Vanity Fair

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Overview

Vanity Fair is the story of Becky Sharp, one of the most beautiful, willful, and resourcefully charming pleasure-seekers in literature. With finishing-school credentials and proper connections, Becky begins as a governess, wins the hearts of the moneyed young and old, and, in the light of presentation at court and calculated scandals, emerges a full-fledged courtesan on the Continent, living surprisingly well beyond her means. Thackeray's greatest novel is a moral tapestry of early nineteenth-century English manners, and his persistent theme is the folly of the good-at-heart, the evil of those endowed with grace and wit. Anthony Trollope called Thackeray "...one of the recognized stars of the literary heaven." V.S. Pritchett finds Thackeray "...the first of our novelists to catch life visually and actually as it passes in fragments before us...he is above all a superb impressionist - perhaps our greatest." With an Afterword by V.S. Pritchett

Product Details

  • ISBN-13: 9780553214628
  • Publisher: Random House Publishing Group
  • Publication date: 7/28/1997
  • Format: Mass Market Paperback
  • Edition description: Reissue
  • Pages: 848
  • Sales rank: 710,437
  • Product dimensions: 4.20 (w) x 6.86 (h) x 1.32 (d)

Meet the Author

William Makepeace Thackeray (1811–1863) was a satirist who wrote such works as Catherine, The FitzBoodle PapersThe Luck of Barry Lyndon, and The Snobs of England before he published his masterpiece, Vanity Fair, in 1847.

Read an Excerpt

CHAPTER I

CHISWICK MALL

WHILE THE present century was in its teens, and on one sunshiny morning in June, there drove up to the great iron gate of Miss Pinkerton's academy for young ladies, on Chiswick Mall, a large family coach, with two fat horses in blazing harness, driven by a fat coachman in a three-cornered hat and wig, at the rate of four miles an hour. A black servant, who reposed on the box beside the fat coachman, uncurled his bandy legs as soon as the equipage drew up opposite Miss Pinkerton's shining brass plate, and as he pulled the bell at least a score of young heads were seen peering out of the narrow windows of the stately old brick house. Nay, the acute observer might have recognized the little red nose of good-natured Miss Jemima Pinkerton herself, rising over some geranium pots in the window of that lady's own drawing-room.

"It is Mrs. Sedley's coach, sister," said Miss Jemima. "Sambo, the black servant, has just rung the bell; and the coachman has a new red waistcoat."

"Have you completed all the necessary preparations incident to Miss Sedley's departure, Miss Jemima?" asked Miss Pinkerton herself, that majestic lady; the Semiramis of Hammersmith, the friend of Doctor Johnson, the correspondent of Mrs. Chapone herself.

"The girls were up at four this morning, packing her trunks, sister," replied Miss Jemima; "we have made her a bow-pot."

"Say a bouquet, sister Jemima, 'tis more genteel."

"Well, a booky as big almost as a haystack; I have put up two bottles of the gillyflower water for Mrs. Sedley, and the receipt for making it, in Amelia's box."

"And I trust, Miss Jemima, you have made a copy of Miss Sedley's account. This is it, is it? Very good—ninety-three pounds, four shillings. Be kind enough to address it to John Sedley, Esquire, and to seal this billet which I have written to his lady."

In Miss Jemima's eyes an autograph letter of her sister, Miss Pinkerton, was an object of as deep veneration as would have been a letter from a sovereign. Only when her pupils quitted the establishment, or when they were about to be married, and once, when poor Miss Birch died of the scarlet fever, was Miss Pinkerton known to write personally to the parents of her pupils; and it was Jemima's opinion that if anything could console Mrs. Birch for her daughter's loss, it would be that pious and eloquent composition in which Miss Pinkerton announced the event.

In the present instance Miss Pinkerton's "billet" was to the following effect:—

The Mall, Chiswick, June 15, 18—

Madam,

—After her six years' residence at the Mall, I have the honour and happiness of presenting Miss Amelia Sedley to her parents, as a young lady not unworthy to occupy a fitting position in their polished and refined circle. Those virtues which characterize the young English gentlewoman, those accomplishments which become her birth and station, will not be found wanting in the amiable Miss Sedley, whose industry and obedience have endeared her to her instructors, and whose delightful sweetness of temper has charmed her aged and her youthful companions.

In music, in dancing, in orthography, in every variety of embroidery and needlework, she will be found to have realized her friends' fondest wishes. In geography there is still much to be desired; and a careful and undeviating use of the backboard, for four hours daily during the next three years, is recommended as necessary to the acquirement of that dignified deportment and carriage, so requisite for every young lady of fashion.

In the principles of religion and morality, Miss Sedley will be found worthy of an establishment which has been honoured by the presence of The Great Lexicographer, and the patronage of the admirable Mrs. Chapone. In leaving the Mall, Miss Amelia carries with her the hearts of her companions, and the affectionate regards of her mistress, who has the honour to subscribe herself,

Madam,

Your most obliged humble servant,

Barbara Pinkerton

P.S.—Miss Sharp accompanies Miss Sedley. It is particularly requested that Miss Sharp's stay in Russell Square may not exceed ten days. The family of distinction with whom she is engaged, desire to avail themselves of her services as soon as possible.

This letter completed, Miss Pinkerton proceeded to write her own name, and Miss Sedley's, in the fly-leaf of a Johnson's Dixonary—the interesting work which she invariably presented to her scholars, on their departure from the Mall. On the cover was inserted a copy of "Lines addressed to a young lady on quitting Miss Pinkerton's school, at the Mall; by the late revered Doctor Samuel Johnson." In fact, the Lexicographer's name was always on the lips of this majestic woman, and a visit he had paid to her was the cause of her reputation and her fortune.

Being commanded by her elder sister to get "the Dixonary" from the cupboard, Miss Jemima had extracted two copies of the book from the receptacle in question. When Miss Pinkerton had finished the inscription in the first, Jemima, with rather a dubious and timid air, handed her the second.
"For whom is this, Miss Jemima?" said Miss Pinkerton, with awful coldness.

"For Becky Sharp," answered Jemima, trembling very much, and blushing over her withered face and neck, as she turned her back on her sister. "For Becky Sharp: she's going too."

"MISS JEMIMA!" exclaimed Miss Pinkerton, in the largest capitals. "Are you in your senses? Replace the Dixonary in the closet, and never venture to take such a liberty in future."

"Well, sister, it's only two-and-ninepence, and poor Becky will be miserable if she don't get one."
"Send Miss Sedley instantly to me," said Miss Pinkerton. And so venturing not to say another word, poor Jemima trotted off, exceedingly flurried and nervous.

Miss Sedley's papa was a merchant in London, and a man of some wealth; whereas Miss Sharp was an articled pupil, for whom Miss Pinkerton had done, as she thought, quite enough, without conferring upon her at parting the high honour of the Dixonary.

Although schoolmistresses' letters are to be trusted no more nor less than churchyard epitaphs; yet, as it sometimes happens that a person departs this life who is really deserving of all the praises the stone-cutter carves over his bones; who is a good Christian, a good parent, child, wife, or husband; who actually does leave a disconsolate family to mourn his loss; so in academies of the male and female sex it occurs every now and then that the pupil is fully worthy of the praises bestowed by the disinterested instructor. Now, Miss Amelia Sedley was a young lady of this singular species; and deserved not only all that Miss Pinkerton said in her praise, but had many charming qualities which that pompous old Minerva of a woman could not see, from the differences of rank and age between her pupil and herself.

For she could not only sing like a lark, or a Mrs. Billington, and dance like Hillisberg or Parisot; and embroider beautifully; and spell as well as a Dixonary itself; but she had such a kindly, smiling, tender, gentle, generous heart of her own, as won the love of everybody who came near her, from Minerva herself down to the poor girl in the scullery, and the one-eyed tart-woman's daughter, who was permitted to vend her wares once a week to the young ladies in the Mall. She had twelve intimate and bosom friends out of the twenty-four young ladies. Even envious Miss Briggs never spoke ill of her; high and mighty Miss Saltire (Lord Dexter's granddaughter) allowed that her figure was genteel; and as for Miss Swartz, the rich woolly-haired mulatto from St. Kitt's, on the day Amelia went away, she was in such a passion of tears that they were obliged to send for Dr. Floss, and half tipsify her with salvolatile. Miss Pinkerton's attachment was, as may be supposed from the high position and eminent virtues of that lady, calm and dignified; but Miss Jemima had already whimpered several times at the idea of Amelia's departure; and, but for fear of her sister, would have gone off in downright hysterics, like the heiress (who paid double) of St. Kitt's. Such luxury of grief, however, is only allowed to parlour-boarders. Honest Jemima had all the bills, and the washing, and the mending, and the puddings, and the plate and crockery, and the servants to superintend. But why speak about her? It is probable that we shall not hear of her again from this moment to the end of time, and that when the great filigree iron gates are once closed on her, she and her awful sister will never issue therefrom into this little world of history.

But as we are to see a great deal of Amelia, there is no harm in saying, at the outset of our acquaintance, that she was a dear little creature; and a great mercy it is, both in life and in novels, which (and the latter especially) abound in villains of the most sombre sort, that we are to have for a constant companion so guileless and good-natured a person. As she is not a heroine, there is no need to describe her person; indeed I am afraid that her nose was rather short than otherwise, and her cheeks a great deal too round and red for a heroine; but her face blushed with rosy health, and her lips with the freshest of smiles, and she had a pair of eyes which sparkled with the brightest and honestest good-humour, except indeed when they filled with tears, and that was a great deal too often; for the silly thing would cry over a dead canary-bird; or over a mouse, that the cat haply had seized upon; or over the end of a novel, were it ever so stupid; and as for saying an unkind word to her, were any persons hard-hearted enough to do so—why, so much the worse for them. Even Miss Pinkerton, that austere and godlike woman, ceased scolding her after the first time, and though she no more comprehended sensibility than she did Algebra, gave all masters and teachers particular orders to treat Miss Sedley with the utmost gentleness, as harsh treatment was injurious to her.

So that when the day of departure came, between her two customs of laughing and crying, Miss Sedley was greatly puzzled how to act. She was glad to go home, and yet most woefully sad at leaving school. For three days before, little Laura Martin, the orphan, followed her about like a little dog. She had to make and receive at least fourteen presents—to make fourteen solemn promises of writing every week: "Send my letters under cover to my grandpapa, the Earl of Dexter," said Miss Saltire (who, by the way, was rather shabby). "Never mind the postage, but write every day, you dear darling," said the impetuous and woolly-headed, but generous and affectionate Miss Swartz; and the orphan little Laura Martin (who was just in round-hand), took her friend's hand and said, looking up in her face wistfully, "Amelia, when I write to you I shall call you Mamma." All which details, I have no doubt, Jones, who reads this book at his Club, will pronounce to be excessively foolish, trivial, twaddling, and ultra-sentimental. Yes; I can see Jones at this minute (rather flushed with his joint of mutton and half pint of wine), taking out his pencil and scoring under the words "foolish, twaddling," &c., and adding to them his own remark of "quite true." Well, he is a lofty man of genius, and admires the great and heroic in life and novels; and so had better take warning and go elsewhere.

Well, then. The flowers, and the presents, and the trunks, and bonnet-boxes of Miss Sedley having been arranged by Mr. Sambo in the carriage, together with a very small and weather-beaten old cow's-skin trunk with Miss Sharp's card neatly nailed upon it, which was delivered by Sambo with a grin, and packed by the coachman with a corresponding sneer—the hour for parting came; and the grief of that moment was considerably lessened by the admirable discourse which Miss Pinkerton addressed to her pupil. Not that the parting speech caused Amelia to philosophize, or that it armed her in any way with a calmness, the result of argument; but it was intolerably dull, pompous, and tedious; and having the fear of her schoolmistress greatly before her eyes, Miss Sedley did not venture, in her presence, to give way to any ebullitions of private grief. A seed-cake and a bottle of wine were produced in the drawing-room, as on the solemn occasions of the visits of parents, and these refreshments being partaken of, Miss Sedley was at liberty to depart.

"You'll go in and say good-bye to Miss Pinkerton, Becky!" said Miss Jemima to a young lady of whom nobody took any notice, and who was coming downstairs with her own bandbox.

"I suppose I must," said Miss Sharp calmly, and much to the wonder of Miss Jemima; and the latter having knocked at the door, and receiving permission to come in, Miss Sharp advanced in a very unconcerned manner, and said in French, and with a perfect accent, "Mademoiselle, je viens vous faire mes adieux."

Miss Pinkerton did not understand French; she only directed those who did: but biting her lips and throwing up her venerable and Roman-nosed head (on the top of which figured a large and solemn turban), she said, "Miss Sharp, I wish you a good morning." As the Hammersmith Semiramis spoke, she waved one hand, both by way of adieu, and to give Miss Sharp an opportunity of shaking one of the fingers of the hand which was left out for that purpose.

Miss Sharp only folded her own hands with a very frigid smile and bow, and quite declined to accept the proffered honour; on which Semiramis tossed up her turban more indignantly than ever. In fact, it was a little battle between the young lady and the old one, and the latter was worsted. "Heaven bless you, my child," said she, embracing Amelia, and scowling the while over the girl's shoulder at Miss Sharp. "Come away, Becky," said Miss Jemima, pulling the young woman away in great alarm, and the drawing-room door closed upon them for ever.

Then came the struggle and parting below. Words refuse to tell it. All the servants were there in the hall—all the dear friends—all the young ladies—the dancing-master who had just arrived; and there was such a scuffling, and hugging, and kissing, and crying, with the hysterical yoops of Miss Swartz, the parlour-boarder, from her room, as no pen can depict, and as the tender heart would fain pass over. The embracing was over; they parted—that is, Miss Sedley parted from her friends. Miss Sharp had demurely entered the carriage some minutes before. Nobody cried for leaving her.

Table of Contents

Before the Curtain ix
I Chiswick Mall 11
II In Which Miss Sharp and Miss Sedley Prepare to Open the Campaign 18
III Rebecca Is in Presence of the Enemy 29
IV The Green Silk Purse 38
V Dobbin of Ours 52
VI Vauxhall 64
VII Crawley of Queen's Crawley 78
VIII Private and Confidential 87
IX Family Portraits 97
X Miss Sharp Begins to Make Friends 105
XI Arcadian Simplicity 112
XII Quite a Sentimental Chapter 128
XIII Sentimental and Otherwise 137
XIV Miss Crawley at Home 150
XV In Which Rebecca's Husband Appears for a Short Time 171
XVI The Letter on the Pincushion 181
XVII How Captain Dobbin Bought a Piano 190
XVIII Who Played on the Piano Captain Dobbin Bought 200
XIX Miss Crawley at Nurse 213
XX In Which Captain Dobbin Acts as the Messenger of Hymen 225
XXI A Quarrel About an Heiress 236
XXII A Marriage and Part of a Honeymoon 246
XXIII Captain Dobbin Proceeds on His Canvass 256
XXIV In Which Mr. Osborne Takes Down the Family Bible 263
XXV In Which All the Principal Personages Think Fit to Leave Brighton 278
XXVI Between London and Chatham 300
XXVII In Which Amelia Joins Her Regiment 309
XXVIII In Which Amelia Invades the Low Countries 316
XXIX Brussels 326
XXX "The Girl I Left Behind Me" 341
XXXI In Which Jos Sedley Takes Care of His Sister 351
XXXII In Which Jos Takes Flight, and the War is Brought To a Close 364
XXXIII In Which Miss Crawley's Relations Are very Anxious About Her 383
XXXIV James Crawley's Pipe is Put Out 395
XXXV Widow and Mother 414
XXXVI How to Live Well on Nothing a Year 426
XXXVII The Subject Continued 436
XXXVIII A Family in a Very Small Way 452
XXXIX A Cynical Chapter 468
XL In Which Becky is Recognized by the Family 479
XLI In Which Becky Revisits the Halls of Her Ancestors 489
XLII Which Treats of the Osborne Family 502
XLIII In Which the Reader has to Double the Cape 510
XLIV A Roundabout Chapter between London and Hampshire 521
XLV Between Hampshire and London 532
XLVI Struggles and Trials 542
XLVII Gaunt House 551
XLVIII In Which the Reader is Introduced to the Very Best of Company 561
XLIX In Which We Enjoy Three Courses and a Dessert 574
L Contains a Vulgar Incident 582
LI In Which a Charade is Acted Which May or May Not Puzzle the Reader 593
LII In Which Lord Steyne Shows Himself in a Most Amiable Light 613
LIII A Rescue and a Catastrophe 625
LIV Sunday After the Battle 635
LV In Which the Same Subject is Pursued 645
LVI Georgy is Made a Gentleman 663
LVII Eothen 677
LVIII Our Friend the Major 686
LIX The Old Piano 699
LX Returns to the Genteel World 711
LXI In Which Two Lights are Put Out 718
LXII Am Rhein 733
LXIII In Which We Meet an Old Acquaintance 745
LXIV A Vagabond Chapter 759
LXV Full of Business and Pleasure 777
LXVI Amantium Irae 786
LXVII Which Contains Births, Marriages, and Deaths 803
Afterword 823
Selected Bibligraphy 831
A Note on the Text 832

Reading Group Guide

1. In her Introduction, Joanna Trollope asserts that "one of the huge charms of [Vanity Fair] is that nothing is conventional." Do you think Thackeray's choice of a protagonist speaks to this claim, given the novel's picaresque structure? How does this choice inform the novel? In what other ways does the novel confirm Trollope's claim?

2. What is your opinion of Thackeray's preface, "Before the Curtain"? How does it illuminate for you what he is attempting to do in the novel? In what ways is Thackeray "manager of the performance"? Discuss the role of the narrator in the novel. Is he reliable?

3. Why does Thackeray insist that this is a "novel without a hero"? Do you agree? What are the implications, if any, of such a claim?

4. Compare Becky and Amelia. What, if anything, does Thackeray intend by their contrasting destinies? Does one represent or confirm Thackeray's moral viewpoint better than the other, or do neither? What do you think of the preponderance of unlikable characters? Do you find Thackeray's outlook in any way misanthropic?

5. Anthony Trollope points out that many of Thackeray's contemporaries concluded upon reading Vanity Fair that he "was no novelist, but only a cynic." Do you agree? Do you think this judgment was simply a consequence of the period?

6. Robert Louis Stevenson, in a comment about the novel, remarked on Rawdon's striking of Lord Steyne in chapter 53, saying, "If Rawdon Crawley's blow were not delivered, Vanity Fair would cease to be a work of art." Do you agree with this assessment? Why or why not?

7. Discuss the significance of the Battle of Waterloo. Whatrole does this crucial event play in the novel? Does it in any way serve as a metaphor for other episodes in the text?

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  • Anonymous

    Posted June 17, 2007

    Personal favorite...

    This is my favorite book of all time, so clearly I am a biased reviewer. That said, there are many reasons for why that is so. The character of Becky Sharp is engaging and well-developed--beautiful, witty and ambitious, she is capable of manipulating her way through society at any cost, even that of 'implied' murder. Thackeray's range in the novel is tremendous: he takes us from the drawing-rooms of the great Lord Steyne, to the country parsonage of Bute Crawley, to the battlefields of Waterloo and back again. His delineations of social class are equally widespread, and delightfully perceptive. Additionally, the Barnes and Noble edition happens to have an extremely good introduction and notes--which cannot be said for every title in their classics series. I think I need not say that it is superior to the movie in every way imaginable 'although, granted, the film was not bad'. Highly, highly recommended.

    3 out of 4 people found this review helpful.

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  • Anonymous

    Posted September 13, 2005

    Incredible Classic from Thackeray

    William Thackeray's Vanity Fair is, by far, one of the most amazing works of fiction I have ever read. Unlike most authors of his age (especially those who wrote similar serials), Thackeray remains the consummate third-person satirist, creating characatures of some of the greatest minds in England of the time. Reading Vanity Fair was like eating the richest possible chocolate. Do not be turned off by the size, Vanity Fair is well worth the time.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted November 29, 2011

    Great book t TERRIBLE EDITION OF A GREAT BOOK

    Jumps around
    Paragraphs repeat
    Chapters missing
    A waste of money

    2 out of 3 people found this review helpful.

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  • Posted January 13, 2011

    Great Writer, Awful Character!!!

    Excellently written, yet I have never, ever so disliked a heroine. I couldn't feel concern for such an awful character and was awaiting her demise with glee!

    2 out of 3 people found this review helpful.

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  • Posted August 24, 2010

    Astute and laugh-out-loud funny.

    This is an epic social satire with spot-on observation and biting commentary. The characters are wholly believable and recognizable, even in today's society. I must add that it is very, very long, and to be fully appreciated probably needs to be read at a leisurely pace. Set aside a week's worth of spare time. You'll be amply rewarded.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted May 10, 2010

    Surprisingly Awesome

    I always thought that this would be a drag to read because it looked like a snobby, long Victorian novel. However, once I started reading it, I was addicted.

    2 out of 2 people found this review helpful.

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  • Posted April 20, 2010

    more from this reviewer

    I Also Recommend:

    Vanity Vair

    I loved reading Vanity Fair. Rebecca Sharp is one of the most evil but intelligent characters I have ever read! Thackeray reminds me alot of Charles Dickens by the way he describes the characters and the enviornment they live in.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 13, 2009

    I Also Recommend:

    a very good classic novel

    I just finished reading vanity fair and was very pleased with the book. There were some parts that were alittle boring but the rest of the book makes up for it. The ending, in particular, could not have been better. This is a very big book and does take alot of time to read, however, it is well worth it. I read Anna korenina right before Vanity Fair, and I have to say that this one is much better. Vanity Fair is definately going into my book collection.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 7, 2008

    The Era of Wit is Over

    Bring back the classics. We need them. Vanity Fair is one of Thackeray's most brilliant works that can compete with the best writings today. It deals principally with the lives of two young women, Miss Sedley and Miss Sharp and what they did after leaving school. It is about their loves, their ambitions, their terribly endearing families and most importantly, their dreams. The book openly and almost brutally describes the selfishness of human nature and the thousand little subtilities of everyday life during that time. Attitude towards women, status in society, the power of money and marriage are recurring themes in this delightful novel. Extremely unique characters like Miss. Crawley, Mr.Osbourne and Captain Dobbin give the book a splendid Dickensian touch. To me, it is an excellent read because like terrorism, it really makes you stop and take a step back.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted April 11, 2007

    Ahhh... Classic!

    The difference between right and wrong- who doesn't know it? This book is all around amazing. You know, before reading Vanity Fair, I had no idea how bad the magazine disgraces this great book. I loved it! It's not like it goes into detail about who is cheating and such like a country song, but shows what is wrong and write. It also simply shows the dark side of this seemingly innocent era.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted September 26, 2006

    Colorful, lively, and enchanting

    Vanity Fair is not a short novel. It is long, and has many difficult words (so get a dictionary). However, by assiduously following the plot, one is quickly enchanted by the characters, and the intricately woven plot. It's a novel that needs some work to be appreciated, but the footnotes (with translations of the occasional French dialogue and cultural notes)are helpful in achieving this task. I finished the novel after reading it in installments for half a year, and it made me more aware of Victorian culture than any history book ever could. It's historical, romantic, and comedic. I'd give it six stars if I could.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 26, 2006

    Great Novel

    While it may be long, it is far from boring. Thackery makes hilarious commentaries on British society.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 14, 2005

    Beautiful Classic

    Drama and comedy mix beautifully in this period character study. The story line does not necessarily go where the reader anticipates; but it is never disappointing.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted March 1, 2005

    Life is not long enough

    The story was a very intriguing one. I would recommend an shortened, abridged version of this book. The book is about 800-900 pages long. I feel that the story could have been successfully told, without loosing any credibility and intensity, in about 400-500 pages. In my opinion there were far too many details. 300 pages into the book and the story finally started to unravel. Often times it became harder to stay with characters and the story when you are being bombarded with meaningles, and frivoulous details. Do yourself a favor and watch the movie, unless you have a few hours to kill.

    1 out of 4 people found this review helpful.

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  • Anonymous

    Posted August 3, 2004

    Masterpiece

    W.M.Thackeray did a wonderful job in grasping the convictions and the rationalisms of the 19 Century in England. The book is filled with over a dozen truly genuine characters who have much to teach us about the true characters of men and women in circumstances of much opulence and poverty. In the story one of the pivotal characters , Becky overcomes many of the social barriers imposed by her low station in society by using her charms, magnetism and charisma to raise her self in society. The Barnes & Nobles Classics Editions was much helpful for it provided; critical background information and important language translations which made the text a lot more agreeable. Due to the fact that the book was published in installment its lengthy and requires a significantly long time to finish reading it.

    1 out of 1 people found this review helpful.

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  • Posted March 30, 2012

    Vanity Fair- an honest look at human nature

    What I loved about this novel is how there are characters you are going to love regardless- Emmy or Amelia Sedley, little Georgy and Rawdon- and characters you are going to hate- Rebecca Sharp, Rawdown Crawley Sr.- and characters that are just going to interest you- Jos Sedley- with their antics. There are a wide range of personalities to keep you interested in everyone's affairs. Although the amount of characters can be confusing at times, they all play a key role on how you view of main and supporting character in their own sphere. I loved being able to go from small towns in Europe to the astrociy of London and all the way to the little town of Bompton all within a couple of chapters. The range of travel was extremely refreshing because like anyone- sitting in one place takes a toll after a while- so the changing landscape brings fresh air to the novel. In particular I found the introduction very helpful and enlightening and a great factor in helping with the understanding of the novel itself and the author which gave me a great appreciation for the techniques used. Not to mention it prepared me for things in the future chapters. If you are going to read this book- you are going to have to commit- its pretty decent size and the vocabulary can be difficult at times but the endnotes are excellent at helping the descyper. Keep in mind also that although the novel is about 700 pages the chapter can vary in length from to a couple pages to about 30 at the most. The illustrations in the novel are extremely well done and attention grabbing- take a look at them while you read is my recommendation- because it will bring scenes to life while making it easier to read all those pages. Very refreshing aspect and much appreciated. I'd definately recommend this novel to anyone who enjoys 17th century literature- and can understand it- as well as sarcastic and hilarious comments along the way. The way Thackeray comments on society and life makes one analyze their own in an old way but oddly modern. A very relevent work of literature that I think is underappreciated. The 2004(or 3)version with Reese Witherspoon (?) does the book justice in some aspect but can be greatly confusing without the knowledge of the novel first. Read the book, its worth it. Watch the movie, if you wanna see what's going on before you crack at the book. I personally will be rereading this book over and over again throughout the years.

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  • Anonymous

    Posted February 22, 2012

    Satire at its best

    I really didn't know that much about this book before I started reading. I thought it was just a magazine for most of my life. I started reading the novel on a whim, and found this to be one of the most engaging books I've ever read. I say that Thackery is eye to eye with Dickens as far as writing ability. The characters in Vanity Fair actually have a unique personality and the plot has enough twists and turns to keep my modern attention span held.

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  • Anonymous

    Posted January 29, 2012

    The most scheming woman you'll ever meet

    This book was written in the Victorian era, but it feels so contemporary. Thackery is a master of representing people at their ugliest, exposing their machinations against one another and their aspirations in society with comic malice. It's a long book, but it reads fast, and is perfect for getting lost in. Becky Sharp is truly a piece of work. Don't let the length of this book scare you; it's one of the greatest books I've read in recent memory.

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  • Posted October 4, 2011

    This is not a graphic novel

    It looks like this is miscategorized.

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  • Anonymous

    Posted January 24, 2011

    Very engaging, and great for the patient and understanding reader.

    In the begging the social strata and the situation in Vanity Fair are made clear. Miss Pinkerton, a snob and name-dropper, honors only those who have money and position. Thackeray outlines Becky's background and her position at Miss Pinkerton's, and reveals something of her temperament when she routs the old lady by speaking to her in French and by refusing to be intimidated. Her triumph over Miss Pinkerton indicates her ability to take care of herself. The conflict is always man against man for the joys and advantages of Vanity Fair. There is little soul-searching. The reader does not often enter the minds of the characters. He watches what they do, he hears what the author tells about them, and then with some direct prompting from the author, judges them. Any conflict with nature is conflict with human nature. My feelings toward the novel are simple, I enjoyed the detailed writing and the , the amazing symbolism that helps you in understanding the plot and key points of the story, for instance Thackeray takes symbols from everyday life, from the classics, and from the Bible. He shows Rebecca capturing Joseph in a tangle of green silk, at their first acquaintance. As Becky climbs the social stairway, she is compared with a spider. At the close of the book, she has literally entangled and destroyed Joseph just as a spider would its victim. I also enjoyed the phenomenal setting and background information, the only thing I had a problem with was that Thackeray had a wide range of names that seemed to pile on each other and made it difficult to decipher during the read. I would highly recommend this book, I would recommend it alone for its interesting plot and descriptive characters that make it a great read.

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