Us: Americans Talk about Love [NOOK Book]

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Overview


From the wards of New Orleans to the cornfields of Iowa to the slopes of Colorado, from the raves of Los Angeles to the hollows of Appalachia and the canyons of Wall Street, Americans talk about love. Tortured teenagers, free-spirited octogenarians, anxious Navy wives, blue-blooded bohemians, horny-but-chaste pastors, and multiply-partnered cosmopolitans tell extraordinary tales of broken hearts; sexual infidelities; improbable reconciliations; hidden, forbidden, preposterous love; and endurance against all odds. These are America’s real love stories—wise and foolish, comic and tragic, full of surprises and straight from the heart.

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Overview


From the wards of New Orleans to the cornfields of Iowa to the slopes of Colorado, from the raves of Los Angeles to the hollows of Appalachia and the canyons of Wall Street, Americans talk about love. Tortured teenagers, free-spirited octogenarians, anxious Navy wives, blue-blooded bohemians, horny-but-chaste pastors, and multiply-partnered cosmopolitans tell extraordinary tales of broken hearts; sexual infidelities; improbable reconciliations; hidden, forbidden, preposterous love; and endurance against all odds. These are America’s real love stories—wise and foolish, comic and tragic, full of surprises and straight from the heart.

Editorial Reviews

Publishers Weekly
Starred Review.

Reviving the format of his 2001 Gig: Americans Talk About Their Jobs, author and journalist Bowe surveyed Americans of all ages and backgrounds for their thoughts on romance. Beginning with the prompt, "Please tell me about the person you have loved the most," each interview illustrates love as unique to its beholder. Love strikes one respondent in a rehab center, another during a crystal meth binge, another in the killing fields of Cambodia, another in the aftermath of divorce; love also proves its dominion over class differences, natural disasters (like hurricane Katrina), disease (like Alzheimers), and even death. While the more dramatic stories will likely stick with readers longest, plenty of accounts chronicling the deep, gentle bonds of long-lived romance, or the intense burn of young love, strike satisfying chords. Bowe allows each of his subjects the space to tell their stories, and each one proves compelling in itself, while showing that love is indeed a many-splendored (and many-splintered) thing, hard to pin down and often unexpected. Though timed conspicuously for Valentine's gift-giving, this hard-to-put-down take on love is surprisingly substantial.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Library Journal
Following the tradition of oral historian Studs Terkel, Bowe (editor, Gig: Americans Talk About Their Jobs) assembles interviews with a wide range of Americans—this time with a focus on romantic love. Having been asked, "Tell me about the person whom you have loved the most," each respondent provides an honest and deeply personal view into the passions and foibles of love. With the interviewer's voice deleted, the work reads like a compilation of short stories. The book as a whole is a bit tedious to read cover to cover, but the brevity of each monolog encourages the reader to dip in here and there. Organized according to the length of time since the subject has realized that he or she is in love, not necessarily by the length of the relationship, the work describes the full range of experiences and emotions, from infatuation to heartbreak. Providing little context other than the preface, Bowe allows readers to draw their own conclusions about the complexity of love in America. VERDICT A fun and interesting read, this work is worth considering for readers interested in popular sociology and psychology.—Kate Wells, Lane Lib., GA
The Barnes & Noble Review

The precise vignettes in this collection could double as a master class in the art of storytelling: each one is a tiny marvel, compressing years, often lifetimes, into the space of a few pages; uncanny in capturing the rhythms and tics of the human voice and the oddball details -- a forlorn bowl of guacamole; an adulterous sweatshirt -- that could only come from life.

And in fact, they did. John Bowe and his collaborators, like Studs Terkel before them, collect oral histories and edit them down into miniature portraits with all their texture and unruly quirks intact. The lone bowl of guacamole is left by a Yale junior outside the dorm room of his beloved, who is in love with a future movie star, but who will eventually come to her senses and marry the man bearing mashed avocados. A teen girl pines for the old sweatshirt, which she used to wear to sleep, but now sees on the back of her ex-boyfriend, who has left her for another girl. A self-described "Mike Tyson-type" learns how to live in the white collar world after he woos the special events coordinator for Harrod's Casino in line at the DMV; decades later, she dies in her fanciest clothes on their rooftop during Hurricane Katrina. Too strange and specific to be prescriptive, exactly, these stories capture just how profound it can be for one person to telescope all of one's attention towards one single, other person.

--Amy Benfer

Product Details

  • ISBN-13: 9781429936026
  • Publisher: Faber and Faber
  • Publication date: 1/5/2010
  • Sold by: ST MARTINS / MPS
  • Format: eBook
  • Pages: 448
  • Sales rank: 980,920
  • File size: 370 KB

Meet the Author


John Bowe has contributed to The New Yorker, GQ, The New York Times Magazine, and This American Life, among others. He is co-editor of Gig: Americans Talk About Their Jobs, co-screenwriter of the film Basquiat, and author of Nobodies, a book on modern American slave labor. Visit the website for Us at ^americans-talk.com/us/

Read an Excerpt


PREFACE An ant hurries along a threshing floorwith its wheat grain, moving between huge stacksof wheat, not knowing the abundanceall around. It thinks its one grainis all there is to love
--Rumi, “The Road Home” Us is a collection of oral reports from across the United States, describing the many ways romantic love is sparked, pursued, won, and lost. The stories range from poetic, inspiring, erotic, and heartbreaking to hilarious, preposterous, and sometimes disgusting. US aims as an ensemble to do justice to the array of voices in our country, celebrating their earnestness, openness, optimism, vulgarity, humor, religiosity, sexuality, and generosity.  Love is one of the universal goals we share. It is a true bastion of absolute freedom. No one can tell us whom to love or how to love. We may do whatever we like, arrive at any arrangement we deem satisfying. Imperfect, irreducible, inexpressible, amazing, pathetic, frustrating, seldom gracefully executed, this is what we have, this is who we are. We all have the power to make others feel terrible or wonderful, to tolerate them, to like and to love them. When we choose the latter, even imperfectly and sporadically, it’s one of the highest gifts we can bestow. We become, in a sense, magicians, transforming earthly lust with supernatural powers. Why are we not magicians more often? How can we be better magicians? Neither my coeditors nor I can claim any special expertise about love. Our skill, we hope, is listening: encouraging subjects to express honestly not what they think love is supposed to be but how they actually experience and live it. We sought to arrange our interviews in a collection readers would find compelling, entertaining, meaningful, and—at least sometimes—enlightening. As a friend described them after reading a few samples, “They’re like psychic bon bons.” This is because each interview reads like a complete short story, conveying a worldview, a regional perspective, a surprisingly intense glimpse into another life unimaginably different from our own. One of the first questions people asked when we told them about our project was “How do you find these people?” In many ways, we revived the methodologies and the talented team of Gig: Americans Talk About Their Jobs, an oral history I co-edited ten years ago. The process then and now began with a mass e- mail, followed by hundreds of conversations with friends, colleagues, relatives, and people referred to us from all over the country. We asked each contact to sift through his or her mental and social Rolodex for subjects who identify as happy, sad, black, Asian, Hispanic, rich, poor, and so on, until we began to feel we had a trove of interviews at least somewhat representative of the incredible diversity of the United States. The message of Us is not that love is wonderful or horrible, or even that we are necessarily better people when we love (indeed, many of us become monstrous). Our aim was to avoid theorizing and hypothesizing altogether and simply document a representative sampling of Americans (or foreigners living on American soil), in all their variety, carrying on about romantic love. Every interview began with the same question: “Please tell me about the person whom you have loved the most.” While we rigorously avoided editorial intrusion into the views of our subjects, the spirit of this book as a whole has long been guided by an idea from the Upanishad, a two thousand year-old Hindu religious text:
Who sees all beings in his own
Self, and his own Self in all beings, loses all fear.

 At their best, these pages allow us to safely paratroop into the physical, emotional, and spiritual landscape of our fellow Americans. We may enjoy, admire, or recoil from what we learn from them. But my hope is that by traveling into the emotional reality of others who often are quite different from ourselves, we can expand our engagement with, and in fact love for, those around us. I can say that it has worked for me. The process of getting to know the people in Us has made me feel infinitely warmer toward humanity.  Excerpted from Us: Americans Talk About Love by John Bowe.
Copyright © 2010 by John Bowe.
Published in 2010 by Farrar, Straus and Giroux.
All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher.

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