acclaim, how he presented himself and his works, and how he sought to shape public perception of his talent. The book includes illustrations of almost every painting Sargent exhibited in Paris, London, and New York through 1887. Drawing on the correspondence of the artist, his friends, and his family, as well as an extensive review of contemporary critical responses, the text examines these works of Sargent's early maturity - some not exhibited in this century and others among his best-known work, including Carnation, Lily, Lily, Rose and Madame X. The authors contend the canvases present a fresh view of Sargent's aspirations and ambitions, representing a metaphoric self-portrait of the artist as a young man. The early paintings, their relationship to one another, and their reception also shed light on the complex, cosmopolitan art world in which Sargent lived.
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What People Are Saying

Theodore E. Stebbins
"This book makes an important contribution to the Sargent literature and to the study of Anglo-American painting. Marc Simpson is among the best scholars of American art." -- Museum of Fine Arts, Boston
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Product Details

  • ISBN-13: 9780300071771
  • Publisher: Yale University Press
  • Publication date: 6/28/1997
  • Edition description: New Edition
  • Pages: 208
  • Product dimensions: 9.36 (w) x 11.37 (h) x 0.87 (d)

Table of Contents

Foreword
Acknowledgments
Lenders to the Exhibition
Introduction 1
Sargent and Carolus-Duran 5
Sargent and His Critics 31
Catalogue 71
hing and Experimentation, 1877-1880 73
"Away for Venice," 1880-1882 95
"Crispation de Nerfs" 1880-1887 111
Notes 157
Appendix: Sargent's Exhibition History, 1877-1887 170
Index 186
Photographic Credits 192
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