Unmentionables

Unmentionables

by Laurie Loewenstein
     
 

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"Exceptionally readable and highly recommended."
--Library Journal (starred review)

A January 2014 MIBA Midwest Connections pick!

"Engaging first work from a writer of evident ability."
--Kirkus Reviews

"Marian Elliot Adams'...tale is contagiously enthusiastic."
--Publishers

Overview


"Exceptionally readable and highly recommended."
--Library Journal (starred review)

A January 2014 MIBA Midwest Connections pick!

"Engaging first work from a writer of evident ability."
--Kirkus Reviews

"Marian Elliot Adams'...tale is contagiously enthusiastic."
--Publishers Weekly

"Unmentionables is a sweeping and memorable story of struggle and suffrage, love and redemption...Loewenstein has skilfully woven a story and a cast of characters that will remain in the memory long after the book’s last page has been turned."
--New York Journal of Books

"Readers will be fascinated by this timeless glimpse into a slice of American history on the brink of significant change, whose memorable characters are both vulnerable and engaging. I loved this book!"
--Boswell Book Company (staff pick)

"Unmentionables starts small and expands to touch Chicago and war-torn France as Laurie Loewenstein weaves multiple points of view together to create a narrative of social change and the stubbornness of the human heart."
--Black Heart Magazine

"A historical, feminist romance in the positive senses of all three terms: a realistic evocation of small-town America circa 1917, including its racial tensions; a tale about standing up for the equitable treatment of women; and a story about two lonely people who overcome obstacles, including their own character defects, to find love together."
--Milwaukee Journal Sentinel, "96 Books For Your Summer Reading List"

Marian Elliot Adams, an outspoken advocate for sensible undergarments for women, sweeps onto the Chautauqua stage under a brown canvas tent on a sweltering August night in 1917, and shocks the gathered town of Emporia with her speech: How can women compete with men in the work place and in life if they are confined by their undergarments? The crowd is further appalled when Marian falls off the stage and sprains her ankle, and is forced to remain among them for a week. As the week passes, she throws into turmoil the town's unspoken rules governing social order, women, and Negroes. The recently widowed newspaper editor Deuce Garland, his lapels glittering with fraternal pins, has always been a community booster, his desire to conform rooted in a legacy of shame--his great-grandfather married a black woman, and the town will never let Deuce forget it, especially not his father-in-law, the owner of the newspaper and Deuce's boss. Deuce and his father-in-law are already at odds, since the old man refuses to allow Deuce's stepdaughter, Helen, to go to Chicago to fight for women's suffrage.

But Marian's arrival shatters Deuce's notions of what is acceptable, versus what is right, and Deuce falls madly in love with the tall activist from New York. During Marian's stay in Emporia, Marian pushes Deuce to become a greater, braver, and more dynamic man than he ever imagined was possible. He takes a stand against his father-in-law by helping Helen escape to Chicago; and he publishes an article exposing the county's oldest farm family as the source of a recent typhoid outbreak, risking his livelihood and reputation. Marian's journey takes her to the frozen mud of France's Picardy region, just beyond the lines, to help destitute villagers as the Great War rages on. Helen, in Chicago, is hired as a streetcar conductor surrounded by bitter men who resent her taking a man's job. Meanwhile, Deuce struggles to make a living and find his place in Emporia's wider community after losing the newspaper.

Marian is a powerful catalyst that forces nineteenth-century Emporia into the twentieth century; but while she agitates for enlightenment and justice, she has little time to consider her own motives and her extreme loneliness. Marian, in the end, must decide if she has the courage to face small-town life, and be known, or continue to be a stranger always passing through.

Editorial Reviews

Publishers Weekly
09/30/2013
In this double debut—Loewenstein’s first novel, and the first selection from Akashic’s Kaylie Jones Books imprint—history, in the form of women’s suffrage, WWI, and American race relations, is writ small, traced in the fortunes of a few residents of Caledonia, Ill. Marian Elliot Adams arrives in the town in August 1917 to take part in a weeklong Chautauqua assembly, a popular adult education event of the period. Her intent—to discuss “the restrictive nature of women’s undergarments”—proves equal parts shocking and titillating to her audience. When she falls and sprains her ankle following the speech, Marian is forced to spend a week in Caledonia, which leads her to reconsider her prejudices against smalltown life, while also pushing some of the townspeople she meets to examine their own deeply-held beliefs. Among the most affected are Deuce Garland, publisher of the local newspaper, and his stepdaughter, Helen. Marian’s path subsequently takes her to France during the waning days of WWI, where she does medical relief work, while at home Deuce becomes a muckraking journalist after losing control of his newspaper. Loewenstein traces a less adventurous path with her storytelling, wrapping up everything in a neatly happy ending, but along the way her tale is contagiously enthusiastic, if predictable. (Jan.)
Kirkus Reviews
2013-10-05
Big issues are examined through the lens of a small town after a campaigner for less restrictive undergarments visits Caledonia, Ill., in 1917. Politics and passions run high in Loewenstein's spirited if soft-centered debut set in a Middle-American community still in touch with its pioneering past. Women's liberation, public health standards, even modern art are some of the new ideas entering the conversation, while racism and miscegenation, patronage and prejudice also play their parts in the story. The catalyst for change is anti-corsetry campaigner Marian Elliot Adams, who arrives in town for the Chautauqua convinced that the adoption of her ideas will bring positive results. But Marian has a hard lesson to learn, as do the novel's other main figures: newspaperman Deuce Garland and his modern-minded stepdaughter, Helen. Over a 12-month span, Deuce will learn to stand up for his past and his future, Helen will follow her destiny to Chicago, and Marian will work for the war effort in France. Reuniting at the Chautauqua in 1918, all three will be more cleareyed about ideas old, new and unmentionable, as well as their co-mingled futures. Although a tendency toward easy solutions undermines the book's larger ambitions, Loewenstein's appealing voice and freshness enliven her well-researched story of personal and political ferment. Engaging first work from a writer of evident ability.
Library Journal
★ 01/01/2014
Loewenstein's remarkable debut was selected as a Midwest Connections Pick for January and is the first book in a new imprint from Akashic curated by award-winning author Kaylie Jones (Speak Now). In August 1917, Marian Elliot Adams, a fiercely independent advocate for women's rights, is traveling with the "Chautauqua circuit," promoting their message of "sensible undergarments for women." When she takes to the stage one hot night in Caledonia, IL, her speech shocks the local residents, who are further disgusted when she falls from the stage and sprains her ankle, forcing her to stay in town for a week. One week turns into many, and Marian's presence reveals Caledonia's long-held but unspoken rules regarding women, African Americans, and social order. After befriending the town's newspaper publisher, Deuce Garland, and his stepdaughter Helen, Marian begins to question her own motives and must contemplate continuing her chosen life of a visitor always passing through, or being known in a small town. VERDICT This immensely entertaining and illuminating book transports the reader back in time while confronting the timeless matters of courage, sacrifice, race, gender, love, and death. Exceptionally readable and highly recommended.—Lisa Block, Atlanta

Product Details

ISBN-13:
9781617751943
Publisher:
Akashic Books
Publication date:
01/07/2014
Pages:
320
Sales rank:
893,957
Product dimensions:
5.40(w) x 8.10(h) x 1.00(d)

Related Subjects

Read an Excerpt

UNMENTIONABLES


By LAURIE LOEWENSTEIN

Akashic Books

Copyright © 2014 Laurie Loewenstein
All rights reserved.
ISBN: 978-1-61775-194-3


CHAPTER 1

BROWN CANVAS


The breezes of Macomb County usually journeyed from the west, blowing past and moving quickly onward, for the county was just en route, not a final destination. On this particular night, the wind gusted inexplicably from the east, rushing over fields of bluestem grasses, which bent their seed heads like so many royal subjects. A queen on progress, the currents then traveled above farmhouses barely visible behind the tasseled corn, and swept down the deeply shaded streets of Emporia, where they finally reached the great tent, inflating the canvas walls with a transforming breath from the wider world.

The farm wives had staked out choice spots under the brown canvas; an area clear of poles but not far from the open flaps where they might feel the strong breeze that relieved the oppressiveness of the muggy August evening. The ladies occupied themselves with their knitting needles or watched the crew assembling music stands. Some fretted about sons, already drafted for the European trouble and awaiting assignment to cantonments scattered across the country. They pushed back thoughts of the steaming canning vats they faced when the weeklong Chautauqua assembly of 1917 concluded. All they would have to get through another dreary winter were the memories of the soprano's gown of billowing chiffon; the lecturer's edifying words; the orchestras and quartets.

The strings of bare bulbs that swagged the pitched roof were suddenly switched on. The scattered greetings of "Howdy-do" and "Evening" grew steadily as the crowd gathered, burdened with seat cushions, palmetto fans, and white handkerchiefs. Leafing through the souvenir program, they scrutinized the head-and-shoulders photograph of the evening's speaker, a handsome woman wearing a rope of pearls. She was described as a well-known author, advocate for wholesome living, and suffragist. What exactly was this lecture—"Barriers to the Betterment of Women"—about? Some expected a call for more female colleges, others for voting rights.

Then Marian Elliot Adams, a tall and striking woman in her early thirties, swept onto the stage. She wore a rippling striped silk caftan and red Moroccan sandals. With dark eyes and dramatically curved brows, her appearance hinted at the exotic. In ringing tones, she announced, "I am here tonight to discuss the restrictive nature of women's undergarments."

Hundreds of heads snapped back. The murmurs of the crowd, the creaking of the wooden chairs, stopped abruptly. Even the bunting festooning the stage hung motionless, as if it had the breath knocked out of it.

Marian's gaze swept across the pinched faces, assessing the souls spread before her, and she concluded that they were the same people she'd been lecturing to for the past three months. There was the gaunt-cheeked elder with his chin propped on a cane; the matron with the bolster-shaped bosom; the banker type in a sack coat; the slouching clerk with dingy cuffs. Just like last night and the night before that, stretching back eighty-three straight nights—these strangers she knew so well.

She'd begun her odyssey on June 1, as she had for the last seven summers, driving a dusty Packard to villages across Ohio, Indiana, and Illinois, opening each town's weeklong series of talks and entertainments, and then moving on. In her wake followed orchestras, elocutionists, adventurers, sextets, chalk artists—whatever the Prairieland Chautauqua Agency felt would meet the standards of improvement and inspiration demanded by each hamlet's subscription committee. Marian was relieved she didn't have to stick around and watch the hodgepodge of entertainers following her. She and her fellow orators, she often said with a hint of irony, were the only ones true to the original Chautauqua ideal. During her brief respites from the road, she'd often settle in at her favorite Greenwich Village tea house and laughingly query fellow patrons, "Would you believe it? Me, an agnostic since the tender age of ten, toiling for Chautauqua?"

A half-century before, a group of Methodists had erected open-air pavilions beside the placid waters of Lake Chautauqua in western New York, as an educational retreat for Sunday school teachers. From "Mother Chautauqua," as the institution became affectionately known, reading courses for adults quickly sprang up across the country. Later, commercialized ventures known as Tent or Circuit Chautauquas, and connected to the original in name only, took up the cause of bringing edification and culture to the rural heartland. Circuit Chautauquas, organized by Prairieland and other booking agencies, moved from town to town, following an established itinerary. When traced on a map, the various circuits looked like a child's connect-the-dots drawing, linking isolated hamlets and farming communities in the Midwest, South, and West. An easterner, Marian saw the circuit as an opportunity to bring modern thinking on women's causes to Middle America's backwaters. This night, as she launched into her talk, she took comfort in knowing that more than five hundred other Chautauqua lecturers were mounting platforms in five hundred other byways.

She smiled broadly and asked, "Why is dress reform so necessary for the modern woman?"

The audience members, recovered from their initial shock, took up their palmetto fans, repositioned their legs, and settled in.

"Because clothing constitutes both a real and symbolic hindrance to women taking their rightful place in our country's civic, occupational, and educational realms. Did you know that a woman, preparing to go out in public, routinely dons twenty-five pounds of clothing? Twenty-five pounds. Imagine! And of that, almost all of it is hidden from view. And almost all of it serves no practical purpose. Beneath every dainty shirtwaist and skirt lie layer upon layer of restrictive undergarments."

She counted them off on her fingers. "Combination suit, petticoat, corset, corset cover, hose supporter, hose. These are the unmentionables that every woman struggles against. These are the invisibilities that drag down her limbs, sap her energy, prevent her from full participation in community life. Yes, we have made some strides in the last forty years. The hourglass figure, the tight lacings are, mercifully, things of the past. But more must be done." As she spoke, Marian paced briskly across the stage, her caftan gracefully shifting in the current. Some of the men wondered just what sort of unmentionables Mrs. Elliot Adams had on under the silk that swirled around her well-proportioned limbs. Deuce Garland, a widower of two years and publisher of the Clarion, was among them. He balanced a notebook on his calf, pencil resting on a blank page. In times past, he'd have written half of his article before the lecturer even stepped on stage. Chautauqua opened in Emporia with a bang last evening when three thousand citizens of all ages gave a rousing welcome to ... That was what came of sixteen years publishing a small-town daily with modest ambitions and a mission of boosterism.

But two months ago, seven of the town's infants had succumbed to typhoid within three weeks. These deaths, very likely due to that age-old culprit, adulterated milk, shook Deuce to the core. As a boy, he'd lost two sisters to the same illness, and had never gotten over it. That same week he'd come upon an editorial in the Springfield Times calling for regular inspections of dairy operations. His first thought had been, I've got to reprint this! But then, he'd hesitated. He'd thought of his advertisers—the local shop owners, some with family ties to dairy farms. The subscribers, many who worshipped alongside those same hard-working men and women, the backbone of America. He couldn't afford to anger them. Once he'd paid off the new linotype, he'd be in a better position to weather a dip in revenue. Then he could turn the Clarion into what he'd imagined it might become when he'd first bought it—a daily that would change Emporia for the better. Even if he wasn't quite ready to make the big leap, he'd decided to at least take seriously every story he did print. No more boilerplate. Still, the typhoid, the unprinted editorial, hung at the back of his mind.

Deuce leaned forward to better hear each word of the speech. Marian's sonorous voice was being partially obscured by phlegmy hacking from outside the tent, from one of the houses that bordered the grassy Chautauqua grounds. Deuce's stepdaughter, Helen, seated beside him, heard it too and turned with an annoyed glance. Just nineteen, she was in the full flush of young womanhood, with solemn eyes, milky skin, and sleek wings of brown hair tucked behind her ears. He admired her in silence, self-consciously running a hand across his own hair that, despite the heavy application of pomade, had returned to its tight waves. He removed the handkerchief from a breast pocket and wiped his sticky palms. The carefully balanced notebook fell to the grass. Grunting, he bent to pick it up, then rearranged his legs, the wooden chair creaking beneath him.

Helen shot him a reproving look. Angrily flicking the program in front of her face, she turned her attention back to the stage. She'd been waiting for months for Mrs. Elliot Adams and wasn't about to let him spoil it with all this fidgeting. Who knew when she'd have another chance to hear a famous advocate for women's rights? Not in the foreseeable future, not in this pokey town. The acetate footlights bathed Marian from below, illuminating the folds of the caftan, the firm chin, the strong nose and brows, the clear eyes. Why, Mrs. Elliot Adams is the Statue of Liberty come to life, Helen thought with a grin. Come to life right here in Emporia.

Marian was saying, "How can a young woman weighed down with all these undergarments, not to mention long skirts, perform a day's work in an office, mill, or shop? How can she participate in the healthful activities of bicycling, tennis, dance, swimming? How can she fully join in the civic life of the community? She can't. Women's dress restricts their arms, their legs, and their opportunities."

There was some murmuring among the knitters near the open tent flaps on the far left. Without even looking, Marian knew these were farm wives.

"Now let me quickly add that what I am talking about is public dress. I am well aware that many of you women in the farmland perform demanding physical labor and that the reliable Mother Hubbard is quite serviceable, if not as aesthetically pleasing or designed for ease of movement as it might be. As is, for example, this garment I am wearing. This free-flowing gown is functional, healthy, and, so I have been told, flattering."

Three matrons sucked in their breath as they and the town realized that Marian's gown was not a costume but her daily wear. Many of Chautauqua's lecturers and performers dressed in a manner that amplified their message. The Dickens Man appeared in a Victorian frock coat as he enacted Oliver Twist, adding a shawl for poor Nancy, a cloth cap for Oliver, and a cape for wicked Bill Sykes. Each August, a Polynesian family appeared in grass skirts and feathered cloaks, mesmerizing listeners with their strange songs and tales of conversion from savagery to Christianity. Now Marian seemed to transform before their eyes, from the lofty and somewhat daring embodiment of social reformer, to the murky role of the outlandish.

The air in the tent was oppressive and thunder rumbled in the distance. Marian could feel sweat trickling between her breasts, dampening the bust supporter and her nainsook drawers. The extreme heat that gathered under the Chautauqua tents was as famous as their trademark brown canvas walls. "Going down the line," as the Chautauqua performers called it, was not for the faint of heart or physically frail. Marian had witnessed dozens of first-timers, delicate sopranos, even robust orators, collapse after twenty consecutive nights of appearances under the sweltering canvas, in tandem with twenty days of jolting travel on gritty trains or in dusty open motorcars. As she patted her brow with a folded hankie, she again gave thanks for her strong constitution. One summer, she'd followed William Jennings Bryan, the living embodiment of Circuit Chautauqua, down the line. The celebrated orator, former congressman, and secretary of state, was known as "The Great Commoner" for his populist stands on the goodness of the ordinary man. Besides his "Cross of Gold" speech, Bryan was famous for his endurance, sometimes giving three lectures a day in three different towns as his shapeless alpaca coat became increasingly sodden, hanging like wet burlap from his large frame. And she had triumphantly matched him step for step. For Marian, like Bryan, it wasn't just a matter of physical stamina but dedication to a cause. If she didn't bring the message of dress reform to Emporia, to all the other flyspecks on the circuit, how would these women ever enter the modern age? From the back row a baby launched into full-throated bawling, as piercing as a factory whistle. And that's another reason I'm meant for this, Marian thought, no husband, no children to tie me down or pull me off the road. She had divorced years ago and never looked back.

Harsh coughing sounded faintly from beyond the tent, competing with the howling infant. For most in the audience, accustomed to such disturbances, the sounds barely registered, but Tula Lake, who was sitting on the other side of Deuce, immediately recognized the consumptive cough of sixteen-year-old Jeannette Bellman. The Bellman family lived on the far side of the grounds. Tula turned in her seat. The tent was packed, the crowd overflowing beyond the flaps.

"Have you seen Dr. Jack? I'm worried about Jeannette," she whispered to Deuce.

Deuce glanced up from his notebook. The moons of Tula's blue irises were clouded with worry. "I heard her too."

Tula's features were still pretty but now blurred with age. Deuce, Tula, and her brother Clay had lived next door to one another for sixteen years. As Deuce turned back to the stage, Tula kept her ears focused outside the tent flaps. After a couple of minutes, the coughing fit passed. Thank goodness, Tula thought. Sitting back, she picked up the lecturer's train of thought. Still, she was only half-listening. Her eyes were on Deuce, whose dark brows contrasted so handsomely with the wavy sterling-silver hair. Just above his collar a dusting of talcum glowed white against his coppery skin. At last she turned back to the stage, giving Mrs. Elliot Adams, who seemed to be explaining how she became such a staunch advocate for dress reform, her full attention.

"... of women's dress, undergarments in particular, is a matter not only of limitation, but also of life itself. With corsets and other bindings restricting the rib cage, it is impossible to draw in sufficient breath. My own dreadful experience with consumption taught me that. I cured myself by casting aside my corset and bringing fresh, cleansing air into my lungs day and night. For more than a year I slept outside under the stars as my lungs opened and healed."

Another growl of thunder sounded from out on the flat prairie. The audience rustled like a roost of startled sparrows but settled quickly. Marian didn't pause. She'd lectured through storms that hurled hailstones so large they ripped holes in the tent while the spectators sat without flinching. These sons and daughters of pioneers waited all year for Chautauqua week and almost nothing could dislodge them. A good heavy rain would at least cool things off. This time of the evening, halfway into the program, her toes were roasting in the footlights. She'd thought of The Great Commoner's system—chilling one hand on a block of ice before stroking his brow while beating the air with a palm fan in his other. He kept this double-handed routine up for his entire hour-long speech. Maybe I should try that, she thought.

While her mind considered this, her voice continued, "Like the young Theodore Roosevelt, I was determined to seize control of my destiny."

At this, the venerable Henry Wilson, several chairs down from Deuce, leaned across the laps of three matrons to catch the publisher's eye. "The gall; putting herself alongside TR!" he hissed. A spout of tobacco juice arced onto the ground for emphasis and the seventy-four-year-old member of three secret societies and honorary president of the Young Ragtags, a loose outfit organized around drinking and the swinging of Indian clubs, stood up and stomped out.
(Continues...)


Excerpted from UNMENTIONABLES by LAURIE LOEWENSTEIN. Copyright © 2014 Laurie Loewenstein. Excerpted by permission of Akashic Books.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author


Laurie Loewenstein grew up in the flatlands of western Ohio and now resides in Rochester, NY, where Susan B. Anthony was arrested for voting in 1872. Unmentionables is her first novel.

Kaylie Jones is the award-winning author of five novels and a memoir. She teaches writing at two MFA programs and lives in New York City.

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