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- The Collapse
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- Crazy Angel
- Under the Milky Way
- The Songs That Saved My Life
- Scream
- Sleep Tight
5
1
0075678397226
Juliette Beavan Vocals
Jon Radtke Piano,Vocals,Synthesizer
Matt Skaggs Loops,Sampling,Synthesizer
Mat Devine Piano,Vocals,Synthesizer
Sean Beavan Vocals
Garrett Hammond Drums
Garrett Hammond Programming,Engineer,Producer
Tony Couch Management
Greg Corner Group Member
Matt Salazar Assistant Engineer
Andrew Zach Art Producer
John C.F. Davis Management
Eric Altenburger Photo Composites
Errin Familia Assistant Engineer
Jon Radtke Composer,Group Member
Pete Novak Mixing Assistant
Mat Devine Design,Composer,Group Member,Art Direction
Alex Kirzhner Design,Art Direction
Tom Baker Mastering
Jason Cupp Assistant Engineer
Dean Nelson Assistant Engineer
Johnny K Mixing,Engineer,Producer
Sean Beavan Mixing,Engineer,Producer
Karin Jansson Composer
Matt Devine Composer
John Rubeli A&R
Cerise Model
Cerise Leang Model
Steve Kilbey Composer
Chris Lord-Alge Mixing
Joseph Cultice Photography,Cover Art Concept
Josh Mills Assistant Engineer


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Overview
The continual dividing and multiplying of musical subgenres may sometimes seem absurd, but bulky as they are, all those tiny little classifications are still necessary. Kill Hannah's 2006 release Until There's Nothing Left of Us is a good example of why: an album most easily described as indie-shoegaze-electro-post-hardcore-emo-dream pop-rock. The only drawback to describing music this way is that it implies that the record is eclectic, when in fact, Kill Hannah's sound takes the most related elements of these disparate styles and omits the aspects of each that might make their combination sound disjointed. This wide sampling of so many influences finds the band dipping their creative cups into numerous genres with enough depth to integrate them and enough restraint to avoid their cliches: the slickly feminized male vocals sound sassy and adolescent but never breach into emo-catharsis; the distorted vocal harmonies call to mind My Bloody Valentine but never become lost in their own ambience; and the unabashedly heavy production transforms the buzzing of guitars into some kind of growling synthesizer without ever succumbing to vapid goth pop a la My Chemical Romance. When given a choice, Kill Hannah pick accessibility over high art on this record, but those looking for a substantial and sophisticated successor to Fugazi, the Cure or Jesus and Mary Chain should find what they're looking for here. ~ Cammila Albertson
Product Details
Release Date: | 08/01/2006 |
---|---|
Label: | Atlantic |
UPC: | 0075678397226 |
Tracks
Album Credits
Performance Credits
Kill Hannah Primary ArtistJuliette Beavan Vocals
Jon Radtke Piano,Vocals,Synthesizer
Matt Skaggs Loops,Sampling,Synthesizer
Mat Devine Piano,Vocals,Synthesizer
Sean Beavan Vocals
Garrett Hammond Drums
Technical Credits
Ted Jensen MasteringGarrett Hammond Programming,Engineer,Producer
Tony Couch Management
Greg Corner Group Member
Matt Salazar Assistant Engineer
Andrew Zach Art Producer
John C.F. Davis Management
Eric Altenburger Photo Composites
Errin Familia Assistant Engineer
Jon Radtke Composer,Group Member
Pete Novak Mixing Assistant
Mat Devine Design,Composer,Group Member,Art Direction
Alex Kirzhner Design,Art Direction
Tom Baker Mastering
Jason Cupp Assistant Engineer
Dean Nelson Assistant Engineer
Johnny K Mixing,Engineer,Producer
Sean Beavan Mixing,Engineer,Producer
Karin Jansson Composer
Matt Devine Composer
John Rubeli A&R
Cerise Model
Cerise Leang Model
Steve Kilbey Composer
Chris Lord-Alge Mixing
Joseph Cultice Photography,Cover Art Concept
Josh Mills Assistant Engineer
From the B&N Reads Blog
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