Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Interpretation
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.
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Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Interpretation
How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.
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Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Interpretation

Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Interpretation

Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Interpretation

Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Interpretation

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Overview

How were eighteenth-century dissenting women writers able to ensure their unique biblical interpretation was preserved for posterity? And how did their careful yet shrewd tactics spur early nineteenth-century women writers into vigorous theological debate? Why did the biblical engagement of such women prompt their commitment to causes such as the antislavery movement? Veiled Intent traces the pattern of tactical moves and counter-moves deployed by Anna Barbauld, Phillis Wheatley, Helen Maria Williams, Joanna Baillie, and Mary Anne Schimmelpenninck. These female poets and philosophers veiled provocative hermeneutical claims and calls for social action within aesthetic forms of discourse viewed as more acceptably feminine forms of expression. In between the lines of their published hymns, sonnets, devotional texts for children, and works of aesthetic theory, the perceptive reader finds striking theological insights shared from a particularly female perspective. These women were not only courageously interjecting their individual viewpoints into a predominantly male domain of formal study--biblical hermeneutics--but also intentionally supporting each other in doing so. Their publications reveal they were drawn to biblical imagery of embodiment and birth, to stories of the apparently weak vanquishing the tyrannical on behalf of the oppressed, and to the metaphor of Christ as strengthening rock.

Product Details

ISBN-13: 9781532600197
Publisher: Pickwick Publications
Publication date: 07/26/2016
Sold by: Barnes & Noble
Format: eBook
Pages: 304
File size: 5 MB

About the Author

Natasha Duquette is Associate Dean at Tyndale University College&Seminary in Toronto. She is editor of Sublimer Aspects: Interfaces between Literature, Aesthetics, and Theology (2007) and Jane Austen and the Arts: Elegance, Propriety, and Harmony (2013).
Natasha Duquette is Associate Dean and Associate Professor of English Literature at Tyndale University College. She has edited two collections, Sublimer Aspects: Interfaces between Literature, Aesthetics, and Theology (2007) and Jane Austen and the Arts: Elegance, Propriety, and Harmony (2013). She also produced a scholarly, annotated edition of Helen Maria Williams's Julia, a Novel Interspersed with Poetical Pieces (2009). Her monograph Veiled Intent: Dissenting Women's Aesthetic Approach to Biblical Hermeneutics is forthcoming with Pickwick Publications.







Table of Contents

List of Illustrations and Tables xi

Foreword Nicholas Wolterstorff xiii

Acknowledgments xv

Introduction 1

1 "The Womb of Morning": Anna Barbauld's Reconciliation of Burkean Divides 27

2 "Sublimest Skies": Phillis Wheatley's Biblical Aesthetics of Freedom 74

3 "Oh Suff'ring Lord": Mercy and Justice in Helen Maria Williams's Early Poetry 116

4 "Sisters of the Lyre": Feminine Fortitude in Joanna Baillie and Felicia Hemans 165

5 "No Beauty but in Christ": Mary Anne Schimmelpenninck's Aesthetic Approach to Biblical Hermeneutics 218

Conclusion 257

Bibliography 263

Index 277

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