Underworld [Original Score]

( 3 )

Editorial Reviews

Barnes & Noble - David Sprague
The soundtrack to Underworld is inspired by the film's vampire-versus-werewolf tale from the dark side. And thanks in large part to the deft touch of the album's producer, former Nine Inch Nails member Danny Lohner, who's shaken and stirred the components into a compellingly murky sonic cocktail, the rock-fueled disc has its fair share of macabre moments. In a break from recent soundtrack tradition, the bulk of Underworld's tracks aren't available anywhere else -- many, in fact, spring from one-time-only aggregations assembled specifically for the album. Of these, the most interesting may be the Damning Well -- ex–Limp Bizkit guitarist Wes Borland, Filter's Richard ...
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Editorial Reviews

Barnes & Noble - David Sprague
The soundtrack to Underworld is inspired by the film's vampire-versus-werewolf tale from the dark side. And thanks in large part to the deft touch of the album's producer, former Nine Inch Nails member Danny Lohner, who's shaken and stirred the components into a compellingly murky sonic cocktail, the rock-fueled disc has its fair share of macabre moments. In a break from recent soundtrack tradition, the bulk of Underworld's tracks aren't available anywhere else -- many, in fact, spring from one-time-only aggregations assembled specifically for the album. Of these, the most interesting may be the Damning Well -- ex–Limp Bizkit guitarist Wes Borland, Filter's Richard Patrick, and Lohner -- who turn out an industrially minded primal scream called "The Awakening." The producer holed up with Maynard James Keenan, under the Puscifer moniker, for the appropriately apocalyptic "REV 22:20." Keenan and Red Hot Chili Peppers guitarist John Frusciante also turn up on a radically splayed rendition of David Bowie's "Bring Me the Disco King," a version far more visceral than the Thin White Duke has been previewing at recent live dates. Likewise, remixes of A Perfect Circle's "Judith" and "Weak and Powerless" turn things upside down, particularly the former, which replaces the original's tension-release seesaw with a seething quality that threatens to boil over but never really does. Consider Underworld the perfect mood music for a cruise down the River Styx.
All Music Guide - James Christopher Monger
Composer Paul Haslinger is no stranger to darkness. The classically trained pianist and former member of Krautrock ensemble Tangerine Dream has a gift for moody soundscapes as evidenced by his cinematic 1999 world fusion record Score. He stays true to his muse on the Underworld soundtrack, peppering the gothic fable with one brutal dirge after another, leaving a trail of carnage littered with mid-'90s industrial waste. To Haslinger there is no post-Nine Inch Nails universe; The Crow has not yet begot The Matrix. Like an oily, inner-city river, he fills every ounce of space with clanging metal and distant wailing synths, pausing only on the fleeting "Suspended Memories" to dabble in soft piano and open water. Despite its monotony this unflinching approach works, offering a glimpse into what Ministry could have been had they entered the world of film music -- they turned the pounding, single-note melody into an art form. Amid this cacophony lies the heart of Underworld; its pulse is pure and devoid of irony. The vampires and werewolves may rule the city in their tight leather pants, but it's Haslinger who makes them dance.
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Product Details

  • Release Date: 10/14/2003
  • Label: Lakeshore Records
  • UPC: 780163378726
  • Catalog Number: 33787
  • Sales rank: 290,972

Album Credits

Performance Credits
Paul Haslinger Primary Artist
Technical Credits
Lustmord Programming, Producer, Sound Design
Bill Miller Composer
Miles Corbin Composer
Paul Haslinger Composer, Producer, Score
Mitch Zelezny Mastering
Jason Jones Programming, Sound Design
Michael Sheen Contributor
Travis Smith Digital Editing, Pro-Tools
Skip Williamson Executive Producer
Claude Letessier Programming, Sound Design
Bill Nighy Contributor
Kate Beckinsale Contributor
Alex Kharlamov Programming, Sound Design
Mel Eberle Composer
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Customer Reviews

Average Rating 4.5
( 3 )
Rating Distribution

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Good,but the sequel's score is better

    This is a good but typical horror movie score.It works for the movie and is worth a listen.But Marco Beltrami's "Underworld: Ecolution" score is much better.

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  • Anonymous

    Posted October 1, 2010

    One of My Favorites

    This is one of the greatest CDs that I ever bought. I first saw the trailor for the movie in 2003, and I wanted to see the movie soooooo badly, I also loved the song on the trailor, I then saw the movie the next month, I thought it rocked. I then wanted the first album and I bought that, but I noticed that the trailor song wasn't on it, I was a little upset, but the CD was still great. I then did some google searches in 2004, when I felt that I HAD to know who did the song, I found out that it was Agent Provocateur with "Red Tape". I then later found out that it was on the "Original Score" Underworld soundtrack, of course, I bought it, and I'm not disappointed at all, I love the CD, not only "Red Tape", but every single other song on it. I love the CD, and you should too, everyone should buy it.

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  • Anonymous

    Posted October 1, 2010

    First new Skinny Puppy in ages!

    As a huge Skinny Puppy fan, I was anxious about this release. Would it be great or would I be horribly disappointed? It is FANTASTIC! It's like a mix between "The Process" and Ohgr, as produced by cEvin Key. The rest of the album is as solid. Maynard James Keenan (Tool, A Perfect Circle) is heard on a few tracks, and Danny Lohner (Nine Inch Nails) is on many tracks, wrote or co-wrote others, and he also produced the album. Any fan of hard rock/industrial/experimental/electronic music will LOVE this album! There are also a couple of slower grooves (the lead singer of Concrete Blonde contributes a track, as does Milla (Jovovich)).

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Sort by: Showing all of 3 Customer Reviews