The Untelling

The Untelling

4.5 4
by Tayari Jones

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Aria is no stranger to tragedy. Fifteen years ago, a family outing took the lives of her father and baby sister, leaving remaining members of this fractured family struggling with their own guilt - real and imagined. At twenty-five, Aria believes she can reinvent herself through her planned marriage with all its promise of a family of her own. Her infertility


Aria is no stranger to tragedy. Fifteen years ago, a family outing took the lives of her father and baby sister, leaving remaining members of this fractured family struggling with their own guilt - real and imagined. At twenty-five, Aria believes she can reinvent herself through her planned marriage with all its promise of a family of her own. Her infertility changes her life as swiftly and irrevocably as the urban landscape around her. With prose that is both eloquent and unflinching, Jones charts the emotional journey of her characters as they explore the painful territory of truth and the healing landscape of forgiveness.

Editorial Reviews

Carrie Brown
Jones has made Aria a careful witness to her own life and the lives of those around her; her observations, sometimes wry, sometimes poignant, always honest, inflate the novel with hope, sending it soaring over its wasteland of woes. In the end, despite every obstacle, Aria has managed to acquire both dignity and sympathy, and The Untelling has worked a most improbable and most welcome charm.
— The Washington Post
Library Journal
Jones's new novel explores the sense of loss that reverberates from childhood through the present. In Aria's 25 years, she has dealt with many losses, including watching her father and young sister die in a car crash 15 years earlier. Her adult life is a reexploration of that tragedy and its impact on a new set of challenges and opportunities. Although the story is a personal journey, Jones subtly populates the book with a dozen representatives of modern society who are well conceived to help Aria redefine herself. Michelle Blackmon's handling of the narrative is strong, honest, and compelling. Recommended.-Joyce Kessel, Villa Maria Coll., Buffalo, NY Copyright 2005 Reed Business Information.
School Library Journal
Adult/High School-When nine-year-old Ariadne Jackson loses her father and baby sister in an auto accident, her life in a black middle-class Atlanta neighborhood changes forever. Her eccentric mother grows more erratic, locking Aria and her surviving sister, Hermione, out of the house on Halloween or serving them raw chicken as a punishment for bad behavior. These little cruelties push Hermione to distance herself from the family, leaving Ariadne to fend for herself. Years later, at 25, Aria believes she has surmounted the traumas of her youth, until she thinks she is pregnant but instead finds that she is infertile. Her life becomes layered with lies and half-truths as she fears she will lose the promise of family and a normal life. It is the untelling of these tales that leads her finally to accept the odd turns a life may take. Teens will appreciate Ariadne's dilemma as she wrestles first with the implications of a child out-of-wedlock and then the more difficult truth that she will never bear her own children. They will also understand how she must unravel the untruths she has told, just as her namesake in Greek mythology unrolled a length of string to rescue her lover from a deadly maze.-Pat Bangs, Fairfax County Public Library, VA Copyright 2005 Reed Business Information.
Kirkus Reviews
Thin second novel by Jones (Leaving Atlanta, 2002), who follows the hapless love affair of a young, infertile African-American woman in Atlanta. It opens promisingly, with narrator Ariadne's taut recounting of the horrific car accident in 1978 that took the lives of her father and infant sister. But Jones goes on to superficially treat Aria's disappointing love affair at age 25 with locksmith Dwayne. The crux of the "untelling" is Aria's fear of revealing to Dwayne, who has proposed because he thinks she's pregnant, the devastating news she has received from her doctor: she's undergoing premature menopause and will never be able to have children. Aria teaches literacy at a nonprofit agency and lives with her Spelman girlfriend, Rochelle, in the crack-riddled neighborhood of West End. Her widowed mother is psychologically unstable, and older sister Hermione, who was also in the car that fateful day in 1978, fled home early by marrying the rich best friend of their dead father. These personal details, however, don't enrich the plot, which drags around Aria's desire to be married and stable like her sister. Whenever she sees Dwayne, who is six foot four and solid, she burbles, "He was the type of man that made you just want to climb up and hide in the branches." Dwayne is certainly charming, disarming her mother and sister, and he seems like a good catch, but the denouement that brings their final reckoning seems uncharacteristic and forced. Jones does a more consistent job with other characterizations, particularly Aria's pregnant student Keisha and her crackhead neighbor Cynthia, but the many perceptive portraits don't coalesce into a compelling narrative. This vernacular and likableheroine deserves more from life-and from her author.

Product Details

Grand Central Publishing
Publication date:
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5.80(w) x 8.34(h) x 1.21(d)

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The Untelling

By Tayari Jones


Copyright © 2005 Tayari Jones
All right reserved.

ISBN: 0-446-69456-8

Chapter One

I still live in Atlanta. All of us do-Mama, Hermione, and me. Mama still lives on Willow Street, in the house we moved to after losing the split-level on Bunnybrooke Drive. She stays there out of spite, I think. This way no one can forget the cruelty that life has done her. Hermione and her family live in a suburb called Lawrenceville, halfway to Athens, which is as far away as you can get without actually leaving town. I can picture my sister leaving us for good, moving to France, doing a Josephine Baker, wearing a dress made of fruit. She can likely envision such scenarios for herself as well. But she stays here in Georgia because of her husband, Mr. Phinazee, who is far too old to learn any new tricks.

I make my home in the West End. Little plaques affixed to the street signs insist that it is "The Historic West End," a designation secured by real estate interests. For the last twenty years people have predicted that this area was on the rise. They point to Grant Park, which has become a Victorian oasis, smack in the center of town. It's only a matter of time, they say, urging yuppies and buppies alike, until gentrification elevates the West End, the historic West End, too. I hope they are right. I only rent my house, so I have no real financial stake in the prospect, but Ilike the idea of imminent transformation and appreciation.

The West End is a hard place to wrap your mind around. My house is off People Street, not too far from the Wren's Nest-where, depending on your take on things, Joel Chandler Harris either wrote or plagiarized the Uncle Remus stories. Just over a mile away is Spelman College, my alma mater, built where there were once Civil War barracks. And across the street from Spelman are some of the meanest housing projects in the South. I guess the only really consistent variable in the West End is that nearly everyone within a five-mile radius is black. From the bourgie girls I went to college with, all of whom seemed to be doctors' daughters or professors' kids, to my neighbors, cracked out and depressed, everybody is black. My landlord, crooked and mean, is every bit as black as the people who run the homeless shelter on the corner of Landrum and Cascade.

Lately white folks are moving into our neighborhood, one by one. I'm not bent out of shape about it. A gay couple, Jewish, according to my roommate, Rochelle, bought the pale yellow bungalow across the road, which has recently been restored to its turn-of-the-century splendor-wraparound porch and stained-glass panels in the mahogany door. Rochelle and I considered taking them a gift to welcome them to the neighborhood. She suggested baking cookies, but then we worried that they might not trust us enough to eat what we had prepared. The very idea of this offended us as though we had actually offered them the cookies and they'd refused. So we never introduced ourselves to them and they never introduced themselves to us.

Quiet as it's kept, the house where Rochelle and I live is identical to the showplace across the street. Ours is a fixer-upper that hasn't been fixed up yet. The paint flakes like green dandruff; underneath, the wood is dotted with termite tunnels. Inside, however, is much nicer. The wood floors might be paint-flecked and scarred, but you can still tell that it is good pine. In my bedroom there is a great old fireplace, but the mantels were stolen decades ago, when all the houses in the West End stood empty and abandoned. Still, the mantels can be replaced along with the crystal doorknobs and brass window cranks.

Last March, crackheads stole two potted ficus trees and a wrought-iron mailbox from the house across the street. The three of us-me, Rochelle, and my boyfriend, Dwayne-watched from my front porch. The porch is one of the best places in our house, despite the fact that it is not screened in. Our landlord let us keep the wicker patio furniture left by the previous tenants. There were two pieces, a love seat that could seat two people comfortably and three in a pinch and a high-backed throne that Rochelle called the Huey Newton Seat. At night we left the love seat on the porch, figuring that it was too bulky for crackheads to steal; but the Huey Newton Seat was stored in the living room when it wasn't in use. "It's a cultural antique," Rochelle insisted. I told her that most people didn't even remember who Huey Newton was, but she said that they would steal the chair anyway. It was like stealing a rare coin not because it's rare, but because it's a coin. It was a pain to haul the chair in at night-it was over five feet tall and the wicker was brittle with age. But Rochelle does what she wants.

Winter had just ended when my neighbor Cynthia and her cousin stole the Jewish guys' mailbox and ficus trees. Dwayne and I had sat close and cozy on the love seat and Rochelle used the Huey Newton Seat. The day was cool, but the sun warmed our foreheads. It was the sort of afternoon that is hot and cold at the same time, letting us know that spring was ahead of us, but not quite allowing us to forget the winter behind. Rochelle and Dwayne had laughed as Cynthia, who lived three doors down, and her cousin dragged the dainty trees and their glazed pots down the repaved driveway. Dwayne said, "Remember the Alamo," and this made us laugh. The mailbox was harder to steal. Together they tugged at the white post until it gave way, like a stubborn hunk of crabgrass. We laughed some more, now rooting against the taming and gentrification of our neighborhood. We delighted in the hardheaded nature of poverty, of a block that didn't welcome change. We drank to Cynthia and her cousin, clicking the rims of plastic tumblers of lemonade, vodka, and ice.

So I'm not sure why I was stunned when I came home one May afternoon to find deep ruts in the soft wood around the dead bolt on my front door, the door itself hanging open just a bit, the way you do when you know company is coming and you don't want them to bother to knock. Why did I stagger backward, a step or two from the opening, frightened and disbelieving at the same time, my eyes scanning the quiet road for a face that could explain things to me, straighten this whole thing out? Of course I knew that this wasn't the safest of neighborhoods. My mother, who lives less than ten miles away but never visits, sends me news clippings snipped from the back pages of the Journal-Constitution, little news articles about rapes, murders, and drug busts in the West End. She keeps me informed so I will always be aware of how safe I am not. It wasn't that I doubted the accuracy of the articles. Lying in bed, I often heard gunshots as distant as thunder and close as lightning. But I didn't imagine that someone would one day dig out the locks on my door, rifle through my belongings, taking what they wanted, leaving the rest. This wasn't supposed to happen to Rochelle and me.

We often joked that no one bothered us because everyone knew what we did for a living: nonprofit work at the Literacy Action and Resource Center. Even crackheads knew that there was no money in nonprofit. We'd borrowed this quip from Lawrence, our boss, who used the same rationale to explain why the Literacy Center-three miles away in Vine City-had never been vandalized, burglarized, or otherwise defaced. This, despite the fact that four homes on the block were boarded up, housing drug addicts and other vagrants. We really did believe that we were exempt from the crime in the area due to our vocation. Not because of our low wages, but because our neighbors understood that we were here trying to do something good. We taught people to read. Wasn't that something that just about anyone could see was an honorable and decent way to spend one's time?

I set my hand on the brass-plated doorknob, worn down to nickel from so many hands, too many twists. Then I curled my fingers back. What if someone was still inside? I tripped down the three crumbling stairs, dislodging clumps of old cement, and took a few steps to the jagged sidewalk. Where was the nearest pay phone? On the corner was a stump where a phone used to be. Across the street the Jewish men had installed a black iron fence with curlicues and other flourishes that kept people off their property. Along the border were knee-high hedges which, over time, would grow as high as the fence. It made sense to knock on their door, ask to use their phone, but somehow I didn't want to admit to them what had happened.

Summer had come early this year. It was only the middle of May, but temperatures were in the high eighties and, if the weatherman could be believed, the humidity was seventy-four percent. My neighbor Cynthia sort of materialized in the thick air and moved toward me. She carried a canvas sack, the strap diagonal across her flat chest.

"What's wrong with you?" Cynthia wanted to know when she reached me.

"Somebody broke in." I worked to keep the whine out of my voice. No matter what had been going on inside my house, I knew that Cynthia had likely seen a lot worse. She was thin in the way that all crackheads are when they have been doing it a long time. Her forehead, blooming with white-topped acne, managed to be oily and ashen at the same time.

"You went in yet to see what all is missing? You called the police?"

"I didn't want to go in. What if somebody is still in there?"

Cynthia said, "Don't worry. They been gone."

"You saw them?"

She nodded. "It was two men."

"What did they look like?"

"Sort of regular," she said.

I scanned her face to see if she was telling me the truth, but how was I to know what the truth looked like? My eyes kept drifting up from her yellowish eyes to her hair. It was straightened, held in place by hair gel that dried in great white flakes. But just over her ear, where Billie Holiday had pinned her gardenia, was a silver clip studded with pink and white rhinestones.

"That's pretty," I said. "Your barrette."

"You want it?" she said, pulling it free.

I stared at it lying across the dark creases of her hand. Up close it wasn't so nice. Many of the stones were missing, leaving dead rusty sockets.

"I'll give it to you," said Cynthia. "For two dollars."

I patted my pockets. "I just have one dollar."

"That will work," she said. "You can give me the other one next time I see you."

I held the dollar out to her, but she made no move to take it. The barrette bounced slightly in her vibrating palm. I plucked it from her hand. She, in her fast, noiseless way, covered my other hand in hers, almost caressing it before she slid the dollar bill from between my fingers.

"That's a real nice hair bow," she said. "Don't forget about the rest of my money." She raised her eyebrows and gave me a sympathy smile, just turning up the corners of her mouth without showing teeth. I looked back at my house, the front door still slightly ajar. From where I stood I could see that our two umbrellas were still stashed in the wire basket by the door. I slipped the heavy barrette into the pocket of my skirt and moved in the direction that Cynthia had gone. When I found a pay phone, I'd call Rochelle and tell her to come home. I'd call the police so they could write up a report. Then I'd call Dwayne and ask him to make things safe again.

Rochelle arrived first, having the shortest distance to travel. She'd been at work, bringing all the files up to date. She swung into the driveway, causing the gravel to jump like popcorn.

She hopped out of the car and trotted to where I sat on the curb. I almost gasped at the sight of her. Rochelle and I had been roommates for three years and we'd known each other since we were both eighteen. You'd think I'd be immune to her odd beauty, but her fantastic coloring-hair gone so gray that it was almost magnolia cream white and her deep brown skin-this was the sort of thing that you kept noticing over and over. My boyfriend, Dwayne, says Rochelle would be pretty if she weren't so weird-looking, but I think that she wouldn't be so pretty were she not so unusual.

"It wasn't Cynthia," I said.

"No," Rochelle said, settling beside me on the hot curb. "Cynthia wouldn't break into our house."

"They say that the best way not to get robbed is to know your neighbors. People don't rob people they know."

Rochelle nodded, but we were both just parroting what we'd read in pamphlets about urban renewal. This was the kind of thing that we told our parents.

My mother had said, "Even if you form a relationship with the people on your street and they decide not to rape and murder you, what about the people on the next block over? They would slit your throat over a cup of purple Kool-Aid."

"We can't tell our parents," I said.

"Depends on what's missing," Rochelle said. "Depending on what's missing, we might have to tell them anyway."

She was thinking of all the things she'd already bought in preparation for her wedding, namely her wedding dress-a voluminous crepe lisse affair, lush with gold thread and lace-which cost about as much as a decent used car. There were other items, the Baccarat bud vases and the china place settings that had already started arriving although the wedding was more than six months away.

"They wouldn't take the dress. Burglars don't steal clothes. They want electronics."

"Aria," Rochelle said, "we saw Cynthia and her cousin steal a goddamned mailbox."

"I know," I said, hoping to soothe her. "That was different. And anyway, Cynthia didn't have anything to do with this."

"Did you call the police?"


"Nine one one?"


"You know what Public Enemy said?" Rochelle asked with a smile.

"Nine one one is a joke?"

"No," Rochelle said. "Crack killed applejack."

"That wasn't Public Enemy."

"Well, whoever said it. That was way back when we were in high school. Do you think it's getting any better?"

"I hope so," I said.

The police came next. One guy in a blue and white Crown Vic. He instructed Rochelle and me to wait where we were while he made sure there was no one inside the house. I told him that Cynthia had seen two men leave. He wanted to know why Cynthia hadn't called the police. "A neighborhood watch is supposed to do more than watch," he said.

I shrugged, thinking of the afternoon that Rochelle, Dwayne, and I had just watched what happened to the home across the street.

It took less than ten minutes for the policeman to determine that the house was vacant.

"Is it in real bad shape?" Rochelle wanted to know.

"Is that your real hair color?" he said, reaching out to touch one of her silver dreadlocks.

Rochelle recoiled just slightly. I knew she didn't like it when strangers felt licensed to touch her just because of her difference. The officer paused, but squeezed a hank of her hair between his fingers anyway.

"My hair's been gray since I was a teenager," she said.

"That's a trip," said the officer.

"What about the house?" I asked him.

"It looked okay to me," he said. "Of course you are going to have to do a thorough look-see to know if anything is missing. But as far as I can tell, things seem undisturbed."

A voice squawked out of his receiver, reminding me of the day of the accident. There were dogwood trees in our yard, but this time of year they just stood there leafy and benign.

We sat with him on the porch while he filled out paperwork. Rochelle signed on various dotted lines. As the policeman handed me the pink copy of the triplicate form, he stopped.

"You know who you look like?"

"Yeah," I said. "I know."

"Penny, from Good Times. You look like Janet Jackson would look if she was a regular person."

"Is that all?" Rochelle said, holding her hand out for the form.

He shrugged, moving all of his heavy equipment with his big shoulders. "You can go through and see what's missing if you want. But really-your TV and stuff was all in there. Did you have more jewelry?"

He was looking at Rochelle's engagement ring. It was somewhat smaller than a dime but plenty large enough to sparkle like a disco ball. She put her left hand behind her. "It's just costume jewelry."

The policeman chuckled. "You can save that lie for the crackheads."

I gave him a careful smile and waited for him to leave.

Rochelle and I held hands as we crossed our threshold. The officer had been right. It didn't look like anything was missing. The red, white, and blue Priority Mail boxes containing various wedding implements were still stacked against the living room walls. The small television still rested in the particleboard entertainment set, the VCR still attached.

"Do you want to look in your room first, or mine?" Rochelle said.

"Yours," I said, understanding that there was much more at stake here for her than for me.

Her room was disorderly, but Rochelle was just that sort of person. I couldn't say for sure if some burglar had left the drawers hanging open or if Rochelle herself had dumped the contents of her jewelry box onto her unmade bed. Rochelle regarded the tangle of silver necklaces and gold bracelets without reacting.


Excerpted from The Untelling by Tayari Jones Copyright © 2005 by Tayari Jones. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Untelling 4.5 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
The Untelling, Tayari Jones second novel, is both beautifully written and a deeply compelling story. Ariadne, who goes by a shortened version of her name, Aria, has found a part of her life cut short just as she is ready to begin it. On the verge of marriage, she discovers that she is experiencing early-onset menopause. But the symptoms¿exhaustion, nausea, no periods¿make her believe for a short while that she is pregnant. Once she discovers the truth, the question changes from how she will accommodate a new life to how she will go forward in her own, with a future that looks very different from the one she imagined. A powerful backstory magnifies the present storyline, starting with a cataclysmic event that continues to haunt Aria and her mother and sister until they pull together to overcome loss once again. Read this, and if you haven¿t already, pick up Leaving Atlanta. I look forward to more from this inspired writer!
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