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Unto the Sons

Unto the Sons

5.0 1
by Gay Talese

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The story of the millions who emigrated from Italy to America beginning at the turn of the century. The immigrant saga is brought close to us through the lives of the authors forebears, particularly his Italian-born father, Joseph, a tailor & assimilated American, who during WW II existed as an emotional double-agent— swayed by his devotion to this brothers


The story of the millions who emigrated from Italy to America beginning at the turn of the century. The immigrant saga is brought close to us through the lives of the authors forebears, particularly his Italian-born father, Joseph, a tailor & assimilated American, who during WW II existed as an emotional double-agent— swayed by his devotion to this brothers fighting in the Fascist army while at the same time aiding the Allied cause. Josephs tempered loyalty, felt as well by many fellow immigrants, brought him into conflict with his American-born son. A massive genealogical tale.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Filtering the history of Italian immigration to America through the personal saga of Talese's family, this massive and masterful volume recreates the author's ancestral home in the Southern Italian backwater of Maida, vivifying a superstitious, impoverished, apolitical and powerless underclass that for centuries was exploited by both its own aristocracy and a parade of foreign rulers and invaders. In Maida the author's great-grandfather Domenico ruled his farm with an iron hand; lured by a dream of prosperity, Talese's grandfather Gaetano left his family in Italy and worked himself to an early grave in a Pennsylvania asbestos-factory town. Gaetano's son Joseph witnessed the devastation that WW I heaped on his village, apprenticed as a tailor to a kindly uncle in Maida, later joined a cousin who had made his way to Paris, and eventually followed his late father's path to America in 1920. Talese ( Thy Neighbor's Wife ) nimbly juggles a large variety of characters, events and settings. An aloof loner, Talese's first-generation American mother, Catherine, grew up in an insular Italian neighborhood in Brooklyn, N.Y.; the walls of her home were hung with crucifixes, and her parents, who had both experienced tragic earlier marriages in the old country, wore the dark clothes of mourning. Raised in Ocean City, N.J., as a minority within a minority (an Italian in an Irish Catholic parish on a Protestant island), Talese recalls an exacting father who never played ball with him and who used him as a mannequin for his clothing creations. A story that will resonate for parents and children of every nationality relates how Joseph, torn between his loyalty to his adopted homeland and his love for his family in Italy, lost control of himself during WW II; upon learning that the Allies had bombed an abbey in southern Italy, he shut his ears to his son's cries and destroyed the fleet of model U.S. aircraft that Gay had painstakingly built. 300,000 first printing; BOMC main selection. (Feb.)
Library Journal
Unlike Talese's past best sellers (e.g., Honor Thy Father , LJ 12/1/71; and Thy Neighbor's Wife , LJ 6/15/80), this new book is a personal saga. Talese starts generations back, interweaving tales of his ancestors in Europe during the 19th and early 20th centuries with his own childhood years in Ocean City, New Jersey during World War II. The Talese clan lived for generations in the tiny southern Italian village of Maida. Like most Americans of immigrant background, they came to the United States through a mixture of survival and good fortune. As well, these people each possessed a proud history, a tradition, and a reality that went beyond the shore of their newly adopted country. A fine storyteller, Talese penned this odyssey with affection, but also with the clear-eyed sense of the dramatic and noble lives of his forebears. The result, after ten years of preparation, is a grand epic along the lines of Alex Haley's Roots ( LJ 10/15/76) and Irving Howe's The World of Our Fathers (HBJ, 1976). This is highly recommended. Previewed in Prepub Alert, LJ 10/1/91-- David Nudo, ``Li brary Journal''
Kirkus Reviews
Over ten years in the making, Talese's latest was well worth the wait, and will certainly redeem his embarrassingly participatory foray into the sexual revolution in Thy Neighbor's Wife (1980). Incorporating fictional technique, Talese's massive genealogical tale has all the sweep and detail of a grand 19th- century novel. Talese here asks the simple question: How did his father, Joseph, a tailor trained in his small village in southern Italy, end up plying his trade in an equally remote town on the New Jersey shore? The answer is anything but simple and demands a look into the historical background of the great migrations of our century. Relying on family letters, diaries, and interviews, Talese views Italian history from the bottom up, charting the effect of major events on ordinary people. From occupation by Bourbon Kings and Napoleon to Garibaldi and the unification of the country, from intervention in WW I to the rise of Mussolini and Fascism—the south of Italy has always maintained its unique character, an odd combination of anarchic individualism and communal piety. The Talese family mostly hails from Maida, a small village not far from the tip of the Italian boot. And there, Talese's ancestors dwelt for centuries until the social breakdown of the modern world penetrated the region. While great-grandfather Domenico continued as the familial patriarch, he could no longer demand that his son remain in Italy. Gaetano, after whom the author is named, joined the search for remunerative labor in the New World, and found himself working construction in the bizarrely feudal town of Ambler, Pennsylvania. His wife became one of the "white widows," those women who stayed behindwith the children while their men worked overseas. From an early age, father-to-be Joseph filled his own head with dreams of emigration. His story is neatly juxtaposed with that of his cousin, Antonio, who fled the confining world of Maida for success as a tailor in Paris. But Joseph ventured further, eventually setting up shop among the stern Protestants of Ocean City, New Jersey, where his son grew up deracinated but always curious about his otherness. This stunning combination of history and autobiography is the perfect antidote to the operatic romanticism of The Godfather. It's a major contribution to the literature of diaspora. (Book-of-the- Month Main Selection for March)

Product Details

Farrar, Straus and Giroux
Publication date:

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Unto the Sons

By Gay Talese

Random House

Gay Talese
All right reserved.

ISBN: 0812976061

Chapter One


The beach in winter was dank and desolate, and the island dampened by the frigid spray of the ocean waves pounding relentlessly against the beachfront bulkheads, and the seaweed-covered beams beneath the white houses on the dunes creaked as quietly as the crabs crawling nearby.

The boardwalk that in summer was a festive promenade of suntanned couples and children's balloons, of carousel tunes and colored lights spinning at night from the Ferris wheel, was occupied in winter by hundreds of sea gulls perched on the iron railings facing into the wind. When not resting they strutted outside the locked doors of vacated shops, or circled high in the sky, holding clams in their beaks that they soon dropped upon the boardwalk with a splattering cluck. Then they zoomed down and pounced on the exposed meat, pecking and pulling until there was nothing left but the jagged, salty white chips of empty shells.

By midwinter the shell-strewn promenade was a vast cemetery of clams, and from a distance the long elevated flat deck of the boardwalk resembled a stranded aircraft carrier being attacked by dive-bombers--and oddly juxtaposed in the fog behind the dunes loomed the rusting remains of a once sleek four-masted vessel that during a gale in the winter of 1901 had run aground on this small island in southern NewJersey called Ocean City.

The steel-hulled ship, flying a British flag and flaunting hundred-fifty-foot masts, had been sailing north along the New Jersey coast toward New York City, where it was scheduled to deliver one million dollars' worth of Christmas cargo it had picked up five months before in Kobe, Japan. But during the middle of the night, while a number of crewmen drank rum and beer in a premature toast to the long journey's end, a fierce storm rose and destroyed the ship's sails, snapped its masts, and drove it into a sandbar within one hundred yards of the Ocean City boardwalk.

Awakened by the distress signals that flared in the night, the alarmed residents of Ocean City--a conservative community founded in 1879 by Methodist ministers and other Prohibitionists who wished to establish an island of abstinence and propriety--hastened to help the sailors, who were soon discovered to be battered but unharmed and smelling of sweat, salt water, and liquor.

After the entire thirty-three-man crew had been escorted to shore, they were sheltered and fed for days under the auspices of the town's teetotaling elders and ministers' wives; and while the sailors expressed gratitude for such hospitality they privately cursed their fate in being shipwrecked on an island so sedate and sober. But soon they were relocated by British nautical authorities, and the salvageable cargo was barged to New York to be sold at reduced prices. And the town returned to the tedium of winter.

The big ship, however, remained forever lodged in the soft white sand--unmovable, slowly sinking, a sight that served Ocean City's pious guardians as a daily reminder of the grim consequences of intemperate guidance. But as I grew up in the late 1930s, more than three decades after the shipwreck--when the visible remnants at low tide consisted only of the barnacle-bitten ridge of the upper deck, the corroded brown rudder post and tiller, and a single lopsided mast--I viewed the vessel as a symbol of adventure and risk; and during my boyhood wanderings along the beach I became enchanted with exotic fantasies of nights in foreign ports, of braving the waves and wind with wayward men, and of escaping the rigid confines of this island on which I was born but never believed I belonged.

I saw myself always as an alien, an outsider, a drifter who, like the shipwrecked sailors, had arrived by accident. I felt different from my young friends in almost every way, different in the cut of my clothes, the food in my lunch box, the music I heard at home on the record player, the ideas and inner thoughts I revealed on those rare occasions when I was open and honest.

I was olive-skinned in a freckle-faced town, and I felt unrelated even to my parents, especially my father, who was indeed a foreigner--an unusual man in dress and manner, to whom I bore no physical resemblance and with whom I could never identify. Trim and elegant, with wavy dark hair and a small rust-colored moustache, he spoke English with an accent and received letters bearing strange-looking stamps.

These letters sometimes contained snapshots of soldiers wearing uniforms with insignia and epaulets unlike any I had seen on the recruit- ment posters displayed throughout the island. They were my uncles and cousins, my father explained to me quietly one day early in World War II, when I was ten; they were fighting in the Italian army, and--it was unnecessary for him to add--their enemy included the government of the United States.

I became increasingly sensitive to this fact when I sat through the newsreels each week at the local cinema; next to my unknowing classmates, I watched with private horror the destruction by Allied bombers of mountain villages and towns in southern Italy to which I was ancestrally linked through a historically ill-timed relationship with my Italian father. At any moment I half expected to see up on the screen, gazing down at me from a dust-covered United States Army truck filled with disheveled Italian prisoners being guarded at gunpoint, a sad face that I could identify from one of my father's snapshots.

My father, on the other hand, seemed to share none of my confused sense of patriotism during the war years. He joined a citizens' committee of shore patrolmen who kept watch along the waterfront at night, standing with binoculars on the boardwalk under the stanchioned lights that on the ocean side were painted black as a precaution against discovery by enemy submarines.

He made headlines in the local newspaper after a popular speech to the Rotary Club in which he reaffirmed his loyalty to the Allied cause, declaring that were he not too old for the draft (he was thirty-nine) he would proudly join the American troops at the front, in a uniform devotedly cut and stitched with his own hands.

Trained as an apprentice tailor in his native village, and later an assistant cutter in a prominent shop in Paris that employed an older Italian cousin, my father arrived in Ocean City circuitously and impulsively at the age of eighteen in 1922 with very little money, an extensive wardrobe, and the outward appearance of a man who knew exactly where he was going, when in fact nothing was further from the truth. He knew no one in town, barely knew the language, and yet, with a self-assurance that has always mystified me, he adjusted to this unusual island as readily as he could cut cloth to fit any size and shape.

Having noticed a "For Sale" sign in the window of a tailor shop in the center of town, my father approached the asthmatic owner, who was desperate to leave the island for the drier climate of Arizona. After a brief negotiation, my father acquired the business and thus began a lengthy, spirited campaign to bring the rakish fashion of the Continental boulevardier to the comparatively continent men of the south Jersey shore.

But after decorating his windows with lantern-jawed mannequins holding cigarettes and wearing Borsalino hats, and draping his counters with bolts of fine imported fabrics--and displaying on his walls such presumably persuasive regalia as his French master tailor's diploma bordered by cherubim and a Greek goddess--my father made so few sales during his first year that he was finally forced to introduce into his shop a somewhat undignified gimmick called the Suit Club.

At the cost of one dollar per week, Suit Club members would print their names and addresses on small white cards and, after placing the cards in unmarked envelopes, would deposit them into a large opaque vase placed prominently atop a velvet-covered table next to a fashion photograph of a dapper man and woman posing with a greyhound on the greensward of an ornate country manor.

Each Friday evening just prior to closing time, my father would invite one of the assembled Suit Club members to close his eyes and pick from the vase a single envelope, which would reveal the name of the fortunate winner of a free suit, to be made from fabric selected by that individual; after two fittings, it would be ready for wearing within a week.

Since as many as three or four hundred people were soon paying a dollar each week to partake in this raffle, my father was earning on each free suit a profit perhaps three times the average cost of a custom-made suit in those days--to say nothing of the additional money he earned when he enticed a male winner into purchasing an extra pair of matching trousers.

But my father's bonanza was abruptly terminated one day in 1928, when an anonymous complaint sent to City Hall, possibly by a rival tailor, charged that the Suit Club was a form of gambling clearly outlawed under the town charter; thus ended for all time my father's full-time commitment to the reputable but precarious life of an artist with a needle and thread. My father did not climb down from an impoverished mountain in southern Italy and forsake the glorious lights of Paris and sail thousands of miles to the more opportunistic shores of America to end up as a poor tailor in Ocean City, New Jersey.

So he diversified. Advertising himself as a ladies' furrier who could alter or remodel old coats as well as provide resplendent new ones (which he obtained on consignment from a Russian Jewish immigrant who resided in nearby Atlantic City), my father expanded his store to accommodate a refrigerated fur storage vault and extended the rear of the building to include a dry-cleaning plant overseen by a black Baptist deacon who during Prohibition operated a small side business in bootlegging. Later, in the 1930s, my father added a ladies' dress boutique, having as partner and wife a well-tailored woman who once worked as a buyer in a large department store in Brooklyn.

He met her while attending an Italian wedding in that borough in December 1927. She was a bridesmaid, a graceful and slender woman of twenty with dark eyes and fair complexion and a style my father immediately recognized as both feminine and prepossessing. After a few dances at the reception under the scrutiny of her parents, and the frowns of the saxophone player in the band with whom she had recently gone out on a discreet double date, my father decided to delay his departure from Brooklyn for a day or two so that he might ingratiate himself with her. This he did with such panache that they were engaged within a year, and married six months later, after buying a small white house near the Ocean City beach, where, in the winter of 1932, I was born and awoke each morning to the smell of espresso and the roaring sound of the waves.

My first recollection of my mother was of a fashionable, solitary figure on the breezy boardwalk pushing a baby carriage with one hand while with the other stabilizing on her head a modish feathered hat at an unwavering angle against the will of the wind.

As I grew older I learned that she cared greatly about exactness in appearance, preciseness in fit, straightness in seams; and, except when positioned on a pedestal in the store as my father measured her for a new suit, she seemed to prefer standing at a distance from other people, conversing with customers over a counter, communicating with her friends via telephone rather than in person. On those infrequent occasions when her relatives from Brooklyn would visit us in Ocean City, I noticed how quickly she backed away from their touch after offering her cheek for a kiss of greeting. Once, during my preschool days as I accompanied her on an errand, I tried to hold on to her, to put my hand inside the pocket of her coat not only for the warmth but for a closer feeling with her presence. But when I tried this I felt her hand, gently but firmly, remove my own.

It was as if she were incapable of intimate contact with anyone but my father, whom she plainly adored to the exclusion of everyone else; and the impression persisted throughout my youth that I was a kind of orphan in the custody of a compatible couple whose way of life was strange and baffling.

One night at the dinner table when I casually picked up a loaf of Italian bread and placed it upside down in the basket, my father became furious and, without further explanation, turned the loaf right side up and demanded that I never repeat what I had done. Whenever we attended the cinema as a family we left before the end, possibly because of my parents' inability or unwillingness to relate to the film's content, be it drama or comedy. And although my parents spent their entire married life living along the sea, I never saw them go sailing, fishing, or swimming, and rarely did they even venture onto the beach itself.

In my mother's case I suspect her avoidance of the beach was due to her desire to prevent the sun from scorching and darkening her fair skin. But I believe my father's aversion to the sea was based on something deeper, more complex, somehow related to his boyhood in southern Italy. I suggest this because I often heard him refer to his region's coastline as foreboding and malarial, a place of piracy and invasion; and as an avid reader of Greek mythology--his birthplace is not far from the renowned rock of Scylla, where the Homeric sea monster devoured sailors who had escaped the whirlpool of Charybdis--my father was prone to attaching chimerical significance to certain bizarre or inexplicable events that occurred during his youth along the streams and lakes below his village.

I remember overhearing, when I was eleven or twelve, my father complaining to my mother that he had just experienced a sleepless night during which he had been disturbed by beachfront sounds resembling howling wolves, distant but distinct, and reminiscent of a frightful night back in 1914 when his entire village had been stirred by such sounds; when the villagers awoke they discovered that the azure water of their lake had turned a murky red.

It was a mournful precursor of things to come, my father explained to my mother: his own father would soon die unexpectedly of an undiagnosed ailment, and a bloody world war would destroy the lives of so many of his young countrymen, including his older brother.


Excerpted from Unto the Sons by Gay Talese Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author

Gay Talese is a journalist and international best-selling author whose works include The Bridge (Walker & Company 2003), The Kingdom and the Power, Honor Thy Father, Thy Neighbors Wife, and Unto the Sons. Currently at work on the follow-up to Unto the Sons, he lives in New York City and Ocean City, New Jersey.

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Unto the Sons 5 out of 5 based on 0 ratings. 1 reviews.
readerCR More than 1 year ago
I loved this book. It's like reading a great Russian novel.