Unearthing Shakespeare: Embodied Performance and the Globe / Edition 1

Unearthing Shakespeare: Embodied Performance and the Globe / Edition 1

by Valerie Clayman Pye
ISBN-10:
1138670278
ISBN-13:
9781138670273
Pub. Date:
01/23/2017
Publisher:
Taylor & Francis
ISBN-10:
1138670278
ISBN-13:
9781138670273
Pub. Date:
01/23/2017
Publisher:
Taylor & Francis
Unearthing Shakespeare: Embodied Performance and the Globe / Edition 1

Unearthing Shakespeare: Embodied Performance and the Globe / Edition 1

by Valerie Clayman Pye
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Overview

What can the Globe Theatre tell us about performing Shakespeare?

Unearthing Shakespeare is the first book to consider what the Globe, today’s replica of Shakespeare’s theatre, can contribute to a practical understanding of Shakespeare’s plays. Valerie Clayman Pye reconsiders the material evidence of Early Modern theatre-making, presenting clear, accessible discussions of historical theatre practice; stages and staging; and the relationship between actor and audience. She relays this into a series of training exercises for actors at all levels.

From "Shakesball" and "Telescoping" to Elliptical Energy Training and The Radiating Box, this is a rich set of resources for anyone looking to tackle Shakespeare with authenticity and confidence.


Product Details

ISBN-13: 9781138670273
Publisher: Taylor & Francis
Publication date: 01/23/2017
Edition description: New Edition
Pages: 238
Sales rank: 841,271
Product dimensions: 5.44(w) x 8.50(h) x (d)

About the Author

Valerie Clayman Pye is an Assistant Professor of Theatre in the Department of Theatre, Dance, and Arts Management in the School of Performing Arts at LIU Post, USA.

Table of Contents

  • Preface
  • Chapter One: Shakespeare’s Theatrical Culture
  • Chapter Two: Examining the Globe
  • Chapter Three: Understanding the Text
  • Chapter Four: Creating Character
  • Part Two: Actuating Practice
  • Chapter Five: Activating the Body
  • Chapter Six: Awakening the Listener
  • Chapter Seven: Energizing the Language
  • Chapter Eight: Expanding the Fiction
  • Chapter Nine: Developing and Playing the Shakespeare Score
  • Chapter Ten: Rehearsing the Part
  • Afterword
  • Appendix A: Exercises for the Classroom
  • Appendix B: Exercises for Rehearsal
  • Appendix C: Exercises for Solo Practice
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