"Brown again trolls feminist history for an engaging heroine, this time the redoubtable British explorer Mary Kingsley," wrote PW. The woman who set off to see the wilds of West Africa in 1892, at age 30, emerges as "an intrepid and admirable character." Ages 4-8. (Aug.) Copyright 2003 Reed Business Information.
Brown (Alice Ramsey's Grand Adventure) again trolls feminist history for an engaging heroine, emerging this time with the redoubtable British explorer, Mary Kingsley. After a reclusive childhood spent dutifully nursing her mother and educating herself through books (she was never sent to school), Mary determines to see the world and sets off in 1892, at age 30, for the wilds of West Africa. Exploring the country in full proper Victorian dress ("It is at these times that you realize the blessings of a good thick skirt," she remarks after falling into a spike-filled pit and narrowly escaping injury), the plucky Mary collects insects and fish for the British Museum of Natural History. A series of piquant pen-and-ink and watercolor sketches shows her approaching a hippo, fending off a crocodile with her canoe paddle and wading "through sun-cooked swamps of ink-black slime." It's difficult to discern a chronology for Mary's adventures, but the vague sense of years of travel and adventure matches the artwork's appealingly impressionistic flurry of lines blurred with smoky color. Mary emerges as an intrepid and admirable character. Ages 4-8. (Sept.) Copyright 2000 Cahners Business Information.|
Publishers Weekly - Publisher's Weekly
Gr 1-3-The author of Ruth Law Thrills a Nation (Ticknor & Fields, 1993), Alice Ramsey's Grand Adventure (1997), and Rare Treasure: Mary Anning and Her Remarkable Discoveries (1999, both Houghton) brings another unsung female adventurer to light. Confined in a Victorian manse with bricked up windows, Kingsley spent her young years caring for her bedridden mother and awaiting the intermittent visits of her peripatetic father. Resourceful and independent, she escaped through the books she read in her father's library. Released from her servitude by her parents' death, the 30-year-old woman embarked on extended travels to Africa, where she found her spiritual home and felt a kinship with the native people. She returned to England to write and lecture on her observations. Brown's spare text, filled with perfectly chosen details, gives individuality to a universally appealing tale of a neglected child who eventually triumphs through her own spirit of independence. By incorporating quotes from his subject's writing, the author provides an accurate picture of her common sense, her sense of humor, of wonder, and of self. The sketchy watercolor illustrations accurately convey the dreariness of her childhood, but are less successful in portraying her travels. Dominant hues of gray, brown, green, and blue effectively evoke settings and transitions, but the details in the drawings are as disappointing as the ones in the text are delightful. The human figures are shadowy, with hollow eyes, stiff arms, and pallid complexions. It is unfortunate that the visuals don't support the beauty, excitement, and lushness that so enthralled Kingsley.-Starr LaTronica, Four County Library System, Vestal, NY Copyright 2000 Cahners Business Information.|
Here, deftly distilled, is the improbable but true story of Mary Kingsley, straitlaced Victorian turned African explorer. Ever unfazed, Mary smacks a crocodile on the snout with her paddle when it noses its way into her canoe. The pen-and-ink and watercolor illustrations are lush and deliciously wry. Parenting Magazine
Brown has created a companion piece to his Rare Treasure: Mary Anning and Her Remarkable Discoveries (1999) by profiling yet another fascinating and relatively unknown 19th-century British woman. Mary Kingsley never went to school, had a sickly mother and a mostly absent father, but she read in her father's library all the while tending to her mother and running the household. When both parents died in 1892, the 30-year-old Kingsley went on the first of several trips to Africa. There, in her proper Victorian attire, she collected insects, scratched a hippo behind the ear with her umbrella, fell into a spike-filled pit (kept from harm by her "good thick skirt") and went back home to write and lecture about all she had seen and done. Brown manages to get a lot of her story into a few graceful vignettes, and he does the same with his watercolors, using a blue-green and gold-brown palette to evoke London and jungle, desert and heat. The figures are sketched with just enough line to keep them anchored, as we see Kingsley bat a crocodile on the snout, cross a ravine on a slippery log, and bathe in a starlit lake. (Picture book/biography. 6-9)
"A grand introduction to the woman and an inspiring story about perseverance, this is an uncommonly good book about an uncommon traveler." —Booklist, starred review (7/00) Booklist, ALA, Starred Review
