Uncle Tungsten: Memories of a Chemical Boyhood

Uncle Tungsten: Memories of a Chemical Boyhood

3.6 13
by Oliver Sacks

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Long before Oliver Sacks became a distinguished neurologist and bestselling writer, he was a small English boy fascinated by metals–also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, the author of The Man Who Mistook His Wife


Long before Oliver Sacks became a distinguished neurologist and bestselling writer, he was a small English boy fascinated by metals–also by chemical reactions (the louder and smellier the better), photography, squids and cuttlefish, H.G. Wells, and the periodic table. In this endlessly charming and eloquent memoir, the author of The Man Who Mistook His Wife for a Hat and Awakenings chronicles his love affair with science and the magnificently odd and sometimes harrowing childhood in which that love affair unfolded.

In Uncle Tungsten we meet Sacks’ extraordinary family, from his surgeon mother (who introduces the fourteen-year-old Oliver to the art of human dissection) and his father, a family doctor who imbues in his son an early enthusiasm for housecalls, to his “Uncle Tungsten,” whose factory produces tungsten-filament lightbulbs. We follow the young Oliver as he is exiled at the age of six to a grim, sadistic boarding school to escape the London Blitz, and later watch as he sets about passionately reliving the exploits of his chemical heroes–in his own home laboratory. Uncle Tungsten is a crystalline view of a brilliant young mind springing to life, a story of growing up which is by turns elegiac, comic, and wistful, full of the electrifying joy of discovery.

Editorial Reviews

The Barnes & Noble Review
This marvelous autobiographical tale is more about chemistry than the day-to-day doings of its subject, and that may be what gives it its considerable charm.

Evacuated from wartime London at the age of six, Sacks spent four years at a boarding school in the country, where he suffered deeply from neglect and the sadistic cruelty of the headmaster. What sustained him was a budding scientific sensibility, which distracted him from his own misery and focused his gaze on the immutable and minute mysteries of the natural world. After he was returned home, this incipient passion blossomed into a full-blown obsession with chemistry. And here the adventure begins.

Sacks writes: "My first taste was for the spectacular -- the frothings, the incandescences, the stinks and the bangs, which almost define a first entry into chemistry." With a few key texts in hand, the smitten boy sets out systematically to perform for himself all the experiments they describe, determined to live the history of chemistry in himself. He shares that history with us, from Lavoisier's conquest over phlogiston to Davy's elegant dissection of compounds by electrolysis to Dalton's stubborn insistence on the existence of the atom, which inspires in him "a sort of rapture, thinking that the mysterious proportionalities and numbers one saw on a gross scale in the lab might reflect an invisible, infinitesimal, inner world of atoms, dancing, touching, attracting, and combining" -- a glorious epiphany that every lover of chemistry gets to experience for himself.

Sacks is encouraged in his chemical pursuits by a cast of eccentric family members, each with his or her own brand of scientific obsession. The best is Uncle Dave, affectionately dubbed Uncle Tungsten, for he lives and breathes that versatile metal. Oddly, Sacks was not destined to become a chemist. For some reason never fully understood, he and his first love parted ways when he was about 14 or 15, and he ultimately went on to become a renowned neurologist. Nevertheless, we can take solace in knowing that the life-affirming intellectual passion that chemistry imparted to him was not to be wasted. (Amy Bianco)

David Lodge
In Uncle Tungsten, Sacks carries this project into new and more personal territory. It is an unusual book, for it combines autobiography with a good deal of scientific information. (The only comparable work I can think of is Primo Levi's The Periodic Table.) Most readers will probably be drawn to it, and compelled to go on turning the pages, by the vivid evocation of the author's early life and remarkable family background. But this narrative is cleverly spliced with chapters on key discoveries in the history of physical science as they were assimilated by the young Sacks, and by the end of the book readers will find that they have learned, fairly painlessly, a good deal about science themselves.
Natalie Angier
This memoir is a rare gem in a flea-market genre: it teaches us about much more than the life and whines of Oliver Sacks. At the same time, the author doesn't hide behind other lives or pedantry, or waggle his intellect like a sort of showy, distracting secondary sexual characteristic. Bit by bit, we come to know him, his sorrows, his emotional longings and limitations. With Uncle Tungsten, Sacks has reignited the fire, so the rest of us can read by its glow.
Publishers Weekly
Sacks, a neurologist perhaps best known for his books Awakenings (which became a Robin Williams/Robert De Niro vehicle) and The Man Who Mistook His Wife for a Hat, invokes his childhood in wartime England and his early scientific fascination with light, matter and energy as a mystic might invoke the transformative symbolism of metals and salts. The "Uncle Tungsten" of the book's title is Sacks's Uncle Dave, who manufactured light bulbs with filaments of fine tungsten wire, and who first initiated Sacks into the mysteries of metals. The author of this illuminating and poignant memoir describes his four tortuous years at boarding school during the war, where he was sent to escape the bombings, and his profound inquisitiveness cultivated by living in a household steeped in learning, religion and politics (both his parents were doctors and his aunts were ardent Zionists). But as Sacks writes, the family influence extended well beyond the home, to include the groundbreaking chemists and physicists whom he describes as "honorary ancestors, people to whom, in fantasy, I had a sort of connection." Family life exacted another transformative influence as well: his older brother Michael's psychosis made him feel that "a magical and malignant world was closing in about him," perhaps giving a hint of what led the author to explore the depths of psychosis in his later professional life. For Sacks, the onset of puberty coincided with his discovery of biology, his departure from his childhood love of chemistry and, at age 14, a new understanding that he would become a doctor. Many readers and patients are happy with that decision. (Oct.) Forecast: This book is as well-written as Sacks's earlier works,and should get fans engrossed in the facts of his life and opinions. Look for an early spike on the strength of his name, and strong sales thereafter. Copyright 2001 Cahners Business Information.
Neurologist Sacks, famous for his book Awakenings (which was made into a film starring Robin Williams) among other case studies on the often peculiar workings of the brain, here describes his early fascination with science, and in particular chemistry, in an erudite, beautifully written, delightful and often funny memoir. Sacks grew up in wartime London, in a Jewish family of talented scientists. Both his parents were physicians; his "Uncle Tungsten" (really Dave) manufactured light bulbs with tungsten filaments. Other relatives were scientists and doctors as well, and all encouraged his interest in the "stinks and bangs" of chemistry, and his explorations in photography, magnetism, and radiology, too. Exiled to a cruel boarding school to avoid the Blitz, concerned that like one of his older brothers he might go mad, Sacks sought refuge as a child in the order and constancy of chemistry. In addition to experimenting in a home lab (conveniently located near the back garden, so that if something caught fire "I could rush outside with it and fling it on the lawn"), he studied and greatly admired the early chemists such as Robert Boyle, Antoine Lavoisier, Humphry Davy, and Marie Curie. He makes their explorations and achievements come alive for the reader; this is as much a history of the science of chemistry as a memoir of Sacks' early years, and he manages to interweave the two effortlessly, drawing memorable portraits of chemists and physicists as well as family members. One can see how his interest in "the human aspects" of science developed. It doesn't take a scientific background to enjoy Sacks' memoir, but his passion for his subject matter is contagious, and even non-scientificallyinclined readers will enjoy this and come away with a new appreciation of the field of chemistry. KLIATT Codes: SA*—Exceptional book, recommended for senior high school students, advanced students, and adults. 2001, Random House, Vintage, 338p. illus.,
— Paula Rohrlick
From the Publisher
"Dr.Sacks mourns, with a Wordsworthian sense of loss, the passing of those 'lyrical, mystical perceptions of childhood', those 'sudden landscapes of glory and illumination'. And yet the mixture of rekindled passion, humility and humour with which the older man pays homage to the boy, shows just how little he has faded into the light of common day."

-The Economist

"Good prose is often described as glowing: luminous, numinous, glimmering, shimmering, incandescent, radiant. Sacks's writing is all that, and sometimes, no matter how closely you read it, you can't quite figure out what makes it so precisely, unsparingly light...By the time he was 15...Sacks's attention began drifting away from chemistry...He can't quite say why he abandoned his first love and Mendeleev's Garden. His 'intellectual limitations? Adolescence? School?...The inevitable course, the natural history, of enthusiasm, that burns hotly, brightly...and then, exhausting itself, gutters out?' No matter. With Uncle Tungsten, Sacks has reignited the fire, so the rest of us can read by its glow."

-The New York Times Book Review

"Artful, impassioned memoir of a youth spent lost in the blinding light of chemistry from neurologist/essayist Sacks. . . . . In a kind and gracious voice, Sacks guides readers on his journey of passionate discovery into the romance of chemistry. . . . The realm of science is alchemy in Sacks's hands as he spins pure gold from base metals."
-Kirkus Reviews (starred review)

"In Uncle Tungsten, Oliver Sacks weaves together the wonders of chemistry and his boyhood experiences with grace, ease, and just the right comedic touch. The result is a rich, unique, and compelling glimpse into the development of an enormously fertile and creative mind."
-Brian Greene

"A gift from a wonderful man and a masterful scholar and writer. This sharing of life can only merit the chemist's symbol for Tungsten: W --a winner!" -Stephen Jay Gould

"Oliver Sacks is an extraordinary soul-scientist and artist, healer and explorer-and he has given us an extraordinary memoir. Uncle Tungsten is profoundly illuminating and continually surprising."
-James Gleick

From the Hardcover edition.

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Chapter 1



Many of my childhood memories are of metals: these seemed to exert a power on me from the start. They stood out, conspicuous against the heterogeneousness of the world, by their shining, gleaming quality, their silveriness, their smoothness and weight. They seemed cool to the touch, and they rang when they were struck.

I loved the yellowness, the heaviness, of gold. My mother would take the wedding ring from her finger and let me handle it for a while, as she told me of its inviolacy, how it never tarnished. "Feel how heavy it is," she would add. "It's even heavier than lead." I knew what lead was, for I had handled the heavy, soft piping the plumber had left one year. Gold was soft, too, my mother told me, so it was usually combined with another metal to make it harder.

It was the same with copper-people mixed it with tin to produce bronze. Bronze!-the very word was like a trumpet to me, for battle was the brave clash of bronze upon bronze, bronze spears on bronze shields, the great shield of Achilles. Or you could alloy copper with zinc, my mother said, to produce brass. All of us-my mother, my brothers, and I-had our own brass menorahs for Hanukkah. (My father had a silver one.)

I knew copper, the shiny rose color of the great copper cauldron in our kitchen-it was taken down only once a year, when the quinces and crab apples were ripe in the garden and my mother would stew them to make jelly.

I knew zinc: the dull, slightly bluish birdbath in the garden was made of zinc; and tin, from the heavy tinfoil in which sandwiches were wrapped for a picnic. My mother showed me that when tin or zinc was bent it uttered a special "cry." "It's due to deformation of the crystal structure," she said, forgetting that I was five, and could not understand her-and yet her words fascinated me, made me want to know more.

There was an enormous cast-iron lawn roller out in the garden-it weighed five hundred pounds, my father said. We, as children, could hardly budge it, but he was immensely strong and could lift it off the ground. It was always slightly rusty, and this bothered me, for the rust flaked off, leaving little cavities and scabs, and I was afraid the whole roller might corrode and fall apart one day, reduced to a mass of red dust and flakes. I needed to think of metals as stable, like gold-able to stave off the losses and ravages of time.

I would sometimes beg my mother to take out her engagement ring and show me the diamond in it. It flashed like nothing I had ever seen, almost as if it gave out more light than it took in. She would show me how easily it scratched glass, and then tell me to put it to my lips. It was strangely, startlingly cold; metals felt cool to the touch, but the diamond was icy. That was because it conducted heat so well, she said-better than any metal-so it drew the body heat away from one's lips when they touched it. This was a feeling I was never to forget. Another time, she showed me how if one touched a diamond to a cube of ice, it would draw heat from one's hand into the ice and cut straight through it as if it were butter. My mother told me that diamond was a special form of carbon, like the coal we used in every room in winter. I was puzzled by this-how could black, flaky, opaque coal be the same as the hard, transparent gemstone in her ring?

I loved light, especially the lighting of the Shabbas candles on Friday nights, when my mother would murmur a prayer as she lit them. I was not allowed to touch them once they were lit-they were sacred, I was told, their flames were holy, not to be fiddled with. I was mesmerized by the little cone of blue flame at the candle's center-why was it blue? Our house had coal fires, and I would often gaze into the heart of a fire, watching it go from a dim red glow to orange, to yellow, and then I would blow on it with the bellows until it glowed almost white-hot. If it got hot enough, I wondered, would it blaze blue, be blue-hot?

Did the sun and stars burn in the same way? Why did they never go out? What were they made of? I was reassured when I learned that the core of the earth consisted of a great ball of iron-this sounded solid, something one could depend on. And I was pleased when I was told that we ourselves were made of the very same elements as composed the sun and stars, that some of my atoms might once have been in a distant star. But it frightened me too, made me feel that my atoms were only on loan and might fly apart at any time, fly away like the fine talcum powder I saw in the bathroom.

I badgered my parents constantly with questions. Where did color come from? Why did my mother use the platinum loop that hung above the stove to cause the gas burner to catch fire? What happened to the sugar when one stirred it into the tea? Where did it go? Why did water bubble when it boiled? (I liked to watch water set to boil on the stove, to see it quivering with heat before it burst into bubbles.)

My mother showed me other wonders. She had a necklace of polished yellow pieces of amber, and she showed me how, when she rubbed them, tiny pieces of paper would fly up and stick to them. Or she would put the electrified amber against my ear, and I would hear and feel a tiny snap, a spark.

My two older brothers Marcus and David, nine and ten years older than I, were fond of magnets and enjoyed demonstrating these to me, drawing the magnet beneath a piece of paper on which were strewn powdery iron filings. I never tired of the remarkable patterns that rayed out from the poles of the magnet. "Those are lines of force," Marcus explained to me-but I was none the wiser.

Then there was the crystal radio my brother Michael gave me, which I played with in bed, jiggling the wire on the crystal until I got a station loud and clear. And the luminous clocks-the house was full of them, because my uncle Abe had been a pioneer in the development of luminous paints. These, too, like my crystal radio, I would take under the bedclothes at night, into my private, secret vault, and they would light up my cavern of sheets with an eerie, greenish light.

All these things-the rubbed amber, the magnets, the crystal radio, the clock dials with their tireless coruscations-gave me a sense of invisible rays and forces, a sense that beneath the familiar, visible world of colors and appearances there lay a dark, hidden world of mysterious laws and phenomena.

Whenever we had "a fuse," my father would climb up to the porcelain fusebox high on the kitchen wall, identify the fused fuse, now reduced to a melted blob, and replace it with a new fuse of an odd, soft wire. It was difficult to imagine that a metal could melt-could a fuse really be made from the same material as a lawn roller or a tin can?

The fuses were made of a special alloy, my father told me, a combination of tin and lead and other metals. All of these had relatively low melting points, but the melting point of their alloy was lower still. How could this be so, I wondered? What was the secret of this new metal's strangely low melting point?

For that matter, what was electricity, and how did it flow? Was it a sort of fluid like heat, which could also be conducted? Why did it flow through the metal but not the porcelain? This, too, called for explanation.

My questions were endless, and touched on everything, though they tended to circle around, again and again, to my obsession, the metals. Why were they shiny? Why smooth? Why cool? Why hard? Why heavy? Why did they bend, not break? Why did they ring? Why could two soft metals like zinc and copper, or tin and copper, combine to produce a harder metal? What gave gold its goldness, and why did it never tarnish? My mother was patient, for the most part, and tried to explain, but eventually, when I exhausted her patience, she would say, "That's all I can tell you-you'll have to quiz Uncle Dave to learn more."

We had called him Uncle Tungsten for as long as I could remember, because he manufactured lightbulbs with filaments of fine tungsten wire. His firm was called Tungstalite, and I often visited him in the old factory in Farringdon and watched him at work, in a wing collar, with his shirtsleeves rolled up. The heavy, dark tungsten powder would be pressed, hammered, sintered at red heat, then drawn into finer and finer wire for the filaments. Uncle's hands were seamed with the black powder, beyond the power of any washing to get out (he would have to have the whole thickness of epidermis removed, and even this, one suspected, would not have been enough). After thirty years of working with tungsten, I imagined, the heavy element was in his lungs and bones, in every vessel and viscus, every tissue of his body. I thought of this as a wonder, not a curse-his body invigorated and fortified by the mighty element, given a strength and enduringness almost more than human.

Whenever I visited the factory, he would take me around the machines, or have his foreman do so. (The foreman was a short, muscular man, a Popeye with enormous forearms, a palpable testament to the benefits of working with tungsten.) I never tired of the ingenious machines, always beautifully clean and sleek and oiled, or the furnace where the black powder was compacted from a powdery incoherence into dense, hard bars with a grey sheen.

During my visits to the factory, and sometimes at home, Uncle Dave would teach me about metals with little experiments. I knew that mercury, that strange liquid metal, was incredibly heavy and dense. Even lead floated on it, as my uncle showed me by floating a lead bullet in a bowl of quicksilver. But then he pulled out a small grey bar from his pocket, and to my amazement, this sank immediately to the bottom. That, he said, was his metal, tungsten.

Uncle loved the density of the tungsten he made, and its refractoriness, its great chemical stability. He loved to handle it-the wire, the powder, but the massy little bars and ingots most of all. He caressed them, balanced them (tenderly, it seemed to me) in his hands. "Feel it, Oliver," he would say, thrusting a bar at me. "Nothing in the world feels like sintered tungsten." He would tap the little bars and they would emit a deep clink. "The sound of tungsten," Uncle Dave would say, "nothing like it." I did not know whether this was true, but I never questioned it.

As the youngest of almost the youngest (I was the last of four, and my mother the sixteenth of eighteen), I was born almost a hundred years after my maternal grandfather and never knew him. He was born Mordechai Fredkin, in 1837, in a small village in Russia. As a youth he managed to avoid being impressed into the Cossack army and fled Russia using the passport of a dead man named Landau; he was just sixteen. As Marcus Landau, he made his way to Paris and then Frankfurt, where he married (his wife was sixteen too). Two years later, in 1855, now with the first of their children, they moved to England.

My mother's father was, by all accounts, a man drawn equally to the spiritual and the physical. He was by profession a boot and shoe manufacturer, a shochet (a kosher slaughterer), and later a grocer-but he was also a Hebrew scholar, a mystic, an amateur mathematician, and an inventor. He had a wide-ranging mind: he published a newspaper, the Jewish Standard, in his basement, from 1888 to 1891; he was interested in the new science of aeronautics and corresponded with the Wright brothers, who paid him a visit when they came to London in the early 1900s (some of my uncles could still remember this). He had a passion, my aunts and uncles told me, for intricate arithmetical calculations, which he would do in his head while lying in the bath. But he was drawn above all to the invention of lamps-safety lamps for mines, carriage lamps, streetlamps-and he patented many of these in the 1870s.

A polymath and autodidact himself, Grandfather was passionately keen on education-and, most especially, a scientific education-for all his children, for his nine daughters no less than his nine sons. Whether it was this or the sharing of his own passionate enthusiasms, seven of his sons were eventually drawn to mathematics and the physical sciences, as he was. His daughters, by contrast, were by and large drawn to the human sciences-to biology, to medicine, to education and sociology. Two of them founded schools. Two others were teachers. My mother was at first torn between the physical and the human sciences: she was particularly attracted to chemistry as a girl (her older brother Mick had just begun a career as a chemist), but later became an anatomist and surgeon. She never lost her love of, her feeling for, the physical sciences, nor the desire to go beneath the surfaces of things, to explain. Thus the thousand and one questions I asked as a child were seldom met by impatient or peremptory answers, but careful ones which enthralled me (though they were often above my head). I was encouraged from the start to interrogate, to investigate.

Given all my aunts and uncles (and a couple more on my father's side), my cousins numbered almost a hundred; and since the family, for the most part, was centered in London (though there were far-flung American, Continental, and South African branches), we would all meet frequently, tribally, on family occasions. This sense of extended family was one I knew and enjoyed as far back as memory goes, and it went with a sense that it was our business, the family business, to ask questions, to be "scientific," just as we were Jewish or English. I was among the youngest of the cousins-I had cousins in South Africa who were forty-five years my senior-and some of these cousins were already practicing scientists or mathematicians; others, only a little older than myself, were already in love with science. One cousin was a young physics teacher; three were reading chemistry at university; and one, a precocious fifteen-year-old, was showing great mathematical promise. All of us, I could not help imagining, had a bit of the old man in us.

Meet the Author

Oliver Sacks was a neurologist, writer, and professor of medicine. Born in London in 1933, he moved to New York City in 1965, where he launched his medical career and began writing case studies of his patients. Called the “poet laureate of medicine” by The New York Times, Sacks is the author of thirteen books, including The Man Who Mistook His Wife for a Hat, Musicophilia, and Awakenings, which inspired an Oscar-nominated film and a play by Harold Pinter. He was the recipient of many awards and honorary degrees, and was made a Commander of the British Empire in 2008 for services to medicine. He died in 2015.

From the Trade Paperback edition.

Brief Biography

New York, New York
Date of Birth:
Place of Birth:
London, England
B.M., B.Ch., Queen's College, Oxford, 1958

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Uncle Tungsten: Memories of a Chemical Boyhood 3.7 out of 5 based on 0 ratings. 13 reviews.
Guest More than 1 year ago
Engaging memoir covering Sachs' life in London before and after the Blitz and WWII. Sachs specifically focuses on his boyhood introduction to chemistry as encouraged by his uncles. Allowed to experiment with metals, acids and other intriguing substances, Sachs gained a rare education regarding their properties and the genius of the periodic chart. 'Uncle Tungsten' also provides a clear context for modern chemistry, as Sachs grew up at a critical turning point in its development. It's the sort of book that textbooks ought to be--practical, humorous, poignant and bordering on the spiritual.
Anonymous More than 1 year ago
This is one of my favorite books. The low ratings make no sense to me.
Guest More than 1 year ago
I always liked physics more than chemistry, but after completing this book I actually got out the old chemistry book to learn more. However, any "education" that comes with this book is secondary to the entertainment. The perspective of a young boy interested in science brought back a few memories of mine, and made this a difficult book for me to put down.
Guest More than 1 year ago
Uncle Tungsten is a great read for the chemist, science teacher or student. I'm using sections of it in my AP Chemistry course even. Dr. Sacks narrative is a wonderful read and his enthusiasm for science is very apparent. In an era where there are very few books that encourage an enthusiasm for science and investigation, this is a welcome surprise! Having come myself from a research background before becoming a teacher, I am an enthusiastic proponent of lab work, experiments, and investigation. I hope that my students will go into science because of me, not in spite of me, and I'm very glad to have a book of this quality to share with my students.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
I was forced to read this memoir for the Honors Chemistry class I will be taking in 10th grade. Having heard the grumblings of older students, who too were forced to read it, I was undoubtely dreading the 317 pages. When I finally opened the book I was suprised by the content. That's not to say that I enjoyed it or thought it was well written. I was suprised at how often Sacks goes into complicated chemistry. MOst of the memoir is in fact not a memoir but a retelling of the history of chemistry. While Sacks occasionaly included a childhood memory or two, most of the memoir was pure science. At some points, he goes so far into detail that I feel as if I'm reading a textbook. So, overall it wasn't good. If you have a genuine interest in science and the history of chemistry, then you will most likely enjoy this book. However, if you are reading it expecting a genuine memoir or being forced to read it by you chemistry teacher, you will not enjoy this book.
Anonymous More than 1 year ago
Guest More than 1 year ago
The book was hard to understand there was too much talk of chemical processes. If I wanted to read a chemistry textbook I would have.
Guest More than 1 year ago
For my 11th grade chemistry class I had to read two books relating to chemistry. One of the books I chose was this one: Uncle Tungsten: Memories of a Chemical Boyhood. It was okay it was not one of those books where you just could not put it down. I sometimes found my self drifting into other thoughts and not really paying attention to what I was reading at all. I think that if I was more interested in what he was talking about, then I would have really loved it. When I first started reading it, it was hard to stay with each of the chapters, because each one was a different story within its self. Basically, the title of the chapter was what that chapter was going to be about. In my opinion, on a scale of 1-10, 10 being the best and 1 being the worst, I would give this book a 5. I would because it didn't interest me, it couldn't keep my attention, and a lot of the time I thought it was boring. However, if you are into chemistry and science experiments, then this is a book for you. It tells you a lot of facts and may even make you more interested in the science world.
Guest More than 1 year ago
For my 11th grade chemistry class I had to read two books realating to chemistry. One of the books I chose was this one: Uncle Tungsten: Memories of a Chemical Boyhood. It was okay it wasn't one of those books where you just couldn't put it down. I sometimes found my self drifting into other thoughts and not really paying attention to what I was reading at all. I think that if I was more interested in what he was talking about, then I would have really loved it. At first it was hard to stay with each chapter, because each one was a different story within its self. Basically, the title of the chapter was what it was about. In my opinion, on a scale of 1-10, 10 being the best, I would give this a 5. I would because it didn't interest me, it couldn't keep my attention, and a lot of the time it was boring. However, if you are into chemistry and science experiments, then this is a book for you. It tells you a lot of facts and may even make you more interested in the science world.
Guest More than 1 year ago
Although I majored in chemistry in college, I am now a professor in a major medical school, focusing on AIDS research. So I can relate to Sacks' intrigue with chemistry, but eventually his changing fields. It was interesting, amd I enjoyed the history of chemistry/science portions. But I wouldn't recommend it to my colleagues unless they had a 'chemical mind.'
Guest More than 1 year ago
New Scientist recently published an article describing the real reason scientists do science: It's FUN! Clearly the young Oliver Sachs knew this as well, and his autobiography conveys all of that fun. I work in scientific research myself, and I couldn't wait to try some of Sachs' experiments. The experiments themselves don't exactly advance scientific knowledge, but there I was, armed with a shelf of chemicals, a cupboard of equipment and a laboratory bench... If you want to know what makes scientists tick, this is the book. If you want to inspire an interest in chemistry, this is the book. My only complaint was Sachs' eventual departure from chemistry in adolescence. I felt immensely disappointed that he could leave so much fun behind.
authormom More than 1 year ago
Story drags. Not well written.