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Shakespeare's plays have something for everyone. In performance, moreover, they are much more accessible than they are when read from heavily annotated texts, for performances somehow provide all the annotation we need, or enough of it; they make the plays live.
In a very real sense, Understanding Shakespeare's Plays in Performance allows you the experience of attending a play rehearsal. During rehearsals, various aspects of staging and interpretation are worked out. In the process, one becomes aware of the many aspects of presenting Shakespeare that in performance might never become evident. Being on the inside, as it were, provides a new perspective, an insight into the complexities of production that cannot help but inform our judgment even as it illuminates our understanding.
| Acknowledgments | ix | |
| Prologue: Why This Book? | 1 | |
| Chapter I | Finding the Text | 7 |
| Chapter II | Finding the Set Design | 20 |
| Chapter III | Finding the Characters | 31 |
| Chapter IV | Finding the Subtext | 39 |
| Chapter V | Finding the Language | 50 |
| Chapter VI | Finding the Stage Business, Music, and Other Effects | 62 |
| Chapter VII | Finding Coherence: the Overall Interpretation | 72 |
| Epilogue: The Enjoyment of Shakespeare | 83 | |
| Notes | 86 | |
| Bibliography | 94 | |
| Index | 97 |
Overview
Shakespeare's plays have something for everyone. In performance, moreover, they are much more accessible than they are when read from heavily annotated texts, for performances somehow provide all the annotation we need, or enough of it; they make the plays live.
In a very real ...