Having experienced initial fame and its hasty retreat,
the Charlatans (perhaps somewhat self-consciously) set out to create a classic-rock-inspired album, fusing everything from
Dylan and
the Stones to whatever else caught their fancy. 1994's
Up to Our Hips was produced by
Steve Hillage, who made a career ranging from wacked-out hippie ramblings in
Gong to the clean, inspired synth/Krautrock surge suffusing his production for
Simple Minds. One thing he contributed to
the Charlatans was more active percussion. While
Flood didn't hide the drums on
Between, on "Come In Number 21"
Jon Brookes' work feels strong and punchy for the first time. While production is a touch more straightforward than on
Between,
Hillage otherwise let
the Charlatans be
the Charlatans; where changes are apparent, it's more in the name of atmosphere than attention-getting, especially on the echoed, rumbling funk instrumental "Feel Flows" (excellent
Martin Blunt bass and
Rob Collins clavinet on this one). The band stretches with the lovely, acoustic stomp "Autograph";
Mark Collins' guitar work is, increasingly, a larger part of the band's sound than
Rob Collins' Hammond, but both worked well together. The laid-back lead single "Can't Get Out of Bed"'s lazy
Exile on Main Street vibe and the equally groovy "Patrol" and "Jesus Hairdo" showcases both of their work to good effect, especially on the breaks between chorus and verse. Add to these strong new classic rock leanings a more insistent and mix-forward vocal performance by
Tim Burgess, and it's clear the band have found a new direction that suits them well. [The 2024 reissue of the album adds a second disc that's made up of single B-sides, the unreleased organ-led rocker "Full of Culture", a pair of songs recorded for the radio, and alternate takes of "Feel Flows" and "Can't Get Out of Bed."] ~ Ned Raggett