Until the Day You Dieby Tina Wainscott
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My mother told me I'd pay for my sins. But was it a sin, really, lying on the witness stand to put away the man who'd caused my sister's death? After Colin Masters whispered in my ear, "She never even fought me..." Whispered that at the police station after they released him for lack of evidence. And now that justice has been served, now that I’ve started to find love again, somehow Colin is tormenting me and my son.
I had made him pay. Now he would make me pay.
- Tina Wainscott
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Meet the Author
The award-winning author of fourteen romantic suspense books for St. Martin's Press as Tina Wainscott, and the romantic urban fantasy Offspring series as Jaime Rush for HarperCollins, Tina is inspired and fascinated by unsolved crimes, the mysteries of our universe, and why some people are just plain twisted.
Several of Tina/Jaime's books have been nominated and received industry awards, including the prestigious Maggie, the Golden Heart and RT Book Reviews' Reviewer's Choice awards.
Contests, sneak peeks and more at www.jaimerush.com and www.tinawainscott.com.
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Most Helpful Customer Reviews
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Until the Day You Die Tina Wainscott St. Martin's, Jul 2007, $6.99 ISBN: 9780312941635 Maggie Fletcher finds her sister, Dana battered, raped and dying. She believes Colin Masters killed her sibling as he was stalking her from the moment he saw her working at the Mystic Café. Maggie¿s testimony convicted Masters, but she perjured herself as she had no hard evidence that he committed the homicide. Masters goes to prison, but the harassment of Maggie begins. Six months later worried about her nine years old son Luke, Maggie moves them to Portsmouth, New Hampshire. However, three years pass, but Masters is free seeking to destroy the woman who lied on the witness stand. She knows he will target anyone she loves before he comes for her. --- UNTIL THE DAY YOU DIE is an exciting dark thriller that grips the audience from the onset when a terrorized Dana tells her sister that he sees her when she is sleeping, he sees her when she is working, and he sees her whenever he desires. The tale is at its best when the heroine is front and center as she provides a first person account of her actions, motives, and fears especially a sort of déjà vu feeling that she is repeating the last days of her sister. When other players especially the villain take center stage, the third person usage seems contrastingly off kilter as the audience never gets inside the head of the killer. Filled with twists and starring a devious malevolent villain, Tina Wainscott provides an exhilarating character driven suspense. --- Harriet Klausner